EP 222: Women's Production Society Part 2 Cristen Carr Strubbe and Jeanette Volturno

This is part two in a series of interviews with  the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. 

In the last episode, I talked with the group’s founding members Dana Belcastro and Debra Bergman. And today I am talking with Jeanette Volturno, producer and entrepreneur,  and Cristen Carr Strubbe, producer turned physical production executive, who are the current leadership of the group. You can hear Jeanette’s origin story in episode 111 of this podcast  and Cristen is on episode 15.

In this episode we talk about where the WPS is now, how they weathered the covid of it all the last couple of years, and what the plan to do going forward.

EP 221: Women's Production Society Part 1 Dana Belcastro and Debra Bergman

I have a couple of really special interviews to share with you. Both are with the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. And this time we are in, where women are literally losing power over our very bodies, it is more urgent and important than ever that women take on leadership roles of influence and take deliberate action toward impacting our world.

This first interview is with the founding members Dana Belcastro and Debra Bergman. Both came up as producers and now both are executives. To get their full stories, I will refer you back to episodes 108 and 109 of this very podcast where we do a deep dive into both of their herstories. In today’s episode they walk us through the origin of the Women’s Production Society and what they are looking to do next as they hand the reins over to the next leadership of the group.

Episode 220: Donna: Stronger than Pretty

This episode is very special and very bittersweet. You may remember when I spoke with Jaret Martino and Pat Branch when they made the short called Stronger than Pretty. Well, they are back because the feature film version, Donna: Stronger than Pretty is about to have its worldwide release on February 23rd, after a great festival run. I also had the honor to talk to Donna Martino herself, Jaret’s mom, whose story the film tells. We recorded this last February on the weekend of its festival premiere, where it won basically all the awards. It was impossible to know at the time that Donna would be diagnosed with cancer very shortly afterward, and she passed away on September 3rd of 2020. As you will hear, Donna was a remarkable woman and mother and Jaret’s tribute to her in the form of this film will inspire you, as it has inspired me.

Pat and Jaret co-wrote the script, and Jaret directed it. I start out talking with Jaret and Donna, and Pat joins later on, fresh from an awards ceremony where she was collecting all the trophies. I’m so happy for them for the success of this film and what a beautiful tribute it is to Donna and her story of strength and perseverance.

Episode 219: Sista Brunch hosts Fanshen Cox and Anya Adams

For this episode, I got to meet the brilliant hosts of the Sista Brunch podcast. Sista Brunch is a podcast about black women+ thriving in entertainment & media careers. My two guests are Fanshen Cox and Anya Adams.

Fanshen is an Award-winning playwright, actor, producer & educator She just wrapped up seven years of touring her one-woman show: One Drop of Love and she is also a Producer and Development Executive at Matt Damon and Ben Affleck’s Pearl Street Films. She serves on the board of The Annenberg Inclusion Initiative and on the Kennedy Center’s Turnaround Arts Equity Advisory Committee. And Fanshen is also a co-author of the Inclusion Rider which was announced at the 2018 Oscar awards by Frances McDormand.

Anya Adams is an award-winning director, most recently taking home the NAACP Image Award for Best Director in Comedy for 2020. Anya’s career skyrocketed after directing an episode of Blackish in 2017. Since then she has gone on to direct the Netflix pilot Ginny and Georgia, episodes of The Good Place, Single Parents, G.L.O.W., Charmed, Fresh off the Boat, Speechless and many more.

This is juicy, and it is real talk. The f-bombs fly. You’ve been warned. And go subscribe to Sista Brunch. Although I don’t even need to tell you that. You are about to fall in love.

Episode 218: Sienna Beckman, Co-founder & Creative Director of Emergence Films

Today I got to speak with Sienna Beckman from all the way across the pond. Sienna is the Co-founder & Creative Director of Emergence Films (based in London & LA).  Living and working in Los Angeles for 10 years, Sienna has produced for NBC Universal, Scott Free Productions, Verizon go90, Fullscreen Media, Esquire TV, Refinery29, Prettybird Entertainment, and Disney’s Maker Studios, among others.

Emergence Films is a film and television development and production company dedicated to championing female filmmakers and committed to creating more opportunities for underrepresented voices in storytelling around the world. In addition to producing, Sienna is an active member of Women in Film & TV UK and Times Up UK, and she hosts a speed-networking event series with WFTV to promote the hiring of more female crew members, creatives, and technicians.

We talked all about her finding her place in London and growing her company.

Episode 217: Sujata Day, Actor, Writer, Director

Today, I got to catch up with previous guest, Sujata Day. With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has firmly established herself in Hollywood as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show.

Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure.

Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism.

Sujata's debut feature film, Definition Please, is currently screening on the virtual film festival circuit, starting with its World Premiere at Bentonville Film Festival in August 2020.

Episode 214: Jennifer Aurianne DaRe, CEO, Founder, Manager, Producer

Jennifer Aurianne DaRe is the founder and CEO of ATN Entertainment, a premiere talent management company in Los Angeles that specializes in the representation of artists in entertainment from film, television, music, literature and more. Since founding ATN in 2015, she has grown the roster to over 100 clients under her leadership, including a strong presence of women and the LGBTQ community.

Now in her fifth year of running the company, DaRe’s tenure has resulted in tremendous success with previously unknown clients achieving acclaim. Her accomplishments led to the launch of the production and development division of the company, ATN Productions. The debut project for the banner will be a TV adaptation of the YouTube comedy series “PANIC,” which is slated for release in Q2 of 2021.

