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Episode 216: Cecilia Escobar, Founder, Accountant, Payroll Expert

November 24, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, Independent Film, acting, Directors, gender equity, Producer, Studios, women, advancing women, business, Consulting, entrepreneur

For this episode, I sat with Cecilia Escobar, Founder and President of Smart Accounting Solutions. With more than 30 years of Entertainment Payroll and Accounting Expertise Cecilia has held executive and senior management roles for multiple entertainment payroll companies like Media Services and Axium, and most recently, she was the Vice President of Payroll Operations at Entertainment Partners. 

In between these positions, she freelanced as a payroll and production accountant on major motion pictures and studios for over 18 years.

Cecilia is a Multi-Cultural Client Business Partner, leading efforts for Multi-Cultural Diversity in the Industry. She has hosted many Diversity Client events as well as sponsorships to Diversity Production Summits and Trade Shows. One of her latest pet-projects is bridging Latin American Film Productions with their US counterparts. 

Cecilia is currently a member of multiple entertainment industry associations including N.A.L.I.P., Women In Film, and Hispanic Professionals.

She has just started a non-profit called Sandbar Sanctuary – a Horse Rescue and Equine Therapy for Abused Women. With her love of horses, she hopes to help women bond and find a way to heal through therapeutic equine experiences. 

To reach Cecilia: Info@sasolutionsinc.com

November 24, 2020 /Julie Harris Oliver
women in film, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, writer, WGA, director, Alliance of Women Directors, DGA, Homeland, Production Accounting, Payroll
Diversity, entertainment, Film & TV, hollywood, Independent Film, acting, Directors, gender equity, Producer, Studios, women, advancing women, business, Consulting, entrepreneur
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Episode 215: Kim Gruenenfelder, Author

November 17, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, business, activism, Comedy, human rights, Politics

For this episode I got to catch up with my friend Kim Gruenenfelder. You may remember her from the podcast when her book, Hangovers and Hotflashes came out. Well she has a brand-new book that I have bought and will be reading over Thanksgiving called, My Ex’s Wedding. I was a fan of Kim’s long before I ever met her, so this is a real treat for me. And also, she’s hilarious. Some of her other titles include A Total Waste of Makeup, Misery Loves Cabernet, There’s Cake in My Future, Keep Calm and Carry a Big Drink, and Love the Wine You’re With. I mean, come on. Give yourself a treat. Heads up, our kids went to high school together so we may refer to them a bit as they are both navigating college online.

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November 17, 2020 /Julie Harris Oliver
writer, WGA, women writers
Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, business, activism, Comedy, human rights, Politics
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Episode 211: Austin School of Film, Faiza Kracheni and Carrie Cates

October 20, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

For this episode, I got to meet Faiza Kracheni and Carrie Cates of Austin School of Film, which for nearly two decades has provided alternative education programs and workshops for all ages interested in the arts & film. Faiza Kracheni is the Programs & Education Director, and Carrie Cates is the Artist & Community Director. These women have taken their passion for filmmaking and created a completely accessible space for a growing community of creators, breaking down barriers inherent in our society.  

They launched their newest program Play At Home as a direct response to the ongoing pandemic. Play At Home is an online/offline interactive experience featuring live workshops, events, screenings, and talks by artists and filmmakers from around the globe. Since the launch of Play At Home in April 2020, it has hosted 40 workshops and events with over 900 participants in 14+ countries. 

October 20, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 210: Kelli Miller, Co-Founder And/Or Studio

October 13, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

Kelli is the co-founder of creative studio And/Or, and has worked in motion design and branding for 15 years with brands like MTV, Netflix, and Amazon. She is a graduate of Cranbrook Academy of Art and has taught and lectured at the College for Creative Studies, Pratt, NYU, SVA, Yale, and RISD.

