The Other 50%

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Episode 211: Austin School of Film, Faiza Kracheni and Carrie Cates

October 20, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

For this episode, I got to meet Faiza Kracheni and Carrie Cates of Austin School of Film, which for nearly two decades has provided alternative education programs and workshops for all ages interested in the arts & film. Faiza Kracheni is the Programs & Education Director, and Carrie Cates is the Artist & Community Director. These women have taken their passion for filmmaking and created a completely accessible space for a growing community of creators, breaking down barriers inherent in our society.  

They launched their newest program Play At Home as a direct response to the ongoing pandemic. Play At Home is an online/offline interactive experience featuring live workshops, events, screenings, and talks by artists and filmmakers from around the globe. Since the launch of Play At Home in April 2020, it has hosted 40 workshops and events with over 900 participants in 14+ countries. 

October 20, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 210: Kelli Miller, Co-Founder And/Or Studio

October 13, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

Kelli is the co-founder of creative studio And/Or, and has worked in motion design and branding for 15 years with brands like MTV, Netflix, and Amazon. She is a graduate of Cranbrook Academy of Art and has taught and lectured at the College for Creative Studies, Pratt, NYU, SVA, Yale, and RISD.

Kelli has directed show titles for FX, HBO and Paramount’s Lip Sync Battle, as well as designing title sequences for a number of films and documentaries including The Assistant, Certain Women and critically acclaimed drama Never Rarely Sometimes Always.

https://and-or.co/

October 13, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 209: The Wolf of Snow Hollow: Riki Lindhome, Chloe East and Natalie Metzger

October 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

For this episode, I spoke with a producer and two stars of Jim Cummings’ much anticipated new film The Wolf of Snow Hollow, which opens October 9th in theatres around the country and streaming in the comfort of your living room.

Natalie Metzger, whom you will remember from an earlier episode of this podcast, Produced this movie under her shingle Vanishing Angle where she also produced Jim Cummings’ Thunder Road that won the SXSW Grand Jury Award along with about a million other awards. Riki Lindhome plays Officer Julia Robson in the film. You may also know her from Duncanville, Knives Out, Crazy Ex-Girlfriend and the comedy musical duo Garfunkel and Oates, just to name a few. And finally, we also have Chloe East who played the role of Jenna Marshall in the film. Chloe made her TV debut in True Blood, playing Sheriff Andy’s daughter. Lately, she has been shooting Generation for HBO, Next Level, and Kevin (Probably) Saves the World.

Natalie, Riki and Chloe joined me from three different locations in this time of covid, so the audio is what it is, but have a listen to what it takes to actually make a film in tricky conditions, and how it is to work with Jim Cummings, then go out or order in and see this film tomorrow.

October 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 208: Stephanie Sanditz, Actor, Writer, Director

October 06, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

Stephanie Sanditz is a writer, director, actress and producer from BROKEN HEART, MO - the name of her feature screenplay that won a Tribeca Film Festival All Access Award for New Voices in Screenwriting. She recently optioned feature film DANCE PARTY, a body-positive dance comedy she co-wrote, with Queen Latifah set to star.

Recently, Stephanie wrote, starred and produced her pilot, THE HIGH LIFE pilot, starring opposite Amy Landecker, Linda Purl, Ron Perkins and Jesse Garcia then won BEST PILOT and BEST ACTRESS in the IMDB Independent Shorts festival, and the We Make Movies International and Hollywood Reel Independent Film Festivals and Dances With Films. She has just been hired to adapt an edgy female boxing feature, the PERFECT ADDICTION, with Constantin Films.

As an actress she is currently co-starring in 37 PROBLEMS, which you may remember from when I interviewed the writer Lisa Ebersole. It was just bought by Amazon Prime, Xfiniti, and Elizabeth Banks, Whohaha, and was accepted in the 2017 Tribeca Film Festival New Media category.

She has her hands in too many things to even list here, but a quick google search will lead you to many articles about her work.

Stephanie is prolific and busy, adapting to quarantine, and made some time to talk to me.

