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Episode 211: Austin School of Film, Faiza Kracheni and Carrie Cates

October 20, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

For this episode, I got to meet Faiza Kracheni and Carrie Cates of Austin School of Film, which for nearly two decades has provided alternative education programs and workshops for all ages interested in the arts & film. Faiza Kracheni is the Programs & Education Director, and Carrie Cates is the Artist & Community Director. These women have taken their passion for filmmaking and created a completely accessible space for a growing community of creators, breaking down barriers inherent in our society.  

They launched their newest program Play At Home as a direct response to the ongoing pandemic. Play At Home is an online/offline interactive experience featuring live workshops, events, screenings, and talks by artists and filmmakers from around the globe. Since the launch of Play At Home in April 2020, it has hosted 40 workshops and events with over 900 participants in 14+ countries. 

October 20, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 210: Kelli Miller, Co-Founder And/Or Studio

October 13, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

Kelli is the co-founder of creative studio And/Or, and has worked in motion design and branding for 15 years with brands like MTV, Netflix, and Amazon. She is a graduate of Cranbrook Academy of Art and has taught and lectured at the College for Creative Studies, Pratt, NYU, SVA, Yale, and RISD.

Kelli has directed show titles for FX, HBO and Paramount’s Lip Sync Battle, as well as designing title sequences for a number of films and documentaries including The Assistant, Certain Women and critically acclaimed drama Never Rarely Sometimes Always.

https://and-or.co/

October 13, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 209: The Wolf of Snow Hollow: Riki Lindhome, Chloe East and Natalie Metzger

October 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

For this episode, I spoke with a producer and two stars of Jim Cummings’ much anticipated new film The Wolf of Snow Hollow, which opens October 9th in theatres around the country and streaming in the comfort of your living room.

Natalie Metzger, whom you will remember from an earlier episode of this podcast, Produced this movie under her shingle Vanishing Angle where she also produced Jim Cummings’ Thunder Road that won the SXSW Grand Jury Award along with about a million other awards. Riki Lindhome plays Officer Julia Robson in the film. You may also know her from Duncanville, Knives Out, Crazy Ex-Girlfriend and the comedy musical duo Garfunkel and Oates, just to name a few. And finally, we also have Chloe East who played the role of Jenna Marshall in the film. Chloe made her TV debut in True Blood, playing Sheriff Andy’s daughter. Lately, she has been shooting Generation for HBO, Next Level, and Kevin (Probably) Saves the World.

Natalie, Riki and Chloe joined me from three different locations in this time of covid, so the audio is what it is, but have a listen to what it takes to actually make a film in tricky conditions, and how it is to work with Jim Cummings, then go out or order in and see this film tomorrow.

October 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 208: Stephanie Sanditz, Actor, Writer, Director

October 06, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

Stephanie Sanditz is a writer, director, actress and producer from BROKEN HEART, MO - the name of her feature screenplay that won a Tribeca Film Festival All Access Award for New Voices in Screenwriting. She recently optioned feature film DANCE PARTY, a body-positive dance comedy she co-wrote, with Queen Latifah set to star.

Recently, Stephanie wrote, starred and produced her pilot, THE HIGH LIFE pilot, starring opposite Amy Landecker, Linda Purl, Ron Perkins and Jesse Garcia then won BEST PILOT and BEST ACTRESS in the IMDB Independent Shorts festival, and the We Make Movies International and Hollywood Reel Independent Film Festivals and Dances With Films. She has just been hired to adapt an edgy female boxing feature, the PERFECT ADDICTION, with Constantin Films.

As an actress she is currently co-starring in 37 PROBLEMS, which you may remember from when I interviewed the writer Lisa Ebersole. It was just bought by Amazon Prime, Xfiniti, and Elizabeth Banks, Whohaha, and was accepted in the 2017 Tribeca Film Festival New Media category.

She has her hands in too many things to even list here, but a quick google search will lead you to many articles about her work.

Stephanie is prolific and busy, adapting to quarantine, and made some time to talk to me.

October 06, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 207: Deborah Sullivan, Executive Producer, Managing Director

September 29, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

As The-Artery’s Managing Director and Executive Producer, Deborah Sullivan channels her extensive background in advertising, production, design, and visual effects into each and every project that she brings to life. Formerly at DDB New York, FCB New York, Berlin Cameron & Partners, RadicalMedia, as well as PeepShow Post Productions (to name a few), her global body of work spans throughout feature films, television programs, commercials/branded content, and music videos.

