The Other 50%

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Episode 189: Mary Montiforte, Production Executive

March 05, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production

Mary Montiforte is the Vice President of Physical Production at Endeavor Content. She originally came up through production accounting and producing as a freelancer, then moved into staff positions in production finance and physical production.

Her longest stint was as a staff production controller for NBCUniversal before moving on to Lionsgate and now Endeavor Content. Some of her credits include 30 Rock, Friday Night Lights, Unbreakable Kimmy Schmidt, The Santa Clause 2, Thirteen Days, Air Force One and a crowd favorite The Commitments - just to barely scratch the surface.

Amongst everything else, we talked about the tenacity and persistence it takes to have longevity in this career.

March 05, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production
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Episode 188: Carolina Groppa, Producer

February 18, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted

Carolina is a Brazilian born Emmy nominated producer living in Los Angeles.

She produced the award winning and 2017 Emmy nominated documentary AUTISM IN LOVE, which explores how adults with autism find and navigate romantic relationships.   Her narrative feature films include MISS VIRGINIA, starring Uzo Aduba, the Netflix Originals GIRLFRIEND'S DAY and HAPPY ANNIVERSARY. She co-produced THE FEMALE BRAIN, Whitney Cummings' directing debut feature film, and also produced SYLVIE'S LOVE which had its world premiere at the 2020 Sundance Film Festival. 

She also has her own podcast that you should check out – it’s called Life with Caca – It’s a podcast of intimate and honest conversations with producers from all corners of the entertainment industry.

It shines a light on the many career paths that exist under the umbrella of producing, the messy, unglamorous realities behind the title, and why we love it so much.

February 18, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted
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Episode 187: Becky Morrison, Founder

January 14, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD

The production process when it comes to film, television, and advertising has lately been seen as outdated and needs to be simplified to be able to adhere to society’s needs for more diverse creators and stories. When Becky Morrison founded The Light, a production studio in Brooklyn, NY, she did it with a simple mission: change the culture of production, overhauling an outdated model in favor of one founded on values of equality, transparency and inclusion. She aims to create a system that prioritizes people, profit and the environment, responding to the ever-evolving economic landscape of the advertising industry. With that set model, Becky and The Light team have been able to secure work for brands like Lexus, JCPenney, and A&E. We spoke in her Brooklyn studio on a snowy day in NY.

January 14, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer, commercials, branded entertainment, film production
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD
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Episode 186: Edith Mudge, Composer

January 11, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted

This episode is brought to you by:

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Edith is a composer and music producer. To date, her music has been placed in 790 episodes of 259 series.  Due to her rigorous 3-year training at Hans Zimmer's Remote Control Productions and Bleeding Fingers, and 2 years of full-time composing at Jingle Punks, Edith has acquired a comprehensive set of musical, technical, and collaborative skills.  Her composing credits include YouTube Premium series Step Up: High Water, Saturday Night Live, and Showtime's The Circus, as well as a plethora of reality TV series, including Queer Eye, Project Runway, and The Real Housewives franchise. She currently composes for TV, film, podcasts, live theater and more, with a specialty in electronic drama, synth pop, and choral music. She told me all about being one of few women in this space, and you will hear her music right here.

January 11, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer
entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted
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Episode 185: Kate Chamuris, Filmmaker

November 20, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film

This episode is brought to you by:

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Kate Chamuris. Kate is a producer & director who recently won a Gold, Student Academy Award and a BAFTA student award for producing the American Film Institute short film MILLER & SON. She also produced the AFI thesis films, BALLOON and IF THIS IS WRONG. For the AFI Directing Workshop for Women, Kate produced UNSPEAKABLE and BLOCKS.  

Her directing work includes the comedic short A SARI FOR PALLAVI (winner, Best Comedy Short at Rhode Island International Film Festival).  