October 06, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 207: Deborah Sullivan, Executive Producer, Managing Director

September 29, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

As The-Artery’s Managing Director and Executive Producer, Deborah Sullivan channels her extensive background in advertising, production, design, and visual effects into each and every project that she brings to life. Formerly at DDB New York, FCB New York, Berlin Cameron & Partners, RadicalMedia, as well as PeepShow Post Productions (to name a few), her global body of work spans throughout feature films, television programs, commercials/branded content, and music videos.

Since joining The-Artery and helping to lead their team of artists, Deborah has partnered with some of the world’s leading brands including Pepsi, Under Armour, Verizon, Skyworth,  AppGallery, Johnnie Walker, Mercedes-Benz, Stella Artois, and more. She has also garnered an impressive roster of accolades across the Cannes Lions, Effie, Clio, AICE, AICP, D&AD, and The London International Awards.

https://www.the-artery.com/

September 29, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 206: Prathi Srinivasan, Writer, Actor

September 22, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

For this episode, I spoke with Prathi Srinivasan. Prathi is a talented writer and actress, known for “iZombie,” “A Girl's Guide to Her Early 20s,” and “Wasted.” As an immigrant who grew up in the bustling city of Chennai, India, moving to America was a culture shock for Prathi that resulted in her passion for characters who are stuck between where they come from and where they are going.

She is the co-creator of “Bollyweird” as both an immigrant story and as a complex and rich LGBTQ story, and, alongside frequent writing partner Joshua Levy, their credits include “Titans” (DCUniverse/Netflix), “iZombie” (CW), and the HBO pilot presentation “F**ked Up” (HBOGO, HBONOW). She graduated with a B.A. in literature from The University of Texas at Dallas, and she now resides in sunny California. Despite that, we still recorded this remotely, because pandemic.  

Also, this just in: https://www.hollywoodreporter.com/news/natalie-morales-to-direct-plan-b-for-comedy-american-high-hulu

September 22, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 205: Michelle Amor, Writer, Professor

September 15, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

Michelle Amor. Michelle is a screenwriter and professor and last year she sold her show called THE HONORABLE to CBS. A one-hour drama about the city’s third elected Black mayor, a family woman of integrity, and a novice to politics, who rises from childhood poverty to the most powerful seat in the most politically corrupt city in the nation. Her other credits include PLAYIN’ FOR LOVE, OF BOYS & MEN, and TUPAC SHAKUR: BEFORE I WAKE, and this was all before finishing her degree.

She is also a passionate Clinical Assistant Professor of screenwriting at Loyola Marymount University, and she was honored in Variety’s Entertainment Education Impact Issue as a “top educator around the world”. She is also serving her fourth elected term as co-chair of the Committee of Black Writers in the WGA, whose mission is to empower, increase visibility, and create career and networking opportunities for Black writers in Hollywood. In June 2020, Michelle penned an open letter titled Dear Hollywood addressing systemic racism that went viral. We will talk about that too.

We talk all about her decision to move west to pursue her dream, raising a family while doing it, and what it means to be black in Hollywood and how the system needs to change.

September 15, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 204: Dr. Nidhi Gupta, Filmmaker, Doctor

September 11, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Independent Film, animation, advancing women, activism, Directors, film festivals, gender equity, human rights, intimacy coordinator, LGBT, documentary, entrepreneur, healthcare, COVID-19

For this episode, I spoke with Dr. Nidhi Gupta. Nidhi is a medical doctor with England’s NHS service and a filmmaker. After working in the covid unit, she contracted covid herself and she is still recovering. At the same time, she is a filmmaker and is directing a documentary called Start. Stop. Repeat. for which she is currently crowdfunding with the backing of funding platform Greenlit, which will examine the history of pandemics in interviews with scholars, activists and political figures. You have a few more days to contribute so go to  https://greenlit.fund/project/start-stop-repeat and chip in.