Since joining The-Artery and helping to lead their team of artists, Deborah has partnered with some of the world’s leading brands including Pepsi, Under Armour, Verizon, Skyworth,  AppGallery, Johnnie Walker, Mercedes-Benz, Stella Artois, and more. She has also garnered an impressive roster of accolades across the Cannes Lions, Effie, Clio, AICE, AICP, D&AD, and The London International Awards.

https://www.the-artery.com/

September 29, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 206: Prathi Srinivasan, Writer, Actor

September 22, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

For this episode, I spoke with Prathi Srinivasan. Prathi is a talented writer and actress, known for “iZombie,” “A Girl's Guide to Her Early 20s,” and “Wasted.” As an immigrant who grew up in the bustling city of Chennai, India, moving to America was a culture shock for Prathi that resulted in her passion for characters who are stuck between where they come from and where they are going.

She is the co-creator of “Bollyweird” as both an immigrant story and as a complex and rich LGBTQ story, and, alongside frequent writing partner Joshua Levy, their credits include “Titans” (DCUniverse/Netflix), “iZombie” (CW), and the HBO pilot presentation “F**ked Up” (HBOGO, HBONOW). She graduated with a B.A. in literature from The University of Texas at Dallas, and she now resides in sunny California. Despite that, we still recorded this remotely, because pandemic.  

Also, this just in: https://www.hollywoodreporter.com/news/natalie-morales-to-direct-plan-b-for-comedy-american-high-hulu

September 22, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 205: Michelle Amor, Writer, Professor

September 15, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

Michelle Amor. Michelle is a screenwriter and professor and last year she sold her show called THE HONORABLE to CBS. A one-hour drama about the city’s third elected Black mayor, a family woman of integrity, and a novice to politics, who rises from childhood poverty to the most powerful seat in the most politically corrupt city in the nation. Her other credits include PLAYIN’ FOR LOVE, OF BOYS & MEN, and TUPAC SHAKUR: BEFORE I WAKE, and this was all before finishing her degree.

She is also a passionate Clinical Assistant Professor of screenwriting at Loyola Marymount University, and she was honored in Variety’s Entertainment Education Impact Issue as a “top educator around the world”. She is also serving her fourth elected term as co-chair of the Committee of Black Writers in the WGA, whose mission is to empower, increase visibility, and create career and networking opportunities for Black writers in Hollywood. In June 2020, Michelle penned an open letter titled Dear Hollywood addressing systemic racism that went viral. We will talk about that too.

We talk all about her decision to move west to pursue her dream, raising a family while doing it, and what it means to be black in Hollywood and how the system needs to change.

September 15, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 202: Felischa Marye, Writer, Executive Producer, Creator

September 01, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA

For this episode, I got to meet Felischa Marye, a graduate of the MFA screenwriting program at UCLA, who transitioned into the film industry after a successful career in public relations/integrated marketing in Chicago, where she was born and raised. While still in film school, she sold her first comedy pilot to HBO. She most recently created and produced a raunchy friends comedy series, set in Atlanta, called “Bigger,” for BET’s new streaming service, BET+, with Will Packer producing. Bigger Season 2 is currently in development. Felischa also wrote on two seasons of the hit Netflix series “13 Reasons Why.”

Felischa currently resides in Los Angeles, and is proud to have made LA her home, largely because of Chicago’s whether and its indiscriminate cruelty.

September 01, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA
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Episode 200: Saraswathi Balgam, Director, Writer, Creative Producer

August 18, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation

For this very auspicious episode, I sat down with my friend Saraswathi Balgam, aka Vani. She is a writer, director and creative producer with several award winning shorts and documentaries to her credit.  She is currently developing a slate of animation and live action projects based on her original stories. Under the banner of her production company, Dancing Atoms, Vani is also overseeing several hand picked projects conceived by creatives in the USA and India.

Previously, Vani served as the Head of Creative Management for DreamWorks Animation in Shanghai, where she championed Chinese storyboard artists to tell authentic Chinese stories designed for global audiences. Vani was also the Executive Director of Rhythm & Hues India, a multiple Academy Award winning Animation and VFX studio.  She started the studios in Asia, and managed the teams of artists and technicians that created the digital characters in “Life of Pi” “Snow White and the Huntsman” “Night at the Museum”, “The Golden Compass”  “X-Men”, and “The Chronicles of Narnia”. 

Vani, along with her husband Prashant Buyyala, who was instrumental in connecting Vani to Rhythm and Hues in 2000, led the Rhythm and Hues Studios International. Prashant worked with Rhythm and Hues for 18 years and Vani worked there for 12.