Prior to narrative filmmaking, Kate worked as an advertising account manager for ROLEX Global at J. Walter Thompson. While there she produced the branded feature documentary “Deepest Dive: The Story of the Trieste,” directed by Fisher Stevens that aired on National Geographic and BBC Worldwide. Kate resides in Los Angeles, CA and produces feature films for dir/writer Jeremy Merrifield and his production company, Dream Three Films.

You can watch her two Oscar Qualified Live Action Shorts at the links below:

BALLOON - http://bit.ly/Balloon_SOTW

MILLER & SON - http://bit.ly/MillerSon_SOTW

Social handle on Instagram & Twitter - @katechamuris 

November 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, indie film, short film
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film
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Episode 183: Mary Rachel Gardner, Filmmaker, Heartist

November 05, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy

This episode is brought to you by:

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Today I sat down with Mary Rachel Gardner. She graduated from USC in 2013 with major studies in Acting, Business and Film Production; she also spent a semester abroad studying at a theatre conservatory in London.

Mary Rachel gained hands on experience and knowledge working at production companies, such as Steve Carell’s Carousel Productions and agencies such as William Morris Endeavor. She also worked as a PA on The Ellen DeGeneres Show, where she learned about the production and operation elements of running a live television show.

Since graduating from USC, Mary Rachel founded her own film company Kalliste Zoe Productions to explore, create and share original content through visual art and storytelling. Kalliste Zoe "Όμορφη Ζωή" means "A Beautiful Life" in Greek. She has developed many of her own independent projects including music videos, parodies, comedic sketches and short films. Mary Rachel has received honorary awards at film festivals, such as Audience Favorite and Best Screenplay, and successfully licensed some of her films overseas.

Under the Kalliste Zoe umbrella, she founded the Independent Cinema Showcase (ICS): to discover and share independent filmmakers’ visions from around the world as well as provide an opportunity for them to join a cinema family that connects and supports talented creators.

November 05, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy
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Episode 182: Elizabeth and Isabella Blake Thomas - Mother & Daughter Entertainment

October 22, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers

This episode is brought to you by:

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For today’s episode, there was a happy miscommunication. I was meant to interview Elizabeth Blake- Thomas, a director, via the internet, as I assumed she was in England. Well, she also assumed I was in England. Once we were on the phone, we realized we were actually down the street from each other. So, I jumped in my car and ran down to the Hollywood film festival, where I got to interview both Elizabeth, and her daughter Isabella Blake-Thomas. A very lucky two-fer! Together, Elizabeth (Director) and Isabella (Actor, Singer) have the production company Mother & Daughter Entertainment, whose film Unseen I caught while I was at the festival. It was an unnerving film about child trafficking. We walked out of the screening, and into an outdoor bungalow for this interview. Forgive the background noise, but try to soak up the ambiance.

For more information:

http://www.elizabethblakethomas.com
http://www.motheranddaughterent.com/

IMDb link
Instagram:

@elizabeth_b_t

@isabella_b_t

Twitter: @Elizabeth_B_T

Facebook: https://www.facebook.com/elizabethblakethomas/

October 22, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice, mother daughter, human trafficking
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers
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Episode 181: Heidi Nel, Social Impact Executive

October 15, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, documentary, horror film, Consulting, Digital content, Immigration, human rights, LGBT, Politics, PTSD, webseries

This episode is brought to you by:

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Heidi Nel is the Executive Director of Good Films Impact. She previously served as the head of The Raben Group’s Impact Entertainment division where she provided pro‐social consultation to leaders in media, entertainment, and philanthropy. Clients included the American Film Institute, The Fledgling Fund, One Community, PBS, Sony Pictures TV, and YouTube, as well as independent filmmakers, artists, and change makers.

With nearly two decades working in entertainment, advocacy, strategic communications, and public engagement, Heidi is a leader in the social impact field, with unique insight and expertise in advancing cultural and policy change through stories and film. Her issue‐area expertise includes criminal justice reform, immigration, sexual assault, and gender and racial equity.

