The Other 50%

  • Home
  • SHOWS
  • Herstoryof Tech Podcast
  • Herstory of Hollywood Podcast
  • Transcripts
  • About
  • Contact us
Carrie Cates Collage.png
Faiza Kracheni - Collage (Photos featured by Bryan Taylor, Rustin Gudim, and Farrah Skeiky).png

Episode 211: Austin School of Film, Faiza Kracheni and Carrie Cates

October 20, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

For this episode, I got to meet Faiza Kracheni and Carrie Cates of Austin School of Film, which for nearly two decades has provided alternative education programs and workshops for all ages interested in the arts & film. Faiza Kracheni is the Programs & Education Director, and Carrie Cates is the Artist & Community Director. These women have taken their passion for filmmaking and created a completely accessible space for a growing community of creators, breaking down barriers inherent in our society.  

They launched their newest program Play At Home as a direct response to the ongoing pandemic. Play At Home is an online/offline interactive experience featuring live workshops, events, screenings, and talks by artists and filmmakers from around the globe. Since the launch of Play At Home in April 2020, it has hosted 40 workshops and events with over 900 participants in 14+ countries. 

October 20, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
Comment
AndOr-Creative Director and Partner-Kelli Miller-12.13.2019.jpg

Episode 210: Kelli Miller, Co-Founder And/Or Studio

October 13, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

Kelli is the co-founder of creative studio And/Or, and has worked in motion design and branding for 15 years with brands like MTV, Netflix, and Amazon. She is a graduate of Cranbrook Academy of Art and has taught and lectured at the College for Creative Studies, Pratt, NYU, SVA, Yale, and RISD.

Kelli has directed show titles for FX, HBO and Paramount’s Lip Sync Battle, as well as designing title sequences for a number of films and documentaries including The Assistant, Certain Women and critically acclaimed drama Never Rarely Sometimes Always.

https://and-or.co/

October 13, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
Comment
WER001_KeyArt_2a_1080x1350_FINAL.jpg

Episode 209: The Wolf of Snow Hollow: Riki Lindhome, Chloe East and Natalie Metzger

October 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

For this episode, I spoke with a producer and two stars of Jim Cummings’ much anticipated new film The Wolf of Snow Hollow, which opens October 9th in theatres around the country and streaming in the comfort of your living room.

Natalie Metzger, whom you will remember from an earlier episode of this podcast, Produced this movie under her shingle Vanishing Angle where she also produced Jim Cummings’ Thunder Road that won the SXSW Grand Jury Award along with about a million other awards. Riki Lindhome plays Officer Julia Robson in the film. You may also know her from Duncanville, Knives Out, Crazy Ex-Girlfriend and the comedy musical duo Garfunkel and Oates, just to name a few. And finally, we also have Chloe East who played the role of Jenna Marshall in the film. Chloe made her TV debut in True Blood, playing Sheriff Andy’s daughter. Lately, she has been shooting Generation for HBO, Next Level, and Kevin (Probably) Saves the World.

Natalie, Riki and Chloe joined me from three different locations in this time of covid, so the audio is what it is, but have a listen to what it takes to actually make a film in tricky conditions, and how it is to work with Jim Cummings, then go out or order in and see this film tomorrow.

October 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
Comment
StephanieSanditzHeadshotWhiteDrama.jpg

Episode 208: Stephanie Sanditz, Actor, Writer, Director

October 06, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

Stephanie Sanditz is a writer, director, actress and producer from BROKEN HEART, MO - the name of her feature screenplay that won a Tribeca Film Festival All Access Award for New Voices in Screenwriting. She recently optioned feature film DANCE PARTY, a body-positive dance comedy she co-wrote, with Queen Latifah set to star.

Recently, Stephanie wrote, starred and produced her pilot, THE HIGH LIFE pilot, starring opposite Amy Landecker, Linda Purl, Ron Perkins and Jesse Garcia then won BEST PILOT and BEST ACTRESS in the IMDB Independent Shorts festival, and the We Make Movies International and Hollywood Reel Independent Film Festivals and Dances With Films. She has just been hired to adapt an edgy female boxing feature, the PERFECT ADDICTION, with Constantin Films.