September 11, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, COVID-19
Diversity, entertainment, Film & TV, hollywood, women, Independent Film, animation, advancing women, activism, Directors, film festivals, gender equity, human rights, intimacy coordinator, LGBT, documentary, entrepreneur, healthcare, COVID-19
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Episode 203: Sonya JF Barnett, Intimacy Coordinator

September 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Independent Film, animation, advancing women, activism, Directors, film festivals, gender equity, human rights, intimacy coordinator, LGBT

For this episode, sat down with Sonya JF Barnett, Canada’s only IPA-Certified Intimacy Coordinator. Sonya has been working in the field of sexuality for over ten years. She founded Toronto’s esteemed Keyhole Sessions as a safe and welcoming community for artists to experience the union between sex and art. In early 2011, she co-founded SlutWalk as a way to combat victim-blaming and sexual profiling, for which she was named one of UTNE Reader’s Top Visionaries. She recently completed a specialist degree in Sexual Diversity Studies at the University of Toronto, and is pursuing her Master’s degree in Counselling Psychology, with a focus on sex therapy. She is also a feminist erotic filmmaker, with her short films touring world festivals and each winning multiple awards. A certified sexual health educator, Sonya is also part of the LGBTQIA2S+ community and is kink-friendly. She is currently working as the intimacy coordinator on Guillermo del Toro’s upcoming feature film Nightmare Alley and SEE (Season 2) for Apple TV+. 

I met Sonya on the live series Catch a Break podcast produced with GreenSlate called The Way Back where we talked about getting back to production in the time of Covid. You can see that series at Catchabreakpodcast.com or gslate.com. It is worth the watch or listen.

As you might suspect, we are going to be having a grown up talk about sex and sex education and some porn and you can decide whether or not to listen in your car if your kids are there. But, here’s your warning. Also, a pre-emptive correction, I referenced a piece Dan Savage gave talking about porn and the internet, but I called him Fred Savage. To my knowledge, Fred Savage hasn’t talked about porn on the internet publicly. Although we might be interested in what he has to say about it, that was a mistake. It was Dan Savage.

And in a wonderful full circle moment, Sonya talked about how hearing Amanda Blumenthal on this podcast, led her to seek her out and take her training. I love it when a plan comes together and this world is made a little smaller and more connected.

September 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, women, Independent Film, animation, advancing women, activism, Directors, film festivals, gender equity, human rights, intimacy coordinator, LGBT
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Episode 202: Felischa Marye, Writer, Executive Producer, Creator

September 01, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

For this episode, I got to meet Felischa Marye, a graduate of the MFA screenwriting program at UCLA, who transitioned into the film industry after a successful career in public relations/integrated marketing in Chicago, where she was born and raised. While still in film school, she sold her first comedy pilot to HBO. She most recently created and produced a raunchy friends comedy series, set in Atlanta, called “Bigger,” for BET’s new streaming service, BET+, with Will Packer producing. Bigger Season 2 is currently in development. Felischa also wrote on two seasons of the hit Netflix series “13 Reasons Why.”

Felischa currently resides in Los Angeles, and is proud to have made LA her home, largely because of Chicago’s whether and its indiscriminate cruelty.

September 01, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 200: Saraswathi Balgam, Director, Writer, Creative Producer

August 18, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation

For this very auspicious episode, I sat down with my friend Saraswathi Balgam, aka Vani. She is a writer, director and creative producer with several award winning shorts and documentaries to her credit.  She is currently developing a slate of animation and live action projects based on her original stories. Under the banner of her production company, Dancing Atoms, Vani is also overseeing several hand picked projects conceived by creatives in the USA and India.

Previously, Vani served as the Head of Creative Management for DreamWorks Animation in Shanghai, where she championed Chinese storyboard artists to tell authentic Chinese stories designed for global audiences. Vani was also the Executive Director of Rhythm & Hues India, a multiple Academy Award winning Animation and VFX studio.  She started the studios in Asia, and managed the teams of artists and technicians that created the digital characters in “Life of Pi” “Snow White and the Huntsman” “Night at the Museum”, “The Golden Compass”  “X-Men”, and “The Chronicles of Narnia”. 

Vani, along with her husband Prashant Buyyala, who was instrumental in connecting Vani to Rhythm and Hues in 2000, led the Rhythm and Hues Studios International. Prashant worked with Rhythm and Hues for 18 years and Vani worked there for 12.

Vani is extremely passionate about supporting the artistic community.  She has volunteered tirelessly and served as the President of ASIFA India and Women In Animation India for 10 years. Through her efforts, she has become an indisputable icon in the history of Indian animation. 