Prior to The Raben Group, Heidi was a Partner at Picture Motion where she led the Washington, D.C. office. She began her career at Ghost House Pictures where she co‐produced an original web and TV mini‐series for Comcast, and managed marketing at Lionsgate for Grindstone Entertainment films. In addition to her work on Just Mercy through the development of the Represent Justice campaign, she has led impact strategy and successful engagement campaigns tied to award‐winning films, such as Batkid Begins, The Best of Enemies, Food Chains, Happening, The Human Experiment, The Hunting Ground, The Invisible War, The Return, Racing Extinction, and The Rape of Recy Taylor.

Heidi has guest lectured at Boston University and the George Washington University, and was an adjunct instructor at Duke University in the Sanford School of Public Policy. She has been featured in Variety, Real Screen, Screen Daily, Washington Life Magazine, and HuffPost; has been recognized by the Case Foundation as a “Millennial Leader to Follow”; and received the Media Impact Award from the PVBLIC Foundation and the United Nations Office for Partnerships. Originally from South Africa, Heidi grew up in Colorado and attended the University of North Carolina School of the Arts where she majored in modern dance. She is currently completing an Executive Certificate in Public Leadership at the Harvard Kennedy School, and lives in Alexandria, VA with her husband and dog. 

October 15, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, documentary, horror film, Consulting, Digital content, Immigration, human rights, LGBT, Politics, PTSD, webseries
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Episode 171: Ana Lake and Jennie Nystrom from the webseries "Tracy Buckles"

July 30, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer

This episode is brought to you by:

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I spoke with Ana Lake and Jennie Nystrom about their webseries Tracy Buckles. 

A Los Angeles-based actress originally from the Central Coast, Ana Lake has been immersed in a love of film since childhood. She made her public debut in the short film Finding Home, For Now that she wrote and starred in. The film had its world premiere at the San Luis Obispo International Film Festival in 2017. She plays the title role in Tracy Buckles. 

A graduate student of Clinical Psychology at Antioch University, Jennie Nystrom is an accomplished producer who enjoys collaborating with her husband on all aspects of film production. Her artistic capabilities are eclectic, and she has a deep passion for story supervision, set design, hair, make-up and costume. She is a producer, among many other jobs, on Tracy Buckles.

I spoke with both of them and we basically solved the problems of the world.

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July 30, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, dance
Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer
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Episode 168: Kat Rosenfield, Writer

July 09, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, activism, acting, business, Digital content, entrepreneur, superhero, women, Politics

This episode is brought to you by:

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Kat is the Edgar nominated author of two young adult novels, and most recently collaborated with Stan Lee on his final project, the Audible Original Stan Lee’s Alliances: A Trick of Light. The title is one of Lee’s final collaborations and most innovative works created and finished in his lifetime, and I’m delighted I got to speak with his co-writer, Kat, about working with Lee on this one-of-a-kind audio storytelling experience. Kat is a gifted writer who understands the complexity of youth culture and owning one’s voice when it comes to storytelling.

Narrated by the inspiring Yara Shahidi, Stan Lee’s Alliances: A Trick of Light introduces listeners to a mysterious young woman, Nia, whose fate is intertwined with a seemingly ordinary Midwestern teenager, Cameron Ackerson, whose quest for YouTube stardom takes him to the heart of the Great Lakes Triangle where he is imbued with the power to "see" and "hear" a new reality.

The truly immersive new title is currently available on Audible (Audible.com/ATrickOfLight)

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July 09, 2019 /Julie Harris Oliver
writer, culture, politics, gender equality, social change, Stan Lee, Yara Shahidi
Diversity, entertainment, hollywood, Writers, activism, acting, business, Digital content, entrepreneur, superhero, women, Politics
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Episode 167: Farhoud Meybodi, Wayfarer Entertainment

July 02, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, Writers, activism, human rights, Studios, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors, capital, DGA, Digital content, documentary, entrepreneur, Post Production, PTSD, Reality, superhero, Unscripted, women, youtube influencer

This episode is brought to you by:

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As EVP of Creative at Wayfarer Entertainment, Farhoud Meybodi sets and executes Wayfarer’s overall creative vision across feature film, documentary, series, and commercial content, further strengthening the company’s mission to create entertainment that compels social change.

