EP 222: Women's Production Society Part 2 Cristen Carr Strubbe and Jeanette Volturno

This is part two in a series of interviews with  the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. 

In the last episode, I talked with the group’s founding members Dana Belcastro and Debra Bergman. And today I am talking with Jeanette Volturno, producer and entrepreneur,  and Cristen Carr Strubbe, producer turned physical production executive, who are the current leadership of the group. You can hear Jeanette’s origin story in episode 111 of this podcast  and Cristen is on episode 15.

In this episode we talk about where the WPS is now, how they weathered the covid of it all the last couple of years, and what the plan to do going forward.

EP 221: Women's Production Society Part 1 Dana Belcastro and Debra Bergman

I have a couple of really special interviews to share with you. Both are with the leadership of the Women’s Production Society. The WPS is an organization of physical production executives across the industry. It started as a small cocktail party and has since grown to more than 100 members and is a powerful force of change within the industry with the purpose to fulfill their mission statement: To promote the hiring of women in leadership roles in Film, Television and New Media. And this time we are in, where women are literally losing power over our very bodies, it is more urgent and important than ever that women take on leadership roles of influence and take deliberate action toward impacting our world.

This first interview is with the founding members Dana Belcastro and Debra Bergman. Both came up as producers and now both are executives. To get their full stories, I will refer you back to episodes 108 and 109 of this very podcast where we do a deep dive into both of their herstories. In today’s episode they walk us through the origin of the Women’s Production Society and what they are looking to do next as they hand the reins over to the next leadership of the group.

Episode 220: Donna: Stronger than Pretty

This episode is very special and very bittersweet. You may remember when I spoke with Jaret Martino and Pat Branch when they made the short called Stronger than Pretty. Well, they are back because the feature film version, Donna: Stronger than Pretty is about to have its worldwide release on February 23rd, after a great festival run. I also had the honor to talk to Donna Martino herself, Jaret’s mom, whose story the film tells. We recorded this last February on the weekend of its festival premiere, where it won basically all the awards. It was impossible to know at the time that Donna would be diagnosed with cancer very shortly afterward, and she passed away on September 3rd of 2020. As you will hear, Donna was a remarkable woman and mother and Jaret’s tribute to her in the form of this film will inspire you, as it has inspired me.

Pat and Jaret co-wrote the script, and Jaret directed it. I start out talking with Jaret and Donna, and Pat joins later on, fresh from an awards ceremony where she was collecting all the trophies. I’m so happy for them for the success of this film and what a beautiful tribute it is to Donna and her story of strength and perseverance.

Episode 219: Sista Brunch hosts Fanshen Cox and Anya Adams

For this episode, I got to meet the brilliant hosts of the Sista Brunch podcast. Sista Brunch is a podcast about black women+ thriving in entertainment & media careers. My two guests are Fanshen Cox and Anya Adams.

Fanshen is an Award-winning playwright, actor, producer & educator She just wrapped up seven years of touring her one-woman show: One Drop of Love and she is also a Producer and Development Executive at Matt Damon and Ben Affleck’s Pearl Street Films. She serves on the board of The Annenberg Inclusion Initiative and on the Kennedy Center’s Turnaround Arts Equity Advisory Committee. And Fanshen is also a co-author of the Inclusion Rider which was announced at the 2018 Oscar awards by Frances McDormand.

Anya Adams is an award-winning director, most recently taking home the NAACP Image Award for Best Director in Comedy for 2020. Anya’s career skyrocketed after directing an episode of Blackish in 2017. Since then she has gone on to direct the Netflix pilot Ginny and Georgia, episodes of The Good Place, Single Parents, G.L.O.W., Charmed, Fresh off the Boat, Speechless and many more.

This is juicy, and it is real talk. The f-bombs fly. You’ve been warned. And go subscribe to Sista Brunch. Although I don’t even need to tell you that. You are about to fall in love.

Episode 218: Sienna Beckman, Co-founder & Creative Director of Emergence Films

Today I got to speak with Sienna Beckman from all the way across the pond. Sienna is the Co-founder & Creative Director of Emergence Films (based in London & LA).  Living and working in Los Angeles for 10 years, Sienna has produced for NBC Universal, Scott Free Productions, Verizon go90, Fullscreen Media, Esquire TV, Refinery29, Prettybird Entertainment, and Disney’s Maker Studios, among others.

