The Other 50%

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Episode 179: Jessie Levandov and Nina Reyes, Co Founders & Directors of Mala Forever

September 24, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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Jessie Levandov and Nina Reyes are the Co-Founders & Directors of Mala Forever. Mala Forever is an award-winning, women-run film and digital studio based in LA and NYC.

They develop and produce films, new media, and commissioned work that centers unheard voices. They are redefining the future of filmmaking through equitable production practices, and their growing community-based platform is a cultural hub for the radical femme revolution. 

Jessie is an award-winning community-based filmmaker, creative director, and educator. Her queer documentary series Signified was presented by the Guggenheim Lab, and her short film The Greggs won the Spirit Award at Slamdance. Her work has been featured in publications such as Teen Vogue, Huffington Post and Them. Jessie is committed to storytelling as a tool for social justice, and served as the longtime program director of Youth Documentary Workshop at New York’s Educational Video Center.

Nina is a countercultural filmmaker and creative director whose work is grounded in her point of view as a mixed-race first-generation Mexican-American and Jewish woman. Her feature-length screenplay La Paz was a finalist for the 2017 Latino Screenwriting Project; her short films, Organism and Invisible Men, have won press and played at festivals around the world including Outfest, Frameline, and HBO: New York Latino Film Festival. They both are fellow NYU alums with BFA’s from NYU’s Tisch School of the Arts – go violets.

You can follow them on the social media @_MalaForever_

September 24, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 178: Natalie Metzger, Writer, Director, Producer

September 17, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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For this episode, I spoke with Natalie Metzger, who is the VP of Development and Production for Vanishing Angle. Natalie is a Spirit Award nominated producer whose credits include Jim Cummings’ newest film THE WEREWOLF, GREENER GRASS (Sundance, SXSW), THUNDER ROAD (Grand Jury Award - SXSW), THE ROBBERY (Sundance), MATPAT’S GAME LAB (Streamy Award), Lil Dicky’s FREAKY FRIDAY (over 506 million views), HYDRANGEA (Vimeo Staff Pick), THE ARRIVAL (Jury Award - Napa Valley Film Festival), THE STOP (Vimeo Staff Pick), virtual reality miniseries GLOBAL GAMER, among numerous others. 

Her directing credits include AT&T original documentary ALONE IN THE GAME (AFI Docs, Frameline, Outfest); healthcare documentary SPECIAL BLOOD (Best Feature Documentary - CWFF); PSA “Topless Women Talk NFL” (featured in Washington Post, Huffington Post, Vice); and numerous award-winning commercials and short films. 

Also an accomplished writer, Metzger won the Gold Prize at the Page International Screenwriting Awards for her sci-fi script IMMORTAL.

Metzger holds a Master of Fine Arts from California Institute of the Arts and a Bachelor of Arts from Emory University

September 17, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, family films, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 177: Susie Singer Carter, Writer, Director, Producer, Actor

September 10, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting

This episode is brought to you by:

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Susie’s website bio says this: “If you asked five-year-old Susie what she wanted to be when she grew up, she’d have placed her hands defiantly on either side of her pink tutu and said, “Everything. Duh!” And that is what she has done. She’s a writer, producer, actor, musician. She sat down, we became immediate friends, and talked about everything – marriage, divorce, parenting, daughtering. She recently made an autobiographical short film about alzheimer’s called My Mom and the Girl, starring the great Valerie Harper, which she’ll tell us all about, and you can see her dancing hip hop on facebook all the time. She has the media company called Go Girl Media.

And here are all the links:

MY MOM AND THE GIRL

TRAILER - https://vimeo.com/183072790

AMAZON VIDEO - https://www.amazon.com/dp/B07NDQPGXL

ITUNES - https://itunes.apple.com/us/movie/my-mom-and-the-girl/id137275414

GOOGLE PLAY - https://play.google.com/store/movies/details/My_Mom_and_the_Girl?id=P6LORPD00no

Women writer documentaries

Women Who Wrote The Way - https://vimeo.com/207360299/bbbf9385e6

Breaking Good - https://vimeo.com/266981218

Music Video

Bad Dreams in Hollywood https://www.youtube.com/watch?v=sF00Et4vHxE

September 10, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, Alzheimers, family films
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting
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Episode 176: Eline Mets, Writer, Producer, Motocross Racer

September 03, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries

This episode is brought to you by:

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Eline Mets is creating a series about women in motocross. She got tired of waiting for someone else to do it, so like a real badass woman, she’s doing it herself. Originally from Estonia, Eline is a motocross champion and the first woman in Canada to jump her dirt bike onto an airbag. Passionate about motorcycles and filmmaking, Eline is dedicated to telling stories of badass women. With a background in creating non-fiction content for years, Diaries of Badass Chicks is her directorial scripted series debut. She started a crowd funding for a webseries, and then realized it’s much bigger than that when she received videos and encouragement from women all over the world.
www.badasschicks.tv

September 03, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, women in motocross
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries
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Episode 175: Marquette Jones, Filmmaker, Professor, Podcaster

August 27, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA

This episode is brought to you by:

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Marquette Jones began her filmmaking journey in her hometown, Youngstown, Ohio. Marquette is an alumna of New York University’s Film and Television Production graduate program. Before becoming a filmmaker, Marquette was a public interest attorney and social entrepreneur in Oakland, California.  