At his core, Farhoud is passionate about storytelling that entertains, educates, and inspires. He also believes in the transformational power of empathy and shared human experience to heal the political-social divide of the present day.

Mostly recently, Farhoud directed and executive produced several episodes of Wayfarer’s flagship series, My Last Days. He received a Television Academy Honors Award, Muse and Clio for his work on the series. Farhoud also executive produced and wrote Man Enough, for which he received a Telly and Adweek Arc award, and created Project Upgrade, an unscripted series featuring YouTube stars, The Merrell Twins, as they set out to design and build a new consumer product with the help of successful female mentors.

Farhoud serves as a board member of the Wayfarer Foundation, The Muslim Public Affairs Council, as well as Loyola Marymount University’s Business School A-LIST Marketing Pathway, where he teaches a course on Branded Content for Social Impact.

We talked about many things, but one of them was how to invite men into the conversation about equality that promotes healing and forward movement.

See more of Farhoud’s work here:

My Last Days: Meet Anthony: https://www.facebook.com/mylastdayssoulpancake/videos/391034138419712/

Man Enough: #metoo: https://www.facebook.com/WeAreManEnough/videos/2129001024007697/


July 02, 2019 /Julie Harris Oliver
writer, culture, politics, indie film, commercials, healing masculinity, gender equality, social change
Diversity, entertainment, Film & TV, hollywood, Writers, activism, human rights, Studios, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors, capital, DGA, Digital content, documentary, entrepreneur, Post Production, PTSD, Reality, superhero, Unscripted, women, youtube influencer
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Episode 165: Lisa Hammer, Filmmaker, Writer, Musician

June 18, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries

This episode is brought to you by:

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Lisa Hammer is a film director, writer and musician. She is best recognized as the voice of Triana Orpheus on the Adult Swim cartoon The Venture Bros. She has written/directed independent dark comedy feature and short films such as Pox and Pus$bucket, and the CMJ Film Festival winner The Invisible Life of Thomas Lynch which she co-wrote and co-directed with James Merendino (SLC Punk). Lisa's films have won awards from dozens of festivals including: the CMJ Film Festival, Telly Awards, Hugo Awards, It Came From Kuchar Film Festival, the Chicago Underground Film Festival, Canada International Screenplay Festival, Ontario Film Festival, Antimatter, Indieworks and two from New York Press. She has had one-woman shows at the Olympia Film Festival, Perth International Film Festival, and the Duolun Art Museum in Shanghai, China. Her surrealist silent film Empire of Ache was recently acquired by The Getty Museum’s feminist film collection, curated by Miranda July. Her storytelling abilities support not only writing, but her editing, gaining her the reputation for saving shelved films as “The Edit Doctor”.

Hammer’s most recent film The Sisters Plotz, starring Eve Plumb (The Brady Bunch) was recently acquired by Amazon Prime, the Roku Channel and FandangoNow. Hammer co-created and co-writes the original series Maybe Sunshine now on the Seeka TV channel on Roku. Her new "Environmental-Comedy-Sci Fi- Horror" screenplay Ghostapus is winning and placing in dozens of festivals and screenplay contests and is in development. 

We talked about her career and the gritty days in New York where you could have rent control and live as an artist.