Kelli has directed show titles for FX, HBO and Paramount’s Lip Sync Battle, as well as designing title sequences for a number of films and documentaries including The Assistant, Certain Women and critically acclaimed drama Never Rarely Sometimes Always.

https://and-or.co/

October 13, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 209: The Wolf of Snow Hollow: Riki Lindhome, Chloe East and Natalie Metzger

October 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

For this episode, I spoke with a producer and two stars of Jim Cummings’ much anticipated new film The Wolf of Snow Hollow, which opens October 9th in theatres around the country and streaming in the comfort of your living room.

Natalie Metzger, whom you will remember from an earlier episode of this podcast, Produced this movie under her shingle Vanishing Angle where she also produced Jim Cummings’ Thunder Road that won the SXSW Grand Jury Award along with about a million other awards. Riki Lindhome plays Officer Julia Robson in the film. You may also know her from Duncanville, Knives Out, Crazy Ex-Girlfriend and the comedy musical duo Garfunkel and Oates, just to name a few. And finally, we also have Chloe East who played the role of Jenna Marshall in the film. Chloe made her TV debut in True Blood, playing Sheriff Andy’s daughter. Lately, she has been shooting Generation for HBO, Next Level, and Kevin (Probably) Saves the World.

Natalie, Riki and Chloe joined me from three different locations in this time of covid, so the audio is what it is, but have a listen to what it takes to actually make a film in tricky conditions, and how it is to work with Jim Cummings, then go out or order in and see this film tomorrow.

October 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 208: Stephanie Sanditz, Actor, Writer, Director

October 06, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

Stephanie Sanditz is a writer, director, actress and producer from BROKEN HEART, MO - the name of her feature screenplay that won a Tribeca Film Festival All Access Award for New Voices in Screenwriting. She recently optioned feature film DANCE PARTY, a body-positive dance comedy she co-wrote, with Queen Latifah set to star.

Recently, Stephanie wrote, starred and produced her pilot, THE HIGH LIFE pilot, starring opposite Amy Landecker, Linda Purl, Ron Perkins and Jesse Garcia then won BEST PILOT and BEST ACTRESS in the IMDB Independent Shorts festival, and the We Make Movies International and Hollywood Reel Independent Film Festivals and Dances With Films. She has just been hired to adapt an edgy female boxing feature, the PERFECT ADDICTION, with Constantin Films.

As an actress she is currently co-starring in 37 PROBLEMS, which you may remember from when I interviewed the writer Lisa Ebersole. It was just bought by Amazon Prime, Xfiniti, and Elizabeth Banks, Whohaha, and was accepted in the 2017 Tribeca Film Festival New Media category.

She has her hands in too many things to even list here, but a quick google search will lead you to many articles about her work.

Stephanie is prolific and busy, adapting to quarantine, and made some time to talk to me.

October 06, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 207: Deborah Sullivan, Executive Producer, Managing Director

September 29, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

As The-Artery’s Managing Director and Executive Producer, Deborah Sullivan channels her extensive background in advertising, production, design, and visual effects into each and every project that she brings to life. Formerly at DDB New York, FCB New York, Berlin Cameron & Partners, RadicalMedia, as well as PeepShow Post Productions (to name a few), her global body of work spans throughout feature films, television programs, commercials/branded content, and music videos.

Since joining The-Artery and helping to lead their team of artists, Deborah has partnered with some of the world’s leading brands including Pepsi, Under Armour, Verizon, Skyworth,  AppGallery, Johnnie Walker, Mercedes-Benz, Stella Artois, and more. She has also garnered an impressive roster of accolades across the Cannes Lions, Effie, Clio, AICE, AICP, D&AD, and The London International Awards.

https://www.the-artery.com/

September 29, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 194: Courtney Hope Therond

May 19, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Courtney Hope Therond is an award-winning director whose films feature an unapologetically female perspective. She has screened short films at several film festivals and her latest short Rehearsal, which tackles the grey areas of consent, premiered online on Short of the Week and received a Vimeo Staff Pick after playing over a dozen festivals internationally. Her film The Dress You Have On won multiple awards including two jury prizes and is distributed by Revry TV and Seed & Spark. Courtney’s digital series Comedic Timing was recently acquired by WhoHaHa and the screenplay for her digital series Between Us Girls was a finalist at Austin Film Festival.