Vani is extremely passionate about supporting the artistic community.  She has volunteered tirelessly and served as the President of ASIFA India and Women In Animation India for 10 years. Through her efforts, she has become an indisputable icon in the history of Indian animation. 

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August 18, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation
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Episode 197: Lorena Gordon, Filmmaker

July 28, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film

Lorena is an award-winning writer-director. Hailing from Queens, Lorena began her journey working on sets at the age of eighteen with directors such as: Martin Scorsese, Sam Mendes, and Ben Stiller. The stories Lorena is most passionate about telling are about the human condition and the complicated facets of life. Lorena feels it’s her responsibility as someone who is a woman, Latina, and gay to be a voice to the disenfranchised.

She has directed and produced short films: including Fallen Hero, The Uninvited, The Cure, Alone, and Times Like These. Most recently, Lorena wrote and directed the short film At Last. Lorena has also combined her love for music by directing several music videos, and commercials

@atlastshortfilm

@lorenagordon 

Links: 

At Last: https://youtu.be/i3xwW_iIM1U

Times Like These: https://youtu.be/YNF2vLrfp8I

July 28, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film
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Nicole Murray
Paige Henderson
Paige Henderson

Episode 196: Paige Henderson and Nicole Murray, Creators

July 21, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film

For this episode, I got to catch up with Paige Henderson and Nicole Murray. Together, they have Svelte Dog Productions, under which they wrote, produced, and star in the webseries called Dead Friends. They both are from the Seattle area and graduated from the University of Washington, and by a weird coincidence moved to LA at the same time, and became roommates and collaborators. We had a great time doing this, maybe because we recorded this last January, before the world went completely mad.

PAIGE HENDERSON

Paige graduated with a Bachelor of Arts in Comparative Literature: Cinema Studies from the University of Washington. Amongst various film production jobs, she spent a year travelling the world.

Upon her return to the U.S. she set her focus on acting. Where she starred in feature film “Vellai Pookal”, as well as directed and produced her short “To Build a Forest”.

After moving to Los Angeles, she has frequented short film sets as actress, producer, director and art department. Paige co-founded Svelte Dog Productions, where she wrote and produced short films “Nacken” and “Josie’s Song.”

NICOLE MURRAY

Nicole has a Bachelor’s of Science in Biology from the University of Washington. She has years of research experience between an addiction and an individual differences laboratory, and continued research after graduation. All throughout her schooling, Nicole had quenched her passion for acting through plays and making films with friends.

Nicole began pursuing film acting in tandem with research in Seattle, starring in shorts and a pilot entitled “Vashon”. She moved down to Los Angeles, to hit her dream full-force, where she starred in various short films alongside producing, directing and writing. She co-founded Svelte Dog Productions and currently works at a Renewable fuels facility.

Watch their series here:

https://www.youtube.com/c/DeadFriendsWebseries?sub_confirmation=1

July 21, 2020 /Julie Harris Oliver
women in film, webseries, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film
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Episode 195: Naomi McDougall Jones, Actor, Writer, Director, Producer, Activist

July 14, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film

I first spoke with Naomi for episode 57. I recently caught up with her to see what she has been up to in the last couple of years, and it is a lot. She has written a book called THE WRONG KIND OF WOMEN: INSIDE OUR REVOLUTION TO DISMANTLE THE GODS OF HOLLYWOOD, and toured with her movie called BITE ME. She's also teaching online filmmaker classes that you should check out: naomimcdougalljones.com/class

 

July 14, 2020 /Julie Harris Oliver
women in film, webseries, theatre, writers, acting, actor, 51 Fund, Ted talks, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film
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Episode 186: Edith Mudge, Composer

January 11, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted

This episode is brought to you by:

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Edith is a composer and music producer. To date, her music has been placed in 790 episodes of 259 series.  Due to her rigorous 3-year training at Hans Zimmer's Remote Control Productions and Bleeding Fingers, and 2 years of full-time composing at Jingle Punks, Edith has acquired a comprehensive set of musical, technical, and collaborative skills.  Her composing credits include YouTube Premium series Step Up: High Water, Saturday Night Live, and Showtime's The Circus, as well as a plethora of reality TV series, including Queer Eye, Project Runway, and The Real Housewives franchise. She currently composes for TV, film, podcasts, live theater and more, with a specialty in electronic drama, synth pop, and choral music. She told me all about being one of few women in this space, and you will hear her music right here.