Prior to the founding of ATN Entertainment, DaRe was an executive vice president at a then reputable management company that she transitioned to from her time as an independent music manager for bands, record producers and solo artists. Her music connections developed as the singer and manager of the successful folk-rock band, The Extinct. For 12 years, The Extinct shared stages with artists such as Stone Temple Pilots, No Doubt, Incubus, Maroon 5 (Kara’s Flowers), Alien Ant Farm as well as many other successful acts of the 90’s.

Jennifer was also sole producer and curator of The ATN Showcase from 2005 - 2013 that featured musical artists from all over the globe at the SXSW music festival. It was the largest and longest-running independent showcase in SXSW history at the time.

Jennifer’s experience, expertise and work ethic make her one of the most respected and sought after talent managers in the business, and after hearing this, you will know why.

Episode 213: Finnerty Steeves, Actor, Writer, Producer

For this episode I got to sit with Finnerty Steeves. Now, you know Finnerty as an actor from the shows, Orange is the New Black, Half Life, Louie, House of Cards, Smash, Sopranos – basically everything, including a lot of Broadway credits. What you may not yet know is that she just wrote, produced and starred in her own feature film called Before/During/After. This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.

It is a gorgeous film and for this particular middle-aged woman who got divorced, it really resonated. We had a delicious talk about acting, the craft, the journey of making a movie and of going through one of those life experiences that really makes you who you are.

Episode 212: Chloë Thomas, Director

For this episode, I spoke with BAFTA and RTS nominated Chloë Thomas who is in the UK and most recently directed all episodes of the psychological thriller The Deceived, created by Lisa McGee of Derry Girls fame and Tobias Beer.

Just before that Chloë directed episodes of Harlots and Victoria and she is attached to direct the feature film Making Babies - a rom-fertility-com by Deborah Frances-White, with Redwave Films. 

Previously, Chloë was known for comedy directing; Sharon Horgan’s early sitcom Angelo's, followed by being BAFTA nominated for directing the first ever series of Horrible Histories.

Chloë also develops her own pilots through her company One Glove Films.  We had a good chat about directing, both as a woman and an introvert, and exploring new models of power.

Episode 201: Lesli Linka Glatter, Director

For this episode, I was lucky enough to meet Lesli Linka Glatter. Lesli is a director of film, network, and premium cable television drama, with both pilots and episodes to her credit. Lesli’s TV work includes Homeland, The Newsroom, The Walking Dead, Justified, Ray Donovan, Masters of Sex, True Blood, Mad Men, The Leftovers, The Good Wife, The West Wing, NYPD Blue, ER, Freaks and Geeks and Twin Peaks. Lesli has also directed numerous pilots including Gilmore Girls, Pretty Little Liars and SIX. Her films include Now and Then, The Proposition and for HBO, State of Emergency.

Lesli is currently the Executive Producer/Director of the award winning series Homeland. Lesli has received eight Emmy nominations, seven Directors Guild Award nominations, winning twice for Mad Men and Homeland, as well as a Humanitas Award nomination for HBO’s State of Emergency. Lesli is currently developing projects for Netflix, Amazon, Showtime, Epix and her next project is The Bankers Wife , an eight-part mini series for Amazon.

Lesli serves as the First Vice President of the Directors Guild of America, is on the DGA’s Western Directors Council, serves on the Executive Committee of the Directors Branch of The Academy of Motion Picture Arts and Sciences. She is also an advisor at the Sundance Institute’s Director’s Lab. Lesli has been committed to mentoring for many years and most recently help develop the successful NBC program, Female Forward. Lesli has received the Caucus Foundation Award, the Dorothy Arzner Directing Award from Women in Film and the Franklin Schaffner Award from the American Film Institute and most recently, an Honorary Degree from the American Film Institute.

Prior to her work as a director, Lesli was a modern dance choreographer who worked throughout Europe, Asia and the U.S.

Episode 176: Eline Mets, Writer, Producer, Motocross Racer

This episode is brought to you by:

Eline Mets is creating a series about women in motocross. She got tired of waiting for someone else to do it, so like a real badass woman, she’s doing it herself. Originally from Estonia, Eline is a motocross champion and the first woman in Canada to jump her dirt bike onto an airbag. Passionate about motorcycles and filmmaking, Eline is dedicated to telling stories of badass women. With a background in creating non-fiction content for years, Diaries of Badass Chicks is her directorial scripted series debut. She started a crowd funding for a webseries, and then realized it’s much bigger than that when she received videos and encouragement from women all over the world.
www.badasschicks.tv

Episode 158: Ingrid Kleinig, Stunt Performer and Coordinator

This episode generously sponsored by:

Ingrid is a stunt performer and stunt coordinator. She grew up in Australia and fell into the world of stunts while performing 140ft above the arena in the Opening Ceremony of the 2000 Olympic Games. Having toured the globe with renowned physical theatre company Legs on the Wall as well as the Sydney Theatre Company, she had formed a wealth of physical, technical & artistic vocabulary across multiple fields including directing & rigging that lent itself precisely to the stunt industry.

Ingrid hails from a long line of professional drivers so vehicles became an early niche. She was one of only two female stunt drivers on Mad Max: Fury Road, can drive a Big Rig truck & hold her breath underwater for five & a half minutes. She is also the first female to be officially graded as an Assistant Stunt Coordinator in Australia where, to date, no female has ever held the position of Stunt Coordinator. She is one of handful of female stunt coordinators here in the US.

Her story is remarkable and we talk about her journey, how it was to rise in this field as a woman, and how she is navigating motherhood as a stunt performer, proving once again that it is foolish to underestimated a working mother.

Her credits include: Captain Marvel, Ant-Man and Wasp, Justice League, Suicide Squad basically everything. She is formidable and she laughs at fear. Literally. Wait for it.

You can reach Ingrid here: info@ingridkleinig.com