EP 222: Women's Production Society Part 2 Cristen Carr Strubbe and Jeanette Volturno

This is part two in a series of interviews with  the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. 

In the last episode, I talked with the group’s founding members Dana Belcastro and Debra Bergman. And today I am talking with Jeanette Volturno, producer and entrepreneur,  and Cristen Carr Strubbe, producer turned physical production executive, who are the current leadership of the group. You can hear Jeanette’s origin story in episode 111 of this podcast  and Cristen is on episode 15.

In this episode we talk about where the WPS is now, how they weathered the covid of it all the last couple of years, and what the plan to do going forward.

EP 221: Women's Production Society Part 1 Dana Belcastro and Debra Bergman

I have a couple of really special interviews to share with you. Both are with the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. And this time we are in, where women are literally losing power over our very bodies, it is more urgent and important than ever that women take on leadership roles of influence and take deliberate action toward impacting our world.

This first interview is with the founding members Dana Belcastro and Debra Bergman. Both came up as producers and now both are executives. To get their full stories, I will refer you back to episodes 108 and 109 of this very podcast where we do a deep dive into both of their herstories. In today’s episode they walk us through the origin of the Women’s Production Society and what they are looking to do next as they hand the reins over to the next leadership of the group.

Episode 220: Donna: Stronger than Pretty

This episode is very special and very bittersweet. You may remember when I spoke with Jaret Martino and Pat Branch when they made the short called Stronger than Pretty. Well, they are back because the feature film version, Donna: Stronger than Pretty is about to have its worldwide release on February 23rd, after a great festival run. I also had the honor to talk to Donna Martino herself, Jaret’s mom, whose story the film tells. We recorded this last February on the weekend of its festival premiere, where it won basically all the awards. It was impossible to know at the time that Donna would be diagnosed with cancer very shortly afterward, and she passed away on September 3rd of 2020. As you will hear, Donna was a remarkable woman and mother and Jaret’s tribute to her in the form of this film will inspire you, as it has inspired me.

Pat and Jaret co-wrote the script, and Jaret directed it. I start out talking with Jaret and Donna, and Pat joins later on, fresh from an awards ceremony where she was collecting all the trophies. I’m so happy for them for the success of this film and what a beautiful tribute it is to Donna and her story of strength and perseverance.

Episode 219: Sista Brunch hosts Fanshen Cox and Anya Adams

For this episode, I got to meet the brilliant hosts of the Sista Brunch podcast. Sista Brunch is a podcast about black women+ thriving in entertainment & media careers. My two guests are Fanshen Cox and Anya Adams.

Fanshen is an Award-winning playwright, actor, producer & educator She just wrapped up seven years of touring her one-woman show: One Drop of Love and she is also a Producer and Development Executive at Matt Damon and Ben Affleck’s Pearl Street Films. She serves on the board of The Annenberg Inclusion Initiative and on the Kennedy Center’s Turnaround Arts Equity Advisory Committee. And Fanshen is also a co-author of the Inclusion Rider which was announced at the 2018 Oscar awards by Frances McDormand.

Anya Adams is an award-winning director, most recently taking home the NAACP Image Award for Best Director in Comedy for 2020. Anya’s career skyrocketed after directing an episode of Blackish in 2017. Since then she has gone on to direct the Netflix pilot Ginny and Georgia, episodes of The Good Place, Single Parents, G.L.O.W., Charmed, Fresh off the Boat, Speechless and many more.

This is juicy, and it is real talk. The f-bombs fly. You’ve been warned. And go subscribe to Sista Brunch. Although I don’t even need to tell you that. You are about to fall in love.

Episode 218: Sienna Beckman, Co-founder & Creative Director of Emergence Films

Today I got to speak with Sienna Beckman from all the way across the pond. Sienna is the Co-founder & Creative Director of Emergence Films (based in London & LA).  Living and working in Los Angeles for 10 years, Sienna has produced for NBC Universal, Scott Free Productions, Verizon go90, Fullscreen Media, Esquire TV, Refinery29, Prettybird Entertainment, and Disney’s Maker Studios, among others.

Emergence Films is a film and television development and production company dedicated to championing female filmmakers and committed to creating more opportunities for underrepresented voices in storytelling around the world. In addition to producing, Sienna is an active member of Women in Film & TV UK and Times Up UK, and she hosts a speed-networking event series with WFTV to promote the hiring of more female crew members, creatives, and technicians.