Emergence Films is a film and television development and production company dedicated to championing female filmmakers and committed to creating more opportunities for underrepresented voices in storytelling around the world. In addition to producing, Sienna is an active member of Women in Film & TV UK and Times Up UK, and she hosts a speed-networking event series with WFTV to promote the hiring of more female crew members, creatives, and technicians.

We talked all about her finding her place in London and growing her company.

Episode 217: Sujata Day, Actor, Writer, Director

Today, I got to catch up with previous guest, Sujata Day. With her infectious personality and unique sense of humor, Pittsburgh native Sujata Day has firmly established herself in Hollywood as a performer, creator, writer, and director. She regularly performs in Upright Citizen Brigade's hit Asian AF show.

Sujata is known for her starring role as CeCe in Issa Rae’s The Misadventures of Awkward Black Girl. She's recurred for three seasons on HBO's Insecure.

Sujata is a Sundance Lab fellow, Sundance Film Festival influencer, and Sundance Collab advisor. Her short film, Cowboy and Indian, sold to a major studio for series development with Sujata writing, producing and starring. She served as HBO Visionaries Ambassador in 2019. She directs This Is My Story, a series in which beloved storyteller LeVar Burton narrates real life personal experiences of everyday racism.

Sujata's debut feature film, Definition Please, is currently screening on the virtual film festival circuit, starting with its World Premiere at Bentonville Film Festival in August 2020.

Episode 214: Jennifer Aurianne DaRe, CEO, Founder, Manager, Producer

Jennifer Aurianne DaRe is the founder and CEO of ATN Entertainment, a premiere talent management company in Los Angeles that specializes in the representation of artists in entertainment from film, television, music, literature and more. Since founding ATN in 2015, she has grown the roster to over 100 clients under her leadership, including a strong presence of women and the LGBTQ community.

Now in her fifth year of running the company, DaRe’s tenure has resulted in tremendous success with previously unknown clients achieving acclaim. Her accomplishments led to the launch of the production and development division of the company, ATN Productions. The debut project for the banner will be a TV adaptation of the YouTube comedy series “PANIC,” which is slated for release in Q2 of 2021.

Prior to the founding of ATN Entertainment, DaRe was an executive vice president at a then reputable management company that she transitioned to from her time as an independent music manager for bands, record producers and solo artists. Her music connections developed as the singer and manager of the successful folk-rock band, The Extinct. For 12 years, The Extinct shared stages with artists such as Stone Temple Pilots, No Doubt, Incubus, Maroon 5 (Kara’s Flowers), Alien Ant Farm as well as many other successful acts of the 90’s.

Jennifer was also sole producer and curator of The ATN Showcase from 2005 - 2013 that featured musical artists from all over the globe at the SXSW music festival. It was the largest and longest-running independent showcase in SXSW history at the time.

Jennifer’s experience, expertise and work ethic make her one of the most respected and sought after talent managers in the business, and after hearing this, you will know why.

Episode 213: Finnerty Steeves, Actor, Writer, Producer

For this episode I got to sit with Finnerty Steeves. Now, you know Finnerty as an actor from the shows, Orange is the New Black, Half Life, Louie, House of Cards, Smash, Sopranos – basically everything, including a lot of Broadway credits. What you may not yet know is that she just wrote, produced and starred in her own feature film called Before/During/After. This sharp-witted dramedy studies a middle-aged NYC theatre actress suddenly forced to figure out the kind of person she wants to portray in real life when her marriage comes to an end after she catches her husband cheating.

It is a gorgeous film and for this particular middle-aged woman who got divorced, it really resonated. We had a delicious talk about acting, the craft, the journey of making a movie and of going through one of those life experiences that really makes you who you are.

Episode 212: Chloë Thomas, Director

For this episode, I spoke with BAFTA and RTS nominated Chloë Thomas who is in the UK and most recently directed all episodes of the psychological thriller The Deceived, created by Lisa McGee of Derry Girls fame and Tobias Beer.