Courtney is a graduate of NYU and was a Cinereach Film Fellow. After four years in France, she now directs narrative and branded content in Los Angeles and is currently developing her first feature film

May 19, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
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Episode 193: Sophie Max, Actor, Writer, Producer

May 05, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Sophie Max is an actress, writer and producer based in London and trained at the American Academy of Dramatic Arts in New York. She is the writer, executive producer and lead actress in the film The Whole Truth and previous film work includes writing and starring in the award-winning Callie. As an actress, Sophie has been seen across theatre and film in New York and the UK. Sophie is also a poet and her book, lost and found, was published in January 2018 and is available on Amazon worldwide. Sophie is a proud advocate for womxn in the film industry and is passionate about elevating womxn’s voices and stories in media. In other words, she has come to the right place.

May 05, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
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Episode 192: Melissa Center and Tanny Jiraprapasuke - Whole Self Systems

April 21, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

For this episode, I got to speak with Melissa Center, an award-winning filmmaker & actress, and Tanny Jiraprapasuke, a mindful coach, practitioner, & scholar, who met by chance in Los Angeles, at the National Women’s Political Caucus Summer Spritz event. As women in support of other women: they discovered a mutual desire to shift the moral paradigm around closing the gender pay-gap, reevaluating hiring practices, and transforming organizations’ cultures.

Melissa and Tanny decided to combine their talents, aligned values, and full dedication to affecting change for good. They are not trying to dismantle “systems,” but rather to interrupt the status quo “systems” by offering a new kind of system: Whole Self Systems. Through Whole Self Systems, Melissa & Tanny inspire new ways of communicating, empower ethical leaders (many from marginalized communities), and elevate workplaces that prioritize diversity, gender equanimity, & social innovation.

We spoke earlier this year, before we were all in isolation, but somehow this work seems even more relevant now, as many people are looking inward toward mindfulness and as the world is changing before our very eyes.

April 21, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
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Episode 191: Ashley Shelton, Actor, Filmmaker

March 31, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Ashley got her start starring in the critically-acclaimed film, Something, Anything. She was also featured on IndieWire's 2015 year end critics poll best lead actress list. Ashley is a graduate in Theatre from the University of Tennessee and is passionate about telling stories from the heart. Her goals include bringing to life stories that give light to social issues and connecting with people through cinema. In 2018 her writing and directorial debut came to life with MAGNOLIA & CLEMENTINE that was featured in Amazon Prime's first ever film festival.

We spoke remotely, before social distancing was the new normal.

March 31, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
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Episode 190: Gabriela Ledesma and Callie Schuttera, Filmmakers

March 18, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production

For this episode, I got to speak with the founders of the production company, Poison Pictures: Gabriela Ledesma and Callie Schuttera. The pair met in 2015 and have since written and produced countless projects together including comedy specials, feature films, live events, commercials, and documentaries.

​Their work has been featured and acclaimed by Film Pulse, CherryPicks, Film Threat, Film Inquiry, and more.

We talked about their journeys, both before each other and together, and their film Blue, which you can find on Amazon Prime.  

March 18, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production
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Episode 189: Mary Montiforte, Production Executive

March 05, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production

Mary Montiforte is the Vice President of Physical Production at Endeavor Content. She originally came up through production accounting and producing as a freelancer, then moved into staff positions in production finance and physical production.

Her longest stint was as a staff production controller for NBCUniversal before moving on to Lionsgate and now Endeavor Content. Some of her credits include 30 Rock, Friday Night Lights, Unbreakable Kimmy Schmidt, The Santa Clause 2, Thirteen Days, Air Force One and a crowd favorite The Commitments - just to barely scratch the surface.

Amongst everything else, we talked about the tenacity and persistence it takes to have longevity in this career.