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August 18, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation
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Episode 165: Lisa Hammer, Filmmaker, Writer, Musician

June 18, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries

This episode is brought to you by:

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Lisa Hammer is a film director, writer and musician. She is best recognized as the voice of Triana Orpheus on the Adult Swim cartoon The Venture Bros. She has written/directed independent dark comedy feature and short films such as Pox and Pus$bucket, and the CMJ Film Festival winner The Invisible Life of Thomas Lynch which she co-wrote and co-directed with James Merendino (SLC Punk). Lisa's films have won awards from dozens of festivals including: the CMJ Film Festival, Telly Awards, Hugo Awards, It Came From Kuchar Film Festival, the Chicago Underground Film Festival, Canada International Screenplay Festival, Ontario Film Festival, Antimatter, Indieworks and two from New York Press. She has had one-woman shows at the Olympia Film Festival, Perth International Film Festival, and the Duolun Art Museum in Shanghai, China. Her surrealist silent film Empire of Ache was recently acquired by The Getty Museum’s feminist film collection, curated by Miranda July. Her storytelling abilities support not only writing, but her editing, gaining her the reputation for saving shelved films as “The Edit Doctor”.

Hammer’s most recent film The Sisters Plotz, starring Eve Plumb (The Brady Bunch) was recently acquired by Amazon Prime, the Roku Channel and FandangoNow. Hammer co-created and co-writes the original series Maybe Sunshine now on the Seeka TV channel on Roku. Her new "Environmental-Comedy-Sci Fi- Horror" screenplay Ghostapus is winning and placing in dozens of festivals and screenplay contests and is in development. 

We talked about her career and the gritty days in New York where you could have rent control and live as an artist.

June 18, 2019 /Julie Harris Oliver
writer, women writers, culture, politics, acting, Ann Dowd, indie film, punk
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries
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Episode 140: Jill Gilbert, Head of Creative Affairs

January 15, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, PGA, Producer, Studios, VFX, animation, business, Commercials, family films

This episode is brought to you by:

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I sat down with Jill Gilbert, who is Head of Creative Affairs at Luma Pictures, a visual effects and original content company. Jill has had an amazingly interesting career coming up through development, animation, theme park development, and producing. She has credits that range from Disney animated titles to Grandma’s Cats Are Trying to Kill Her and a Spongebob movie. This episode is full of good advice, interesting stories, and a career well built.

Her career is an example of take the opportunity – you never know where it will lead.

Check out the BRIC Foundation Summit here: https://bricfoundation.org/2019summit/

January 15, 2019 /Julie Harris Oliver
writer, WGA, women writers, women in film, women in animation, VFX, animation
Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, PGA, Producer, Studios, VFX, animation, business, Commercials, family films
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Episode 133: Ally Iseman, Actor, Writer, Producer

November 27, 2018 by Julie Harris Oliver in activism, animation, business, Comedy, Commercials, daytime drama, Digital content, Diversity, entertainment, entrepreneur, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, Unscripted, webseries, WGA, women, Writers, youtube influencer

This episode is sponsored by:

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Ally is an actor, writer, and producer. She has worked on stage in productions like Jekyll & Hyde, as well as on screens big and small including shows like American Housewife, Criminal Minds, and Days of Our Lives. Ally makes an appearance in Nicole Conn's newest feature film Nesting Doll, in Jorge Xolalpa Jr.'s latest feature A Giant Without A Head, and as a lead opposite Ray Wise and Bonnie Bedelia in the feature film Life On The Rocks.

Ally has spoken on numerous panels about gender parity and intersectional, inclusive feminism and does her best to align herself with work that has an eye on advocacy. Her internationally award-winning film Wedlocked, an LGBTQ comedy about gay divorce toured at over 45 film festivals worldwide securing digital, broadcast and theatrical distribution.

Most recently she can be seen in the feature film Solver, hosting the new plant-based food travel show The Road Less Eaten, and in her gender parity comedy series Flip the Script, which is being produced in partnership with Women In Film. 

Ally is driven, fearless, and hilarious. Grab your tea and enjoy some time with us.

You can find out more about Ally here: www.allyiseman.com.