As an actress she is currently co-starring in 37 PROBLEMS, which you may remember from when I interviewed the writer Lisa Ebersole. It was just bought by Amazon Prime, Xfiniti, and Elizabeth Banks, Whohaha, and was accepted in the 2017 Tribeca Film Festival New Media category.

She has her hands in too many things to even list here, but a quick google search will lead you to many articles about her work.

Stephanie is prolific and busy, adapting to quarantine, and made some time to talk to me.

October 06, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
Comment
Deb_4 (1).jpg

Episode 207: Deborah Sullivan, Executive Producer, Managing Director

September 29, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

As The-Artery’s Managing Director and Executive Producer, Deborah Sullivan channels her extensive background in advertising, production, design, and visual effects into each and every project that she brings to life. Formerly at DDB New York, FCB New York, Berlin Cameron & Partners, RadicalMedia, as well as PeepShow Post Productions (to name a few), her global body of work spans throughout feature films, television programs, commercials/branded content, and music videos.

Since joining The-Artery and helping to lead their team of artists, Deborah has partnered with some of the world’s leading brands including Pepsi, Under Armour, Verizon, Skyworth,  AppGallery, Johnnie Walker, Mercedes-Benz, Stella Artois, and more. She has also garnered an impressive roster of accolades across the Cannes Lions, Effie, Clio, AICE, AICP, D&AD, and The London International Awards.

https://www.the-artery.com/

September 29, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
Comment
courtneyhopeHS.jpg

Episode 194: Courtney Hope Therond

May 19, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Courtney Hope Therond is an award-winning director whose films feature an unapologetically female perspective. She has screened short films at several film festivals and her latest short Rehearsal, which tackles the grey areas of consent, premiered online on Short of the Week and received a Vimeo Staff Pick after playing over a dozen festivals internationally. Her film The Dress You Have On won multiple awards including two jury prizes and is distributed by Revry TV and Seed & Spark. Courtney’s digital series Comedic Timing was recently acquired by WhoHaHa and the screenplay for her digital series Between Us Girls was a finalist at Austin Film Festival.

Courtney is a graduate of NYU and was a Cinereach Film Fellow. After four years in France, she now directs narrative and branded content in Los Angeles and is currently developing her first feature film

May 19, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
Comment
image1 (1).jpeg

Episode 193: Sophie Max, Actor, Writer, Producer

May 05, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Sophie Max is an actress, writer and producer based in London and trained at the American Academy of Dramatic Arts in New York. She is the writer, executive producer and lead actress in the film The Whole Truth and previous film work includes writing and starring in the award-winning Callie. As an actress, Sophie has been seen across theatre and film in New York and the UK. Sophie is also a poet and her book, lost and found, was published in January 2018 and is available on Amazon worldwide. Sophie is a proud advocate for womxn in the film industry and is passionate about elevating womxn’s voices and stories in media. In other words, she has come to the right place.

May 05, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
Comment
IMG_7366.jpg

Episode 192: Melissa Center and Tanny Jiraprapasuke - Whole Self Systems

April 21, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

For this episode, I got to speak with Melissa Center, an award-winning filmmaker & actress, and Tanny Jiraprapasuke, a mindful coach, practitioner, & scholar, who met by chance in Los Angeles, at the National Women’s Political Caucus Summer Spritz event. As women in support of other women: they discovered a mutual desire to shift the moral paradigm around closing the gender pay-gap, reevaluating hiring practices, and transforming organizations’ cultures.

Melissa and Tanny decided to combine their talents, aligned values, and full dedication to affecting change for good. They are not trying to dismantle “systems,” but rather to interrupt the status quo “systems” by offering a new kind of system: Whole Self Systems. Through Whole Self Systems, Melissa & Tanny inspire new ways of communicating, empower ethical leaders (many from marginalized communities), and elevate workplaces that prioritize diversity, gender equanimity, & social innovation.

