Episode 167: Farhoud Meybodi, Wayfarer Entertainment

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As EVP of Creative at Wayfarer Entertainment, Farhoud Meybodi sets and executes Wayfarer’s overall creative vision across feature film, documentary, series, and commercial content, further strengthening the company’s mission to create entertainment that compels social change.

At his core, Farhoud is passionate about storytelling that entertains, educates, and inspires. He also believes in the transformational power of empathy and shared human experience to heal the political-social divide of the present day.

Mostly recently, Farhoud directed and executive produced several episodes of Wayfarer’s flagship series, My Last Days. He received a Television Academy Honors Award, Muse and Clio for his work on the series. Farhoud also executive produced and wrote Man Enough, for which he received a Telly and Adweek Arc award, and created Project Upgrade, an unscripted series featuring YouTube stars, The Merrell Twins, as they set out to design and build a new consumer product with the help of successful female mentors.

Farhoud serves as a board member of the Wayfarer Foundation, The Muslim Public Affairs Council, as well as Loyola Marymount University’s Business School A-LIST Marketing Pathway, where he teaches a course on Branded Content for Social Impact.

We talked about many things, but one of them was how to invite men into the conversation about equality that promotes healing and forward movement.

See more of Farhoud’s work here:

My Last Days: Meet Anthony: https://www.facebook.com/mylastdayssoulpancake/videos/391034138419712/

Man Enough: #metoo: https://www.facebook.com/WeAreManEnough/videos/2129001024007697/

Episode 166: Maria Mealla, Filmmaker

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Maria was born in Bolivia and raised by storytellers that encouraged her to pursue filmmaking, a path which eventually led her San Francisco. She ventured into movie-making in 2010 and learned the craft through work trade by collaborating with other talented filmmakers on their projects. She has since written, produced and directed the feature film Women and Cigarettes, a collection of romantic short films titled Business Affairs, and a handful of shorts on lower-middle class millennials. She is the chapter leader of the SF Cinefemme Director’s Collective as well as an active member of Film Fatales. Her most recent film Bring me an Avocado, premiered in March and took home the audience award at Cinequest. When she’s not working on narrative films, she freelances as a video producer throughout the Bay Area.

We talked about her path to filmmaking, the state of inclusion within commercial advertising, and her film Bring me an Avocado.

Episode 127: Krista Hovsepian, Actor, Writer, Producer

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Krista is an actor, writer and producer and stars in the webseries she created, “Wholesome Foods I love you….is that OK?” Originally from Canada, she has done many things in her life from synchronized swimming to a masters in visual anthropology. She is a true Californian at heart though, as you will hear in our conversation.

Find her webseries here.

EP 110: Heidi Basch-Harod, Executive Director Women's Voices Now

Heidi Basch-Harod is the Executive Director of Women’s Voices Now, a 501(c)(3) non-profit organization, which uses the medium of film to advocate for global women’s rights. They carry out their mission with an annual online film festival, a free streaming archive of international women’s rights based films, educational programs, screening events, and multimedia workshops.

She has spent her career as a human rights activist and also is a producer of the award-winning feature documentary Honor Diaries, and the highly-acclaimed short film, In Search of America, Inshallah.

Among other quotables, she said this, “no matter who you are or where you’re from women have incredible capabilities for survival.” Isn’t that the truth?

Episode 104: Prarthana Joshi - Filmmaker

Prarthana (PJ) is a Production Designer, Producer, Editor – Artist. She moved to California from India several years ago to attend film school and then work in the film industry. She has been working here ever since, until recently, when her green card was denied, and she has to leave the country this very week. This is a story of immigration, the pursuit of art, and the agency of people to live and work where they desire.

Also, PJ is a producer on this project. Please follow and join the cause: https://www.seedandspark.com/fund/the-apple-tree#story

Episode 74: I Clown You, Sasha Kapustina and Inbal-Rotem Sagiv

Sasha and Inbal are filmmakers who have made a documentary called I Clown You. It’s a film about clowns that work in hospitals in Israel. Clowning is a beautiful art that is taken quite seriously and is respected as a legitimate occupation in the medical system.

Sasha had a long and winding road from law school in Russia to filmmaking in the United States. Inbal also had a long journey from production in Israel to living in Hollywood. We talk about their lives and careers, immigration and diverse families, and the art of clowning.

This is more than a film, it’s a mission - to explore and to bring awareness to healing and liberating powers of professional medical clowning and to spread the clown spirit of kindness and mischief.

To that end, they are celebrating I CLOWN YOU WEEK in Los Angeles – November 6-14, 2017. Two Israeli professional medical clowns, David Barashi and Rotem Goldenberg, are coming to Los Angeles for a series of events, lectures, hospital visits, workshops, and seminars. The program aims to grow awareness around the profession of medical clowning and its value both in the hospital and in the day to day life.

You can find out more here:  http://www.iclownyoudoc.com/

You can see video of this interview here.

Episode 60: Suzanne Lyons, Producer, Author, Teacher

Suzanne is a film producer, author, speaker, teacher and inspiration. You may remember the Flash Forward Institute in the early 2000’s.  She started that. She is the Co-Founder of Snowfall Films. She wrote Independent Film Producing: The Craft of Low Budget Filmmaking.

From humble beginnings in Canada, where she was told she could be a teacher, a nurse or a secretary, she quickly realized she was as smart as the men running things and might just have a go at that. At 29 she was the first female VP at a TV Network.

She is all about accountability and going for it. In this business, the key differentiator is who has actually done the work?

“In what other industry on planet earth do people relinquish their power in running their own lives to someone else (i.e. agents and managers?)”

And this: we are living on earth to experience joy and expansion. No limits.

Grab a cup of tea and settle in. Then, find more here:  http://www.suzannelyons.net/

Episode 49: "Group," the writer, director, and actors

Group is a play that explores people participating in group therapy for sufferers of PTSD (Post Traumatic Stress Disorder).  I was joined by (pictured left to right) Marjorie Lewit, the director (who we met on Stronger than Pretty), Lesley Gouger, the writer,  Barbera Howard and Jasmine Pierre, both actors.  It was such a joy to spend time with this group.  We had a real talk about some real things.  We laughed a lot, we cried a little, and they were fearless in sharing with me.

The play opens this Friday, June 16th, at the Avery Schreiber Playhouse in North Hollywood. Click here to find out more and buy tickets: http://www.defiancetheatrecompany.com. I will be there, and I hope to see you, too.

Episode 47: Ayser Salman, Writer/Editor/Producer

Ayser is an Editor/Producer/Writer. She is also a Muslim, Arab, immigrant woman living in America.  Apparently, all of those things together add up to an interesting set of experiences. So much so, she is writing her memoir.  After hearing her interview, you will want to read her book, The Wrong End of the Table: an Immigrant Love Story.

She told me lots of stories, such as when her sister was born in America and was nearly named Amanda, except Ayser was NOT HAVING THAT. In recent years, she has discovered that saying your real name to the barista is actually a radical political act that, though risky, is worth it. It is important to be seen and not hide in the shadows.

And no matter what, even at her own party, she always seems to find herself at the wrong end of the table.  Who doesn’t?

You can learn more about Ayser and read some of her work here:  www.aysersalman.com.