November 27, 2018 /Julie Harris Oliver
women writers, women in entertainment, women in comedy, actor, comedy, artivist, flip the script
activism, animation, business, Comedy, Commercials, daytime drama, Digital content, Diversity, entertainment, entrepreneur, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, Unscripted, webseries, WGA, women, Writers, youtube influencer
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Episode 113: Sarah McGrail, VFX Producer

July 17, 2018 by Julie Harris Oliver in business, animation, Commercials, Consulting, Digital content, Diversity, Editorial, entertainment, Film & TV, hollywood, horror film, Independent Film, Studios, women, VFX, Post Production

This episode generously brought to you by:

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Sarah is the Director of VFX Sales at Picture Shop and has been a Supervising VFX Producer for the last decade. She is a wealth of knowledge of that side of the business, which is a side not that many people are expert in.

Some of her credits include Veep, House of Cards, Orange is the New Black – basically my streaming queue.

And she taught me the word sanctamom. Talk about descriptive…

July 17, 2018 /Julie Harris Oliver
VFX, women in post, women in film, women in tv, women in entertainment, post production, visual effects
business, animation, Commercials, Consulting, Digital content, Diversity, Editorial, entertainment, Film & TV, hollywood, horror film, Independent Film, Studios, women, VFX, Post Production
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Episode 77: Women in Entertainment Summit 2017

November 21, 2017 by Julie Harris Oliver in AFI, Comedy, animation, Commercials, DGA, Digital content, Diversity, documentary, Editorial, entertainment, entrepreneur, Film & TV, film festivals, hollywood, Independent Film, investment, LGBT, Music Videos, PGA, Politics, PTSD, theatre, webseries, WGA, women, Writers

Patty Jenkins talks with WIE Co-Founder Gretchen McCourt  

On November 2nd, I went to the third annual Women In Entertainment Summit.  I love this event.

The day started out with Geena Davis. The Geena Davis Institute for Gender in Media Studies has provided a heap of data surrounding women and girls in media. She presented some data on the day, and as usual, representation of women on screen and behind the scenes are still dismally small.  There are some very easy fixes however, and this is a point that really resonated with a lot of people.

She told us that Media can actually fix the problem is has created.

There was a also a lot of talk at the conference about the parts that we own - namely, confidence and advocacy. 

On the side, we talked about #metoo.

During the lunch break I caught up with McKenna Koon and Dana Kelly who both work at FullScreen, and I talked with Shirley Davis, EVP of Production at Alcon Entertainment.

On this episode I share a lot of the high points and inspiration from the day – from women such as Geena Davis, Victoria Mahoney, Dee Rees, Jordyn Wieber, Christine Simmons, Gabrielle Carteris and Greta Gerwig.

It was a great day, and this is but a tip of the iceberg.

And my must see films list from the summit: LadyBird, Mudbound, Fear Us Women

November 21, 2017 /Julie Harris Oliver
women in tv, women in film, directing, diversity, digital content, DGA, film & TV, documentaries, filmmakers, women's conference, women's summit
AFI, Comedy, animation, Commercials, DGA, Digital content, Diversity, documentary, Editorial, entertainment, entrepreneur, Film & TV, film festivals, hollywood, Independent Film, investment, LGBT, Music Videos, PGA, Politics, PTSD, theatre, webseries, WGA, women, Writers
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Episode 68: Alex Schwartz, Producer, Executive

October 10, 2017 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, animation

Alex was Head of Production for Alpha Animation at the time of this recording.  Since then, she has begun producing an all animated Addams Family feature film for MGM. She is a Producer with an amazing list of credits.  Some of them include: Bridge to Terabithia, Mr. Peabody and Sherman, Journey to the Center of the Earth, Holes, Rushmore, Romy and Michele’s High School Reunion…you get the idea. She is legit.

We talked about her unlikely journey to the top.  Moving to LA and back to NY and back to LA.  As you do. Even the worst job you can think of might lead to something real and something big. Take every opportunity.

Alex came up through development as a creative executive, after starting out as a reader at $30 a pop. She walks us through the incredibly collaborative process of animation.

And this - we need to hear the voices of women for our very survival.

October 10, 2017 /Julie Harris Oliver
animation, women in film, development, creative, production executive, producer, women in animation
Diversity, entertainment, Film & TV, hollywood, women, animation
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