We spoke earlier this year, before we were all in isolation, but somehow this work seems even more relevant now, as many people are looking inward toward mindfulness and as the world is changing before our very eyes.

April 21, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
Comment
IMG_4542.jpg

Episode 191: Ashley Shelton, Actor, Filmmaker

March 31, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA

Ashley got her start starring in the critically-acclaimed film, Something, Anything. She was also featured on IndieWire's 2015 year end critics poll best lead actress list. Ashley is a graduate in Theatre from the University of Tennessee and is passionate about telling stories from the heart. Her goals include bringing to life stories that give light to social issues and connecting with people through cinema. In 2018 her writing and directorial debut came to life with MAGNOLIA & CLEMENTINE that was featured in Amazon Prime's first ever film festival.

We spoke remotely, before social distancing was the new normal.

March 31, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Diversity, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, investment, film festivals, Post Production, PGA
Comment
d1UvDs7w.jpeg

Episode 190: Gabriela Ledesma and Callie Schuttera, Filmmakers

March 18, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production

For this episode, I got to speak with the founders of the production company, Poison Pictures: Gabriela Ledesma and Callie Schuttera. The pair met in 2015 and have since written and produced countless projects together including comedy specials, feature films, live events, commercials, and documentaries.

​Their work has been featured and acclaimed by Film Pulse, CherryPicks, Film Threat, Film Inquiry, and more.

We talked about their journeys, both before each other and together, and their film Blue, which you can find on Amazon Prime.  

March 18, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production
Comment
maryheadshot.jpg

Episode 189: Mary Montiforte, Production Executive

March 05, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production

Mary Montiforte is the Vice President of Physical Production at Endeavor Content. She originally came up through production accounting and producing as a freelancer, then moved into staff positions in production finance and physical production.

Her longest stint was as a staff production controller for NBCUniversal before moving on to Lionsgate and now Endeavor Content. Some of her credits include 30 Rock, Friday Night Lights, Unbreakable Kimmy Schmidt, The Santa Clause 2, Thirteen Days, Air Force One and a crowd favorite The Commitments - just to barely scratch the surface.

Amongst everything else, we talked about the tenacity and persistence it takes to have longevity in this career.

March 05, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, commercials, branded entertainment, film production, sundance
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, Producer, acting, activism, Directors, Editorial, human rights, investment, film festivals, PGA, Unscripted, Post Production
Comment
IMG_4106.jpeg

Episode 175: Marquette Jones, Filmmaker, Professor, Podcaster

August 27, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

Marquette Jones began her filmmaking journey in her hometown, Youngstown, Ohio. Marquette is an alumna of New York University’s Film and Television Production graduate program. Before becoming a filmmaker, Marquette was a public interest attorney and social entrepreneur in Oakland, California.  

Her feature film screenplay, AFTER THE JUMP, http://www.afterthejumpmovie.com/, which is currently in development, was recently selected for the Athena Screenwriting Lab in Los Angeles and was a finalist in the Vancouver International Women in Film Festival, Broad Humor Film Festival as well as a semi-finalist in the Atlanta Film Festival Screenplay Competition. It was also selected to participate in the Women in Film/ Sundance Institute’s Film Financing and Strategy Intensive.

Her directing work includes FORGIVING CHRIS BROWN, ROUND ON BOTH SIDES, TUNK, HEROES WANTED and STREETS 2 SUITES (lensed by Bradford Young).  Her films have been featured on Amazon Video, PBS, Showtime, KweliTV, Aspire TV, BET, IFC, StreamPlix and other broadcast & digital outlets. She has also directed several commercial spots, which led to both a Telly Award and Aurora Award for excellence in storytelling.

As a producer, Marquette’s credits include Andrea Williams’ SPOONFUL OF SUGAR, Alrick Brown’s ADVENTURES OF SUPERN*GGER, and Tamika Guishard’s JACKIE. Her past filmmaking-related awards include: New York University’s Warner Bros. Production Award, Panasonic‘s “P2 for a Cause” Grand Prize Winner, Fotokem Film Processing Grant, Woods Hole Film Festival, Best Short Screenplay Winner for “Free’s Rain”, ProMotion Pictures / Heineken Branded Entertainment Shorts Competition Winner, Reel Sisters of the Diaspora Film Festival Best Short Narrative, and First Run Festival’s Producing Award.