We talked all about her finding her place in London and growing her company.

Episode 217: Sujata Day, Actor, Writer, Director

Today, I got to catch up with previous guest, Sujata Day. With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has firmly established herself in Hollywood as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show.

Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure.

Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism.

Sujata's debut feature film, Definition Please, is currently screening on the virtual film festival circuit, starting with its World Premiere at Bentonville Film Festival in August 2020.

Episode 216: Cecilia Escobar, Founder, Accountant, Payroll Expert

For this episode, I sat with Cecilia Escobar, Founder and President of Smart Accounting Solutions. With more than 30 years of Entertainment Payroll and Accounting Expertise Cecilia has held executive and senior management roles for multiple entertainment payroll companies like Media Services and Axium, and most recently, she was the Vice President of Payroll Operations at Entertainment Partners. 

In between these positions, she freelanced as a payroll and production accountant on major motion pictures and studios for over 18 years.

Cecilia is a Multi-Cultural Client Business Partner, leading efforts for Multi-Cultural Diversity in the Industry. She has hosted many Diversity Client events as well as sponsorships to Diversity Production Summits and Trade Shows. One of her latest pet-projects is bridging Latin American Film Productions with their US counterparts. 

Cecilia is currently a member of multiple entertainment industry associations including N.A.L.I.P., Women In Film, and Hispanic Professionals.

She has just started a non-profit called Sandbar Sanctuary – a Horse Rescue and Equine Therapy for Abused Women. With her love of horses, she hopes to help women bond and find a way to heal through therapeutic equine experiences. 

To reach Cecilia: Info@sasolutionsinc.com

Episode 214: Jennifer Aurianne DaRe, CEO, Founder, Manager, Producer

Jennifer Aurianne DaRe is the founder and CEO of ATN Entertainment, a premiere talent management company in Los Angeles that specializes in the representation of artists in entertainment from film, television, music, literature and more. Since founding ATN in 2015, she has grown the roster to over 100 clients under her leadership, including a strong presence of women and the LGBTQ community.

Now in her fifth year of running the company, DaRe’s tenure has resulted in tremendous success with previously unknown clients achieving acclaim. Her accomplishments led to the launch of the production and development division of the company, ATN Productions. The debut project for the banner will be a TV adaptation of the YouTube comedy series “PANIC,” which is slated for release in Q2 of 2021.

Prior to the founding of ATN Entertainment, DaRe was an executive vice president at a then reputable management company that she transitioned to from her time as an independent music manager for bands, record producers and solo artists. Her music connections developed as the singer and manager of the successful folk-rock band, The Extinct. For 12 years, The Extinct shared stages with artists such as Stone Temple Pilots, No Doubt, Incubus, Maroon 5 (Kara’s Flowers), Alien Ant Farm as well as many other successful acts of the 90’s.

Jennifer was also sole producer and curator of The ATN Showcase from 2005 - 2013 that featured musical artists from all over the globe at the SXSW music festival. It was the largest and longest-running independent showcase in SXSW history at the time.

Jennifer’s experience, expertise and work ethic make her one of the most respected and sought after talent managers in the business, and after hearing this, you will know why.

Episode 213: Finnerty Steeves, Actor, Writer, Producer

For this episode I got to sit with Finnerty Steeves. Now, you know Finnerty as an actor from the shows, Orange is the New Black, Half Life, Louie, House of Cards, Smash, Sopranos – basically everything, including a lot of Broadway credits. What you may not yet know is that she just wrote, produced and starred in her own feature film called Before/During/After. This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.

It is a gorgeous film and for this particular middle-aged woman who got divorced, it really resonated. We had a delicious talk about acting, the craft, the journey of making a movie and of going through one of those life experiences that really makes you who you are.

Episode 212: Chloë Thomas, Director

For this episode, I spoke with BAFTA and RTS nominated Chloë Thomas who is in the UK and most recently directed all episodes of the psychological thriller The Deceived, created by Lisa McGee of Derry Girls fame and Tobias Beer.

Just before that Chloë directed episodes of Harlots and Victoria and she is attached to direct the feature film Making Babies - a rom-fertility-com by Deborah Frances-White, with Redwave Films. 