June 18, 2019 /Julie Harris Oliver
writer, women writers, culture, politics, acting, Ann Dowd, indie film, punk
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries
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Episode 163: Angela Cohen, Actress, Writer, Filmmaker

June 04, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, Producer, webseries, business, Coaching, Comedy, Commercials, entrepreneur, family films, healthcare, investment, theatre, VFX, acting

This episode is brought to you by:

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I spoke with Angela Cohen for episode 163. Angela is a writer and an actress with a degree from Emory University in Neuroscience and Behavioral Biology. In 2012, Angela founded Charley Bear Productions Inc, with a vision to affect change through art, showcasing the female perspective in front of and behind the camera. Charley Bear produced the dramatic short film, Without Grace, starring Angela alongside award winning actress Ann Dowd. It is wonderful and you should watch it.

In fact, you should watch it today, as it is in the All Voices Film Festival on Amazon through June 17th. Finalists are based upon the numbers of views in the time period. Angela would love to recoup her angel investor’s generous contribution in making this film and stir your heart with emotion in the process. It's 18 minutes- you have 18 minutes!  

Here's the link to watch Without Grace. Tell your friends! 

Angela is fascinated with the brain and the overlap of art and science. The synergy of this will be actualized in her work in Virtual Reality, which she will tell us all about.


June 04, 2019 /Julie Harris Oliver
writer, WGA, women writers, culture, politics, producing, filmmaker, independent film, acting, acting technique, Ann Dowd
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, Producer, webseries, business, Coaching, Comedy, Commercials, entrepreneur, family films, healthcare, investment, theatre, VFX, acting
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Episode 162: Stavroula Toska and Eleni Yiovas of SWITCH

May 28, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Politics, Immigration, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, intimacy coordinator, Producer, webseries

This episode is brought to you by:

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I spoke with Stavroula Toska and Eleni Yiovas about their award-winning series SWITCH. Switch is the story based on Stavroula’s experiences of going undercover and working as a dominatrix in New York City. Now before you pre-judge this, as I did, let me tell you, you have never heard anyone describe the BDSM world before in this way. Stavroula is the creator, writer, actor – coming from a long career as a filmmaker, and Eleni is an Executive Producer and actor.

The series features no less than Olympia Dukakis, John Lindstrom, and Cady McClain, and episodes were directed by Cady McClain, Laurie Weltz, Katie Maguire and Stavroula.

Stavroula and Eleni sat down with me and spoke of this work with such empathy, compassion, and respect for humanity, vulnerability, and the ways in which we heal the world. Seriously, we brought up Brene Brown.

More about the series:

www.switchtheseries.com

Based on the true life story of creator Stavroula Toska, SWITCH follows Stella, an immigrant woman with a dark past who begins training as a professional dominatrix in New York City's most exclusive BDSM Establishment while battling PTSD and trying to build a better life for herself. 

SWITCH takes viewers on a journey to the riveting world of BDSM from a deeply benevolent, unorthodox and cerebral POV by following Stella and the main characters as they navigate leading a double life, the struggle for power, identity, ambition, love and family.  We explore the many aspects of human nature and conditioning that most people never discuss openly; the fantasies we have and why, the childhood trauma buried inside each one of us, the various masks we wear in order to survive in this world, the struggle to lead a decent life, the unspoken pain that is desperately looking for an outlet, the duality in us all, and the lengths we go to in order to connect with one another. 

The title refers to the switch we make when we explore our other side, when we go through the darkness in order to find our light, when we start listening to the parts of our self that were shamed to silence, when we hit rock bottom and start rising again.  Switch is also a popular term used in BDSM practice representing the power exchange between two consenting adults of the opposite sex. 

HuffPo story about Stavroula here

The Awards so far…

SWITCH was recently honored with the 2019 BEST STORY AWARD at the prestigious Santa Fe Film Festival, it has received the BEST SUSPENSE/ BEST ACTION AWARD at the New York Women in Film and Television & Go Indie TV / Roku TV competition, and Stavroula Toska received the OUTSTANDING ACTRESS AWARD category in the same competition. The series has also received the BEST PILOT / BEST NEW SERIES AWARD at the 2019 Calcutta International Film Festival and at the 2019 Los Angeles Independent Film Festival, the BEST PILOT AWARD at the 2019 Best Shorts Film Festival, the BEST WEB SERIES AWARD at the Global Shorts Film Festival. 