Her feature film screenplay, AFTER THE JUMP, http://www.afterthejumpmovie.com/, which is currently in development, was recently selected for the Athena Screenwriting Lab in Los Angeles and was a finalist in the Vancouver International Women in Film Festival, Broad Humor Film Festival as well as a semi-finalist in the Atlanta Film Festival Screenplay Competition. It was also selected to participate in the Women in Film/ Sundance Institute’s Film Financing and Strategy Intensive.

Her directing work includes FORGIVING CHRIS BROWN, ROUND ON BOTH SIDES, TUNK, HEROES WANTED and STREETS 2 SUITES (lensed by Bradford Young).  Her films have been featured on Amazon Video, PBS, Showtime, KweliTV, Aspire TV, BET, IFC, StreamPlix and other broadcast & digital outlets. She has also directed several commercial spots, which led to both a Telly Award and Aurora Award for excellence in storytelling.

As a producer, Marquette’s credits include Andrea Williams’ SPOONFUL OF SUGAR, Alrick Brown’s ADVENTURES OF SUPERN*GGER, and Tamika Guishard’s JACKIE. Her past filmmaking-related awards include: New York University’s Warner Bros. Production Award, Panasonic‘s “P2 for a Cause” Grand Prize Winner, Fotokem Film Processing Grant, Woods Hole Film Festival, Best Short Screenplay Winner for “Free’s Rain”, ProMotion Pictures / Heineken Branded Entertainment Shorts Competition Winner, Reel Sisters of the Diaspora Film Festival Best Short Narrative, and First Run Festival’s Producing Award.

When she is not busy writing, producing or directing, Marquette hosts the Directing Magic podcast,http://www.directingmagic.com/, and teaches creative media at The University of Alabama.

August 27, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, podcasting, female director
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA
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Episode 166: Maria Mealla, Filmmaker

June 25, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors

This episode is brought to you by:

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Maria was born in Bolivia and raised by storytellers that encouraged her to pursue filmmaking, a path which eventually led her San Francisco. She ventured into movie-making in 2010 and learned the craft through work trade by collaborating with other talented filmmakers on their projects. She has since written, produced and directed the feature film Women and Cigarettes, a collection of romantic short films titled Business Affairs, and a handful of shorts on lower-middle class millennials. She is the chapter leader of the SF Cinefemme Director’s Collective as well as an active member of Film Fatales. Her most recent film Bring me an Avocado, premiered in March and took home the audience award at Cinequest. When she’s not working on narrative films, she freelances as a video producer throughout the Bay Area.

We talked about her path to filmmaking, the state of inclusion within commercial advertising, and her film Bring me an Avocado.

June 25, 2019 /Julie Harris Oliver
writer, women writers, culture, politics, acting, indie film, commercials, female filmmaker
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors
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Episode 138: Julia Camara, Filmmaker, Writer

January 08, 2019 by Julie Harris Oliver in Directors, Diversity, Editorial, entertainment, entrepreneur, family films, Film & TV, film festivals, hollywood, horror film, Immigration, Independent Film, PGA, Politics, Producer, Studios, WGA, women, Writers

This episode is brought to you by:

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To kick off this year, I sat down with writer and filmmaker Julia Camara. Originally from Brazil, Julia has made several award-winning shorts. She has also written the feature films Area Q, Open Road, and Occupants. She recently released her experimental feature film called In Transit, which won Best Experimental film at the Glendale International Film Festival and is available to rent or buy on Amazon Video.

We talked about her career, her films, and spent a minute unpacking the Kavanagh hearings, as we recorded during that week. Somehow, we kept our sense of humor, because we laugh a lot about the absurdity of gender inequality.

January 08, 2019 /Julie Harris Oliver
independent film, filmmaker, writer, director, female filmmaker, women in film
Directors, Diversity, Editorial, entertainment, entrepreneur, family films, Film & TV, film festivals, hollywood, horror film, Immigration, Independent Film, PGA, Politics, Producer, Studios, WGA, women, Writers
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Episode 137: Paulina Lagudi, Filmmaker

December 26, 2018 by Julie Harris Oliver in business, Commercials, Directors, Diversity, entertainment, entrepreneur, family films, Film & TV, film festivals, hollywood, Independent Film, investment, PGA, Post Production, Producer, women, Writers

This episode is brought to you by:

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Paulina Lagudi is a filmmaker who just released Mail Order Monster, which is available on all the streaming services. I gotta tell you, this woman is an inspiration. She’s an artist, a savvy business person, and a force to be reckoned with.

We talked about her film and its distribution, female empowerment of the “right kind,” setting boundaries, martial arts and growing up the only girl in a family of men with a single father and how instrumental her step mother turned out to be.

December 26, 2018 /Julie Harris Oliver
indie film, female filmmaker, enter, female entrepreneurs, writer, direc, producer, martial arts
business, Commercials, Directors, Diversity, entertainment, entrepreneur, family films, Film & TV, film festivals, hollywood, Independent Film, investment, PGA, Post Production, Producer, women, Writers
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