Just before that Chloë directed episodes of Harlots and Victoria and she is attached to direct the feature film Making Babies - a rom-fertility-com by Deborah Frances-White, with Redwave Films. 

Previously, Chloë was known for comedy directing; Sharon Horgan’s early sitcom Angelo's, followed by being BAFTA nominated for directing the first ever series of Horrible Histories.

Chloë also develops her own pilots through her company One Glove Films.  We had a good chat about directing, both as a woman and an introvert, and exploring new models of power.

Episode 201: Lesli Linka Glatter, Director

For this episode, I was lucky enough to meet Lesli Linka Glatter. Lesli is a director of film, network, and premium cable television drama, with both pilots and episodes to her credit. Lesli’s TV work includes Homeland, The Newsroom, The Walking Dead, Justified, Ray Donovan, Masters of Sex, True Blood, Mad Men, The Leftovers, The Good Wife, The West Wing, NYPD Blue, ER, Freaks and Geeks and Twin Peaks. Lesli has also directed numerous pilots including Gilmore Girls, Pretty Little Liars and SIX. Her films include Now and Then, The Proposition and for HBO, State of Emergency.

Lesli is currently the Executive Producer/Director of the award winning series Homeland. Lesli has received eight Emmy nominations, seven Directors Guild Award nominations, winning twice for Mad Men and Homeland, as well as a Humanitas Award nomination for HBO’s State of Emergency. Lesli is currently developing projects for Netflix, Amazon, Showtime, Epix and her next project is The Bankers Wife , an eight-part mini series for Amazon.

Lesli serves as the First Vice President of the Directors Guild of America, is on the DGA’s Western Directors Council, serves on the Executive Committee of the Directors Branch of The Academy of Motion Picture Arts and Sciences. She is also an advisor at the Sundance Institute’s Director’s Lab. Lesli has been committed to mentoring for many years and most recently help develop the successful NBC program, Female Forward. Lesli has received the Caucus Foundation Award, the Dorothy Arzner Directing Award from Women in Film and the Franklin Schaffner Award from the American Film Institute and most recently, an Honorary Degree from the American Film Institute.

Prior to her work as a director, Lesli was a modern dance choreographer who worked throughout Europe, Asia and the U.S.

Episode 180: Kathleen Courtney, UPM

This episode is brought to you by:

Kathleen has enjoyed working in the film and television industry for over 30 years. She has worked “on location” most of that time, shooting across this country as well as internationally. Over her career, she has served as Producer, Production Executive, Production Manager and Production Coordinator on feature films and most recently on TV. She is currently working on the Netflix hit 13 Reasons Why. Previous credits include Chance, Steve Jobs, San Andreas, The Boy Next Door, and Because of Winn-Dixie. At one point, she was the head of production at a company called The Film Department.

We talked all about her career, how she helped organize Production Coordinators, start the Frog & Frigate, and continue her career, even after moving out of Los Angeles. It takes effort, but it’s possible.

Episode 179: Jessie Levandov and Nina Reyes, Co Founders & Directors of Mala Forever

This episode is brought to you by:

Jessie Levandov and Nina Reyes are the Co-Founders & Directors of Mala Forever. Mala Forever is an award-winning, women-run film and digital studio based in LA and NYC.

They develop and produce films, new media, and commissioned work that centers unheard voices. They are redefining the future of filmmaking through equitable production practices, and their growing community-based platform is a cultural hub for the radical femme revolution. 

Jessie is an award-winning community-based filmmaker, creative director, and educator. Her queer documentary series Signified was presented by the Guggenheim Lab, and her short film The Greggs won the Spirit Award at Slamdance. Her work has been featured in publications such as Teen Vogue, Huffington Post and Them. Jessie is committed to storytelling as a tool for social justice, and served as the longtime program director of Youth Documentary Workshop at New York’s Educational Video Center.

Nina is a countercultural filmmaker and creative director whose work is grounded in her point of view as a mixed-race first-generation Mexican-American and Jewish woman. Her feature-length screenplay La Paz was a finalist for the 2017 Latino Screenwriting Project; her short films, Organism and Invisible Men, have won press and played at festivals around the world including Outfest, Frameline, and HBO: New York Latino Film Festival. They both are fellow NYU alums with BFA’s from NYU’s Tisch School of the Arts – go violets.