January 11, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer
entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted
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Episode 185: Kate Chamuris, Filmmaker

November 20, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film

This episode is brought to you by:

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Kate Chamuris. Kate is a producer & director who recently won a Gold, Student Academy Award and a BAFTA student award for producing the American Film Institute short film MILLER & SON. She also produced the AFI thesis films, BALLOON and IF THIS IS WRONG. For the AFI Directing Workshop for Women, Kate produced UNSPEAKABLE and BLOCKS.  

Her directing work includes the comedic short A SARI FOR PALLAVI (winner, Best Comedy Short at Rhode Island International Film Festival).  

Prior to narrative filmmaking, Kate worked as an advertising account manager for ROLEX Global at J. Walter Thompson. While there she produced the branded feature documentary “Deepest Dive: The Story of the Trieste,” directed by Fisher Stevens that aired on National Geographic and BBC Worldwide. Kate resides in Los Angeles, CA and produces feature films for dir/writer Jeremy Merrifield and his production company, Dream Three Films.

You can watch her two Oscar Qualified Live Action Shorts at the links below:

BALLOON - http://bit.ly/Balloon_SOTW

MILLER & SON - http://bit.ly/MillerSon_SOTW

Social handle on Instagram & Twitter - @katechamuris 

November 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, indie film, short film
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film
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Episode 184: Thérèse Plummer, Actor and Audiobook Narrator

November 12, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks

This episode is brought to you by:

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Today I spoke over the internet with Thérèse Plummer. Therese is an actor and award-winning audiobook narrator working in New York City. She has recorded over 400 audio books for various publishers. She won the 2019 Audie Award for her work on the multicast, Sadie by Courtney Summers for Macmillan Audio,  and was nominated for the Multicast, Any Man, by Amber Tamblyn for Harper Audio and her solo narration for The Rogue: Planets Shaken by Lee W. Brainard for Podium Publishing. 

The American Library Association (ALA) awarded her work on Sourdough by Robin Sloan as part of the 2018 Listen List: Outstanding Audiobook Narration for Adult Listeners. Thérèse has been nominated for 5 Audie Awards in 2018. She was named AudioFile’s Best Voices of the Year in 2015 for her work on Robyn Carr’s A New Hope.

Thérèse is the voice of Maya Hansen in the Marvel Graphic Motion Comic Ironman Extremis, Dr. Fennel in Pokemon and for various Yu-Gi-Oh characters. Television Guest Star Roles on The Good Wife, Law and Order SVU and Virgin River for Netflix.   

You can imagine how intimidating this was. She told me how she broke in – it was a series of preparation meeting miracles, and she spoke about what everyone wants to know – how do you voice those sex scenes?

November 12, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, voiceover, audiobooks
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks
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Episode 183: Mary Rachel Gardner, Filmmaker, Heartist

November 05, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy

This episode is brought to you by:

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Today I sat down with Mary Rachel Gardner. She graduated from USC in 2013 with major studies in Acting, Business and Film Production; she also spent a semester abroad studying at a theatre conservatory in London.

Mary Rachel gained hands on experience and knowledge working at production companies, such as Steve Carell’s Carousel Productions and agencies such as William Morris Endeavor. She also worked as a PA on The Ellen DeGeneres Show, where she learned about the production and operation elements of running a live television show.

Since graduating from USC, Mary Rachel founded her own film company Kalliste Zoe Productions to explore, create and share original content through visual art and storytelling. Kalliste Zoe "Όμορφη Ζωή" means "A Beautiful Life" in Greek. She has developed many of her own independent projects including music videos, parodies, comedic sketches and short films. Mary Rachel has received honorary awards at film festivals, such as Audience Favorite and Best Screenplay, and successfully licensed some of her films overseas.

Under the Kalliste Zoe umbrella, she founded the Independent Cinema Showcase (ICS): to discover and share independent filmmakers’ visions from around the world as well as provide an opportunity for them to join a cinema family that connects and supports talented creators.

November 05, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy
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Episode 182: Elizabeth and Isabella Blake Thomas - Mother & Daughter Entertainment

October 22, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers

This episode is brought to you by:

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For today’s episode, there was a happy miscommunication. I was meant to interview Elizabeth Blake- Thomas, a director, via the internet, as I assumed she was in England. Well, she also assumed I was in England. Once we were on the phone, we realized we were actually down the street from each other. So, I jumped in my car and ran down to the Hollywood film festival, where I got to interview both Elizabeth, and her daughter Isabella Blake-Thomas. A very lucky two-fer! Together, Elizabeth (Director) and Isabella (Actor, Singer) have the production company Mother & Daughter Entertainment, whose film Unseen I caught while I was at the festival. It was an unnerving film about child trafficking. We walked out of the screening, and into an outdoor bungalow for this interview. Forgive the background noise, but try to soak up the ambiance.