March 05, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production
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Episode 188: Carolina Groppa, Producer

February 18, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted

Carolina is a Brazilian born Emmy nominated producer living in Los Angeles.

She produced the award winning and 2017 Emmy nominated documentary AUTISM IN LOVE, which explores how adults with autism find and navigate romantic relationships.   Her narrative feature films include MISS VIRGINIA, starring Uzo Aduba, the Netflix Originals GIRLFRIEND'S DAY and HAPPY ANNIVERSARY. She co-produced THE FEMALE BRAIN, Whitney Cummings' directing debut feature film, and also produced SYLVIE'S LOVE which had its world premiere at the 2020 Sundance Film Festival. 

She also has her own podcast that you should check out – it’s called Life with Caca – It’s a podcast of intimate and honest conversations with producers from all corners of the entertainment industry.

It shines a light on the many career paths that exist under the umbrella of producing, the messy, unglamorous realities behind the title, and why we love it so much.

February 18, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted
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Episode 187: Becky Morrison, Founder

January 14, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD

The production process when it comes to film, television, and advertising has lately been seen as outdated and needs to be simplified to be able to adhere to society’s needs for more diverse creators and stories. When Becky Morrison founded The Light, a production studio in Brooklyn, NY, she did it with a simple mission: change the culture of production, overhauling an outdated model in favor of one founded on values of equality, transparency and inclusion. She aims to create a system that prioritizes people, profit and the environment, responding to the ever-evolving economic landscape of the advertising industry. With that set model, Becky and The Light team have been able to secure work for brands like Lexus, JCPenney, and A&E. We spoke in her Brooklyn studio on a snowy day in NY.

January 14, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer, commercials, branded entertainment, film production
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD
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Episode 186: Edith Mudge, Composer

January 11, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted

This episode is brought to you by:

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Edith is a composer and music producer. To date, her music has been placed in 790 episodes of 259 series.  Due to her rigorous 3-year training at Hans Zimmer's Remote Control Productions and Bleeding Fingers, and 2 years of full-time composing at Jingle Punks, Edith has acquired a comprehensive set of musical, technical, and collaborative skills.  Her composing credits include YouTube Premium series Step Up: High Water, Saturday Night Live, and Showtime's The Circus, as well as a plethora of reality TV series, including Queer Eye, Project Runway, and The Real Housewives franchise. She currently composes for TV, film, podcasts, live theater and more, with a specialty in electronic drama, synth pop, and choral music. She told me all about being one of few women in this space, and you will hear her music right here.

January 11, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer
entertainment, women, gender equity, advancing women, hollywood, business, Studios, webseries, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film, composers, film scores, Producer, songwriting, Sound Mixer, Unscripted
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Episode 185: Kate Chamuris, Filmmaker

November 20, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film

This episode is brought to you by:

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Kate Chamuris. Kate is a producer & director who recently won a Gold, Student Academy Award and a BAFTA student award for producing the American Film Institute short film MILLER & SON. She also produced the AFI thesis films, BALLOON and IF THIS IS WRONG. For the AFI Directing Workshop for Women, Kate produced UNSPEAKABLE and BLOCKS.  

Her directing work includes the comedic short A SARI FOR PALLAVI (winner, Best Comedy Short at Rhode Island International Film Festival).  

Prior to narrative filmmaking, Kate worked as an advertising account manager for ROLEX Global at J. Walter Thompson. While there she produced the branded feature documentary “Deepest Dive: The Story of the Trieste,” directed by Fisher Stevens that aired on National Geographic and BBC Worldwide. Kate resides in Los Angeles, CA and produces feature films for dir/writer Jeremy Merrifield and his production company, Dream Three Films.