You can follow them on the social media @_MalaForever_

Episode 178: Natalie Metzger, Writer, Director, Producer

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For this episode, I spoke with Natalie Metzger, who is the VP of Development and Production for Vanishing Angle. Natalie is a Spirit Award nominated producer whose credits include Jim Cummings’ newest film THE WEREWOLF, GREENER GRASS (Sundance, SXSW), THUNDER ROAD (Grand Jury Award - SXSW), THE ROBBERY (Sundance), MATPAT’S GAME LAB (Streamy Award), Lil Dicky’s FREAKY FRIDAY (over 506 million views), HYDRANGEA (Vimeo Staff Pick), THE ARRIVAL (Jury Award - Napa Valley Film Festival), THE STOP (Vimeo Staff Pick), virtual reality miniseries GLOBAL GAMER, among numerous others. 

Her directing credits include AT&T original documentary ALONE IN THE GAME (AFI Docs, Frameline, Outfest); healthcare documentary SPECIAL BLOOD (Best Feature Documentary - CWFF); PSA “Topless Women Talk NFL” (featured in Washington Post, Huffington Post, Vice); and numerous award-winning commercials and short films. 

Also an accomplished writer, Metzger won the Gold Prize at the Page International Screenwriting Awards for her sci-fi script IMMORTAL.

Metzger holds a Master of Fine Arts from California Institute of the Arts and a Bachelor of Arts from Emory University

Episode 176: Eline Mets, Writer, Producer, Motocross Racer

This episode is brought to you by:

Eline Mets is creating a series about women in motocross. She got tired of waiting for someone else to do it, so like a real badass woman, she’s doing it herself. Originally from Estonia, Eline is a motocross champion and the first woman in Canada to jump her dirt bike onto an airbag. Passionate about motorcycles and filmmaking, Eline is dedicated to telling stories of badass women. With a background in creating non-fiction content for years, Diaries of Badass Chicks is her directorial scripted series debut. She started a crowd funding for a webseries, and then realized it’s much bigger than that when she received videos and encouragement from women all over the world.
www.badasschicks.tv

Episode 175: Marquette Jones, Filmmaker, Professor, Podcaster

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Marquette Jones began her filmmaking journey in her hometown, Youngstown, Ohio. Marquette is an alumna of New York University’s Film and Television Production graduate program. Before becoming a filmmaker, Marquette was a public interest attorney and social entrepreneur in Oakland, California.  

Her feature film screenplay, AFTER THE JUMP, http://www.afterthejumpmovie.com/, which is currently in development, was recently selected for the Athena Screenwriting Lab in Los Angeles and was a finalist in the Vancouver International Women in Film Festival, Broad Humor Film Festival as well as a semi-finalist in the Atlanta Film Festival Screenplay Competition. It was also selected to participate in the Women in Film/ Sundance Institute’s Film Financing and Strategy Intensive.

Her directing work includes FORGIVING CHRIS BROWN, ROUND ON BOTH SIDES, TUNK, HEROES WANTED and STREETS 2 SUITES (lensed by Bradford Young).  Her films have been featured on Amazon Video, PBS, Showtime, KweliTV, Aspire TV, BET, IFC, StreamPlix and other broadcast & digital outlets. She has also directed several commercial spots, which led to both a Telly Award and Aurora Award for excellence in storytelling.

As a producer, Marquette’s credits include Andrea Williams’ SPOONFUL OF SUGAR, Alrick Brown’s ADVENTURES OF SUPERN*GGER, and Tamika Guishard’s JACKIE. Her past filmmaking-related awards include: New York University’s Warner Bros. Production Award, Panasonic‘s “P2 for a Cause” Grand Prize Winner, Fotokem Film Processing Grant, Woods Hole Film Festival, Best Short Screenplay Winner for “Free’s Rain”, ProMotion Pictures / Heineken Branded Entertainment Shorts Competition Winner, Reel Sisters of the Diaspora Film Festival Best Short Narrative, and First Run Festival’s Producing Award.

When she is not busy writing, producing or directing, Marquette hosts the Directing Magic podcast,http://www.directingmagic.com/, and teaches creative media at The University of Alabama.