Cast: 

SWITCH features a most inclusive and stellar cast and crew (over 70% female), including Academy Award and Golden Globe winner Olympia Dukakis (Moonstruck, The Infiltrator, Bored to Death, Steel Magnolias, Tales of the City, Look who’s Talking), two-time Emmy winner Cady McClain (All My Children, As the World Turns, Seeing is Believing: Women Direct, Law & Order), Emmy-nominee Jon Lindstrom (True Detective, BOSCH, NCIS: Los Angeles, General Hospital) Mark Borkowski (House of Cards, Boardwalk Empire, Blue Bloods), India Ennenga (The Irishman, The Orchard, About Scout, Treme), Bobby Daniel Rodriguez (Narcos, Central Park Five, Bel Canto, Orange in the New Black), Katie Maguire (Billions, Search Party, LI Divas, Blue Bloods), Catherine Chadwick (White Collar, Z: The Beginning of Everything, The Normal Heart).

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May 28, 2019 /Julie Harris Oliver
writer, WGA, women writers, race, culture, politics, producing, filmmaker, independent film, BDSM, Dominatrix
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Politics, Immigration, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, intimacy coordinator, Producer, webseries
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Episode 156: Liz Jenkins, CFO, Hello Sunshine

April 16, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment, capital, DGA, Directors, documentary, human rights, LGBT, Unscripted, WGA

This episode generously sponsored by:

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Liz is the Chief Financial Officer of Hello Sunshine, the media brand founded by Reese Witherspoon. She tells us all about the company, their mission, and their culture. It’s as good as you imagined. Liz was formerly the Senior Vice President of Corporate Development and Strategy at Media Rights Capital. While there, she worked on the deal to bring House of Cards to Netflix, which was then written up as a Harvard Business Review business case, and she talks it about it here as well. Liz is very much one of the best and brightest, and I’m so happy to have her on the show.

April 16, 2019 /Julie Harris Oliver
digital content, digital marketing, women in leadership, women in business, Hello Sunshine, women in tv, women in entertainment, women focused story, book club, female CFO
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment, capital, DGA, Directors, documentary, human rights, LGBT, Unscripted, WGA
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Episode 154: Melinda McLaughlin, Chief Marketing Officer

April 02, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment

This episode generously sponsored by:

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Melinda is the Chief Marketing Officer at Extreme Reach. You may notice that Extreme Reach is the sponsor of this podcast, so that’s how I met her, but I would have interviewed her regardless. She tells us a bit more about the company, and we talked a lot about her journey in her work life. How important it is to be authentic, how self-awareness is key to leadership, and how knitting might be the key to everything.

And how highly paid executives will still tackle each other when something is being given away for free.  Humans are funny.

April 02, 2019 /Julie Harris Oliver
digital content, digital marketing, women in leadership, ad distribution, commercial content, asset distribution, women in business
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment
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Episode 151: Judy Jean Kwon, Creative

March 19, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, human rights, DGA, film festivals, Immigration, Independent Film, WGA, Commercials, Digital content, webseries

This episode generously sponsored by:

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Judy calls herself a Creative. She’s an actress, a comic, a writer, producer, podcaster, creator…she does all the things. Her webseries, MILFriend will be screened on March 22nd at the TCL Chinese 6 Theatres at the Golden State Festival. She tells us all about it on the show, along with her very interesting personal story, and being perfectly poised to have great success during the United Colors of Benetton advertising era.

And this: it’s not enough to just have representation. She wants to hear narratives of the other point of view. She calls it “the other point of views.”

You can find more about Judy here.