Previously, Chloë was known for comedy directing; Sharon Horgan’s early sitcom Angelo's, followed by being BAFTA nominated for directing the first ever series of Horrible Histories.

Chloë also develops her own pilots through her company One Glove Films.  We had a good chat about directing, both as a woman and an introvert, and exploring new models of power.

Episode 201: Lesli Linka Glatter, Director

For this episode, I was lucky enough to meet Lesli Linka Glatter. Lesli is a director of film, network, and premium cable television drama, with both pilots and episodes to her credit. Lesli’s TV work includes Homeland, The Newsroom, The Walking Dead, Justified, Ray Donovan, Masters of Sex, True Blood, Mad Men, The Leftovers, The Good Wife, The West Wing, NYPD Blue, ER, Freaks and Geeks and Twin Peaks. Lesli has also directed numerous pilots including Gilmore Girls, Pretty Little Liars and SIX. Her films include Now and Then, The Proposition and for HBO, State of Emergency.

Lesli is currently the Executive Producer/Director of the award winning series Homeland. Lesli has received eight Emmy nominations, seven Directors Guild Award nominations, winning twice for Mad Men and Homeland, as well as a Humanitas Award nomination for HBO’s State of Emergency. Lesli is currently developing projects for Netflix, Amazon, Showtime, Epix and her next project is The Bankers Wife , an eight-part mini series for Amazon.

Lesli serves as the First Vice President of the Directors Guild of America, is on the DGA’s Western Directors Council, serves on the Executive Committee of the Directors Branch of The Academy of Motion Picture Arts and Sciences. She is also an advisor at the Sundance Institute’s Director’s Lab. Lesli has been committed to mentoring for many years and most recently help develop the successful NBC program, Female Forward. Lesli has received the Caucus Foundation Award, the Dorothy Arzner Directing Award from Women in Film and the Franklin Schaffner Award from the American Film Institute and most recently, an Honorary Degree from the American Film Institute.

Prior to her work as a director, Lesli was a modern dance choreographer who worked throughout Europe, Asia and the U.S.

Episode 117: Marie Cantin, Producer and Educator

This episode is brought to you by:

Marie Cantin is a Producer and Educator, having worked in independent and studio film and television productions. She was an Associate Dean at the AFI Conservatory, and in 2017 was the recipient of the Frank Capra Achievement Award from the DGA – a very big deal.  Some of her many credits include, Torch Song Trilogy, Save the Last Dance, Dante’s Peak, and Things to do in Denver When You’re Dead.

We talked about her long and circuitous journey into the business.  At one point she was rumored to be a nun. There’s a story.

She says it is important to figure out who you are and how you want to be in the world. This will inform your path. I think she’s right.

Episode 115: Monica Levinson, Producer, Production Executive

This episode is generously sponsored by:

Monica is the President of Production for ShivHans Pictures and comes from a long line of working women in her family. In fact, her grandmother owned a liquor store and her mother started the First Women’s Bank of Maryland.

Monica produced Bruno, Borat and Zoolander (to name a few), and she was the production supervisor on Private Parts. Check out her IMDB, you will be impressed.

We got real about the business and how to balance self-preservation with ambition in this male-dominated industry.  When do you speak up vs when do you send your message through other channels? Do you want to be right or do you want to be effective?

Episode 112: Allegra Clegg, Production Executive, Producer

This episode is generously sponsored by:

Allegra is the Senior Vice President of Physical Production at Paramount Pictures. Before becoming an executive, Allegra was a Producer and Production Manager on no less than four Transformer movies, along with Paranormal Activity 4 and a favorite of mine, The American President. If you need to see even more credits, here is the link to her IMDB page. She is a serious badass. One might even call her the Michael Bey whisperer.

We talked about what it took to rise to the top of the production world and how she made the shift to a studio job. What is important? What matters? What factors into your important career decisions?

Episodes 108 & 109: Dana Belcastro and Debra Bergman, Production Executives

Dana Belcastro is EVP Feature Production at Twentieth Century Fox and Debra Bergman is EVP Production and Head of Production Scripted at Paramount TV. They are also the co-founders of the Women’s Production Society – the organization for female top-level production executives. We talk about their journey up through production and to the top of the studio machines.

There was a moment in the last year when they realized as a body of women they are powerful, and are in a unique position to create some change. So, that is exactly what they are doing.