You can watch her two Oscar Qualified Live Action Shorts at the links below:

BALLOON - http://bit.ly/Balloon_SOTW

MILLER & SON - http://bit.ly/MillerSon_SOTW

Social handle on Instagram & Twitter - @katechamuris 

November 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, indie film, short film
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film
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Episode 184: Thérèse Plummer, Actor and Audiobook Narrator

November 12, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks

This episode is brought to you by:

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Today I spoke over the internet with Thérèse Plummer. Therese is an actor and award-winning audiobook narrator working in New York City. She has recorded over 400 audio books for various publishers. She won the 2019 Audie Award for her work on the multicast, Sadie by Courtney Summers for Macmillan Audio,  and was nominated for the Multicast, Any Man, by Amber Tamblyn for Harper Audio and her solo narration for The Rogue: Planets Shaken by Lee W. Brainard for Podium Publishing. 

The American Library Association (ALA) awarded her work on Sourdough by Robin Sloan as part of the 2018 Listen List: Outstanding Audiobook Narration for Adult Listeners. Thérèse has been nominated for 5 Audie Awards in 2018. She was named AudioFile’s Best Voices of the Year in 2015 for her work on Robyn Carr’s A New Hope.

Thérèse is the voice of Maya Hansen in the Marvel Graphic Motion Comic Ironman Extremis, Dr. Fennel in Pokemon and for various Yu-Gi-Oh characters. Television Guest Star Roles on The Good Wife, Law and Order SVU and Virgin River for Netflix.   

You can imagine how intimidating this was. She told me how she broke in – it was a series of preparation meeting miracles, and she spoke about what everyone wants to know – how do you voice those sex scenes?

November 12, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, voiceover, audiobooks
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks
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Episode 183: Mary Rachel Gardner, Filmmaker, Heartist

November 05, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy

This episode is brought to you by:

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Today I sat down with Mary Rachel Gardner. She graduated from USC in 2013 with major studies in Acting, Business and Film Production; she also spent a semester abroad studying at a theatre conservatory in London.

Mary Rachel gained hands on experience and knowledge working at production companies, such as Steve Carell’s Carousel Productions and agencies such as William Morris Endeavor. She also worked as a PA on The Ellen DeGeneres Show, where she learned about the production and operation elements of running a live television show.

Since graduating from USC, Mary Rachel founded her own film company Kalliste Zoe Productions to explore, create and share original content through visual art and storytelling. Kalliste Zoe "Όμορφη Ζωή" means "A Beautiful Life" in Greek. She has developed many of her own independent projects including music videos, parodies, comedic sketches and short films. Mary Rachel has received honorary awards at film festivals, such as Audience Favorite and Best Screenplay, and successfully licensed some of her films overseas.

Under the Kalliste Zoe umbrella, she founded the Independent Cinema Showcase (ICS): to discover and share independent filmmakers’ visions from around the world as well as provide an opportunity for them to join a cinema family that connects and supports talented creators.

November 05, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy
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Episode 182: Elizabeth and Isabella Blake Thomas - Mother & Daughter Entertainment

October 22, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers

This episode is brought to you by:

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For today’s episode, there was a happy miscommunication. I was meant to interview Elizabeth Blake- Thomas, a director, via the internet, as I assumed she was in England. Well, she also assumed I was in England. Once we were on the phone, we realized we were actually down the street from each other. So, I jumped in my car and ran down to the Hollywood film festival, where I got to interview both Elizabeth, and her daughter Isabella Blake-Thomas. A very lucky two-fer! Together, Elizabeth (Director) and Isabella (Actor, Singer) have the production company Mother & Daughter Entertainment, whose film Unseen I caught while I was at the festival. It was an unnerving film about child trafficking. We walked out of the screening, and into an outdoor bungalow for this interview. Forgive the background noise, but try to soak up the ambiance.

For more information:

http://www.elizabethblakethomas.com
http://www.motheranddaughterent.com/

IMDb link
Instagram:

@elizabeth_b_t

@isabella_b_t

Twitter: @Elizabeth_B_T

Facebook: https://www.facebook.com/elizabethblakethomas/

October 22, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice, mother daughter, human trafficking
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers
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