March 19, 2019 /Julie Harris Oliver
women in film, immigration, editing, webseries, women writers, comedy, women in comedy, commercials, acting, writing, producing, motherhood
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, human rights, DGA, film festivals, Immigration, Independent Film, WGA, Commercials, Digital content, webseries
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Episode 150: Amanda Blumenthal, Intimacy Coordinator

March 12, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, business, Digital content, documentary, entrepreneur, Unscripted, webseries, Coaching, human rights, LGBT, PTSD, theatre, intimacy coordinator

This episode generously sponsored by:

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Today we have something new - new for the podcast and new for the industry. I sat down with Amanda Blumenthal who is one of a handful of people working in the new position called “Intimacy Coordinator.” She is currently working on the HBO show called Euphoria. She breaks down for us what that job really entails, how her unique background, education and work history prepared her perfectly for it, and the real need for this position on a set. It makes total sense and it’s one of those things that makes you hit your forehead with your palm and ask why haven’t we always had this!? You can reach Amanda via her website here: intimacycoordinator.com.

March 12, 2019 /Julie Harris Oliver
women in film, video, education, global education, intimacy, sexual harassment, sex positive, sex scenes, nudity
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, business, Digital content, documentary, entrepreneur, Unscripted, webseries, Coaching, human rights, LGBT, PTSD, theatre, intimacy coordinator
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Episode 149: Jenny Buccos, Director, Producer, Explorer

March 05, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, Immigration, business, Digital content, documentary, entrepreneur, family films, Unscripted, webseries

This episode generously sponsored by:

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Jenny is a multi-award winning director and producer of the long running program called Project Explorer, and the founder of Project Explorer.org. which is a free multimedia website designed to educate kids about global cultures and histories. She has explored six continents, in over 500 episodes, and has met incredible people and seen amazing places.

She is currently working on a television show to bring this programming to an even wider audience. Jenny is incredibly purpose driven, an explorer, an entrepreneur, and is living her mission every day. I am very inspired by her and I’m sure you will be too.

March 05, 2019 /Julie Harris Oliver
women in film, women writers, video, education, travel, global education
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, Immigration, business, Digital content, documentary, entrepreneur, family films, Unscripted, webseries
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Episode 147: Matt Birch, Agent

February 26, 2019 by Julie Harris Oliver in Digital content, Diversity, entertainment, entrepreneur, Film & TV, Post Production, women, business, film festivals, film scores, hollywood, Independent Film, documentary, Reality, Unscripted, Sound Mixer, DGA, Directors, Editorial, Politics, Producer, PTSD, Studios, VFX, WGA, Writers

This episode generously sponsored by:

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I took a detour into male ally-ship and spoke with Matt Birch. Matt is a partner at the Agency for the Performing Arts (APA) and is a co-head of the physical production department. He came up through production, reluctantly became an agent in 2009, and makes sure to bring a little something different to the art of agent-ing.  I met Matt while recording for the soon to launch podcast called Catch A Break – which is the insider’s guide to breaking into and navigating Hollywood (which you’re going to want to know about, click here to subscribe so you will be notified when it launches.)

During that interview, Matt mentioned he was on the men’s committee of #TimesUp, which as you can imagine made my ears perk up and I immediately booked him for this show to dig a little deeper. This corresponds with the feeling I have been having that it is time to start bringing men into the conversation and engaging them in the process toward equality. And Matt is one of the men who are actively evolving and trying to be part of the solution. We talked about #MeToo/TimesUp and harassment, hiring practices, the wage gap, how men are talking to each other, and a little bit about how men can hold each other accountable in ways that will be effective.

February 26, 2019 /Julie Harris Oliver
hollywood agent, BTL, he for she, male allyship
Digital content, Diversity, entertainment, entrepreneur, Film & TV, Post Production, women, business, film festivals, film scores, hollywood, Independent Film, documentary, Reality, Unscripted, Sound Mixer, DGA, Directors, Editorial, Politics, Producer, PTSD, Studios, VFX, WGA, Writers
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