Episode 174: Leslie Belzberg, Producer

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Leslie is a producer, most notably working with John Landis, on all of your favorite things, such as Three Amigos, Beverly Hills Cop III, Coming to America, Trading Places, Thriller, Sliders, Dream On, Blues Brothers 2000, Honey I Shrunk the Kids series, Crazy Heart and the list goes on and on and on, before she transitioned to being a production executive in house.

At the time of this recording, she was at Gaumont, but has since transitioned to the Head of Production for Imagine Entertainment.

Leslie has always worked toward diversity, even and especially when she was the only woman in the room. She has incredible perspective and experience and it was such an honor to get to have this conversation.

Episode 167: Farhoud Meybodi, Wayfarer Entertainment

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As EVP of Creative at Wayfarer Entertainment, Farhoud Meybodi sets and executes Wayfarer’s overall creative vision across feature film, documentary, series, and commercial content, further strengthening the company’s mission to create entertainment that compels social change.

At his core, Farhoud is passionate about storytelling that entertains, educates, and inspires. He also believes in the transformational power of empathy and shared human experience to heal the political-social divide of the present day.

Mostly recently, Farhoud directed and executive produced several episodes of Wayfarer’s flagship series, My Last Days. He received a Television Academy Honors Award, Muse and Clio for his work on the series. Farhoud also executive produced and wrote Man Enough, for which he received a Telly and Adweek Arc award, and created Project Upgrade, an unscripted series featuring YouTube stars, The Merrell Twins, as they set out to design and build a new consumer product with the help of successful female mentors.

Farhoud serves as a board member of the Wayfarer Foundation, The Muslim Public Affairs Council, as well as Loyola Marymount University’s Business School A-LIST Marketing Pathway, where he teaches a course on Branded Content for Social Impact.

We talked about many things, but one of them was how to invite men into the conversation about equality that promotes healing and forward movement.

See more of Farhoud’s work here:

My Last Days: Meet Anthony: https://www.facebook.com/mylastdayssoulpancake/videos/391034138419712/

Man Enough: #metoo: https://www.facebook.com/WeAreManEnough/videos/2129001024007697/

Episode 157: T.L. Quach, Filmmaker

This episode generously sponsored by:

T. L. is an independent filmmaker based in Los Angeles after studying Film Studies at UC Berkeley and working in production on major TV and Films in New York City.

Her short films have been all over the festival circuit and her short film, Rule of Threes, won an Award of Merit for Women Filmmakers at the Accolade Global Film Competition and an Award of Merit at One-Reeler Film competition.

She is currently developing a new screenplay and also producing her first screenplay, Crave, into a feature film. Which she will tell us all about. You can find more about TL here: http://www.tlquachfilms.com/

Episode 156: Liz Jenkins, CFO, Hello Sunshine

This episode generously sponsored by:

Liz is the Chief Financial Officer of Hello Sunshine, the media brand founded by Reese Witherspoon. She tells us all about the company, their mission, and their culture. It’s as good as you imagined. Liz was formerly the Senior Vice President of Corporate Development and Strategy at Media Rights Capital. While there, she worked on the deal to bring House of Cards to Netflix, which was then written up as a Harvard Business Review business case, and she talks it about it here as well. Liz is very much one of the best and brightest, and I’m so happy to have her on the show.

Episode 153: Mari Meyer, Writer, Journalist, Filmmaker and Actor

This episode generously sponsored by:

Mari is a writer, journalist, filmmaker and actor. She holds a BA in Journalism and completed the 3 Year Conservatory program at the Stella Adler Studio of Acting in New York.

As a journalist, she has over ten years of experience in news, art and entertainment journalism, both in the Netherlands and in the U.S. She is producer and director of VAGILANT, a short documentary film about the Women's March on Washington and was the lead producer on music video project A Whole New World. She co-wrote, produced and starred in The Soothing System, an award winning narrative short film. In 2018, Female Filmmakers Fuse Film Festival in Los Angeles named her Filmmaker of the Year.

We talked about her new projects in development, her work within the prison system in New York and how finding your voice and telling your story, as cliché as that is starting to sound, is still imperative.

You can find more about Mari here.