We talked for so long and about so many topics, this will be two episodes. This can be your week to binge on female production executives.

These women are formidable.

Episode 82: Rachel Feldman, Director, Writer

Rachel is a Director and Writer. She has Directed many hours of television as well as films, and is currently developing the Lilly Ledbetter story for a feature film that she will also direct. Having been in this business since she was the voice of Lucy in the Peanuts cartoons, she has an important perspective on this business and where we are headed – for women in particular.

She has been directing television since Doogie Howser. And yet, she is asked to shadow before being hired. The hiring criteria for men and women is still different, and we are still operating under the myth that women in general need more training. There are hundreds, if not thousands, of female directors ready to work right now. No more training required. Let’s shift the focus away from more training and onto the people who hire to insist on more inclusion.

And you can sense an artist when you are talking to them.

Episode 78: Jen McGowan, Director

Jen McGowan is a film Director who directed the shorts Confessions of a Late Bloomer and Touch, and the feature film Kelly and Cal, which is a delicious movie that you can see on the streaming platforms. This film won the Gamechanger award at SXSW. She is currently finishing her next film called Rust Creek.

Jen is also the founder of the amazing group for women in this business called Film Powered – which she tells us all about.

If you are in LA in the film community, you have seen Jen everywhere lately. She has a big online platform, she is speaking on panels, she is doing the work. A somewhat reluctant activist, she is paving the way forward for the women behind her.

And this: As long as women don’t get to tell the stories, we will have no control over our destiny.

You can find Jen here.

Episode 77: Women in Entertainment Summit 2017

Patty Jenkins talks with WIE Co-Founder Gretchen McCourt  

On November 2nd, I went to the third annual Women In Entertainment Summit.  I love this event.

The day started out with Geena Davis. The Geena Davis Institute for Gender in Media Studies has provided a heap of data surrounding women and girls in media. She presented some data on the day, and as usual, representation of women on screen and behind the scenes are still dismally small.  There are some very easy fixes however, and this is a point that really resonated with a lot of people.

She told us that Media can actually fix the problem is has created.

There was a also a lot of talk at the conference about the parts that we own - namely, confidence and advocacy. 

On the side, we talked about #metoo.

During the lunch break I caught up with McKenna Koon and Dana Kelly who both work at FullScreen, and I talked with Shirley Davis, EVP of Production at Alcon Entertainment.

On this episode I share a lot of the high points and inspiration from the day – from women such as Geena Davis, Victoria Mahoney, Dee Rees, Jordyn Wieber, Christine Simmons, Gabrielle Carteris and Greta Gerwig.

It was a great day, and this is but a tip of the iceberg.

And my must see films list from the summit: LadyBird, Mudbound, Fear Us Women

Episode 55: Heather Cappiello, Director

Heather is a Director. Her TV directing credits include Freakish, Madam Secretary, Criminal Minds, Blue Bloods, and Saving Grace with Holly Hunter. Before transitioning to Director, she was a sought-after Script Supervisor for many years.  Think Six Feet Under, Carnivále, Huff, Monk, Being Mary Jane, etc., etc. Her initial training was in theatre. She is the real deal.

She says that script supervising is the best day job that leads to directing.  And how could it not be?  You’re sitting next to all the directors for the best master class you can have.

We talked about steeling your courage to throw your hat in the ring, balancing your life and family, and how TV directing is a G*dd*&$n spiritual practice.

Episode 45: Kat Coiro, Director

Kat is a Film, TV and Commercial Director.  For this, I call her a unicorn. She started as an actor but started to realize she wanted to have more influence on the final product. Kat went on to make a short with Funny or Die, where Janeane Garofalo told her to "stop f**&^%ing apologizing!" Oh, to have Janeane Garofalo yell at you!

Later she wrote and directed a beautiful film called And While We Were Here.  You can find it on Hulu.  It really is gorgeous. And she did it with no money. In Italy. While pregnant.  That is badass.

Currently, she is directing television - all your favorite shows, The Mick, Girlfriend's Guide to Divorce, and Alone Together.

She tells us her journey in directing, the state of women in the business, and what inspires her.

And, it turns out you can get big female stars to show up for your tiny shoot if you just ask them to act in a scene with another woman. With dialogue. This is the revolution.

And of course...preparation, preparation, preparation.