For more information:

http://www.elizabethblakethomas.com
http://www.motheranddaughterent.com/

IMDb link
Instagram:

@elizabeth_b_t

@isabella_b_t

Twitter: @Elizabeth_B_T

Facebook: https://www.facebook.com/elizabethblakethomas/

October 22, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice, mother daughter, human trafficking
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers
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Episode 181: Heidi Nel, Social Impact Executive

October 15, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, documentary, horror film, Consulting, Digital content, Immigration, human rights, LGBT, Politics, PTSD, webseries

This episode is brought to you by:

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Heidi Nel is the Executive Director of Good Films Impact. She previously served as the head of The Raben Group’s Impact Entertainment division where she provided pro‐social consultation to leaders in media, entertainment, and philanthropy. Clients included the American Film Institute, The Fledgling Fund, One Community, PBS, Sony Pictures TV, and YouTube, as well as independent filmmakers, artists, and change makers.

With nearly two decades working in entertainment, advocacy, strategic communications, and public engagement, Heidi is a leader in the social impact field, with unique insight and expertise in advancing cultural and policy change through stories and film. Her issue‐area expertise includes criminal justice reform, immigration, sexual assault, and gender and racial equity.

Prior to The Raben Group, Heidi was a Partner at Picture Motion where she led the Washington, D.C. office. She began her career at Ghost House Pictures where she co‐produced an original web and TV mini‐series for Comcast, and managed marketing at Lionsgate for Grindstone Entertainment films. In addition to her work on Just Mercy through the development of the Represent Justice campaign, she has led impact strategy and successful engagement campaigns tied to award‐winning films, such as Batkid Begins, The Best of Enemies, Food Chains, Happening, The Human Experiment, The Hunting Ground, The Invisible War, The Return, Racing Extinction, and The Rape of Recy Taylor.

Heidi has guest lectured at Boston University and the George Washington University, and was an adjunct instructor at Duke University in the Sanford School of Public Policy. She has been featured in Variety, Real Screen, Screen Daily, Washington Life Magazine, and HuffPost; has been recognized by the Case Foundation as a “Millennial Leader to Follow”; and received the Media Impact Award from the PVBLIC Foundation and the United Nations Office for Partnerships. Originally from South Africa, Heidi grew up in Colorado and attended the University of North Carolina School of the Arts where she majored in modern dance. She is currently completing an Executive Certificate in Public Leadership at the Harvard Kennedy School, and lives in Alexandria, VA with her husband and dog. 

October 15, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, documentary, horror film, Consulting, Digital content, Immigration, human rights, LGBT, Politics, PTSD, webseries
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Episode 176: Eline Mets, Writer, Producer, Motocross Racer

September 03, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries

This episode is brought to you by:

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Eline Mets is creating a series about women in motocross. She got tired of waiting for someone else to do it, so like a real badass woman, she’s doing it herself. Originally from Estonia, Eline is a motocross champion and the first woman in Canada to jump her dirt bike onto an airbag. Passionate about motorcycles and filmmaking, Eline is dedicated to telling stories of badass women. With a background in creating non-fiction content for years, Diaries of Badass Chicks is her directorial scripted series debut. She started a crowd funding for a webseries, and then realized it’s much bigger than that when she received videos and encouragement from women all over the world.
www.badasschicks.tv

September 03, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, women in motocross
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries
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Episode 171: Ana Lake and Jennie Nystrom from the webseries "Tracy Buckles"

July 30, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer

This episode is brought to you by:

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I spoke with Ana Lake and Jennie Nystrom about their webseries Tracy Buckles. 

A Los Angeles-based actress originally from the Central Coast, Ana Lake has been immersed in a love of film since childhood. She made her public debut in the short film Finding Home, For Now that she wrote and starred in. The film had its world premiere at the San Luis Obispo International Film Festival in 2017. She plays the title role in Tracy Buckles. 

A graduate student of Clinical Psychology at Antioch University, Jennie Nystrom is an accomplished producer who enjoys collaborating with her husband on all aspects of film production. Her artistic capabilities are eclectic, and she has a deep passion for story supervision, set design, hair, make-up and costume. She is a producer, among many other jobs, on Tracy Buckles.

I spoke with both of them and we basically solved the problems of the world.

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July 30, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, dance
Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer
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