When she is not busy writing, producing or directing, Marquette hosts the Directing Magic podcast,http://www.directingmagic.com/, and teaches creative media at The University of Alabama.

August 27, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, podcasting, female director
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA
Comment
Leslie.jpg

Episode 174: Leslie Belzberg, Producer

August 20, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

Leslie is a producer, most notably working with John Landis, on all of your favorite things, such as Three Amigos, Beverly Hills Cop III, Coming to America, Trading Places, Thriller, Sliders, Dream On, Blues Brothers 2000, Honey I Shrunk the Kids series, Crazy Heart and the list goes on and on and on, before she transitioned to being a production executive in house.

At the time of this recording, she was at Gaumont, but has since transitioned to the Head of Production for Imagine Entertainment.

Leslie has always worked toward diversity, even and especially when she was the only woman in the room. She has incredible perspective and experience and it was such an honor to get to have this conversation.

August 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, charles manson, John Landis, Studios
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre
Comment
me 1.jpg

Episode 173: Eleanor Wells, Filmmaker

August 13, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

Eleanor was born in Milwaukee, Wisconsin, and was a lover of film, writing, and storytelling from an early age. She has written and directed several short films, including Feature Presentation, about three lonely people in need of connection who find it at the movies as well as Tales from the Airwaves, a Mercury Theater-esque radio drama. She fell in love with the classics as a teenager, and is especially interested in portraying other eras. She firmly believes storytelling is one of the most powerful tools we have to empathize with and understand the lives of others.

She tells us all about her current film, Eagle Rock, which dives deep into the psychology of what might make a young woman join a cult. It’s pretty fascinating.

You can find more here:

website: https://www.eaglerockshortfilm.com/

instagram: https://www.instagram.com/eaglerockshort/

imdb: https://www.imdb.com/title/tt9108344/?ref_=fn_al_tt_2

THE 6th ANNUAL LOS ANGELES 

DIVERSITY FILM FESTIVAL 

AUGUST 23 - 25 IN WEST HOLLYWOOD

 

WITH FILM SCREENINGS, PANEL DISCUSSIONS AND GUEST SPEAKERS

 emphasizing works created by and featuring diverse 

stories, artists and experiences. 

 

August 22-24, 2019: The Los Angeles Diversity Film Festival (LADFF) is a three-day event featuring 7 different film screenings that provide the audience with a unique, fun and profound experience in an inclusive and multicultural environment.  Now in its sixth year, the growing festival features 40 films, guest speakers, panel discussions, and Q&As with filmmakers, all presented at the Let Live Theater (916 N. Formosa Ave, LA 90046).  LADFF kicks off Thursday, August 22 at 8PM with a screening of six global shorts with selections from Israel, Iran and the U.S. featuring films about magic, mental health, menstruation, falling in love with Cerebral Palsy, misconduct in a Southern Baptist church, to name only a few.  The screenings will be followed by a Q & A and will be capped with an Opening Night Party and meet and greet with the filmmakers; food and beverages will be served.  For tickets to opening night and other festival programming: https://filmfreeway.com/LADFF/tickets. 

August 13, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, indie film, short film, cults, charles manson
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers
Comment
Jennie and Ana.jpg

Episode 171: Ana Lake and Jennie Nystrom from the webseries "Tracy Buckles"

July 30, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

I spoke with Ana Lake and Jennie Nystrom about their webseries Tracy Buckles. 

A Los Angeles-based actress originally from the Central Coast, Ana Lake has been immersed in a love of film since childhood. She made her public debut in the short film Finding Home, For Now that she wrote and starred in. The film had its world premiere at the San Luis Obispo International Film Festival in 2017. She plays the title role in Tracy Buckles. 

A graduate student of Clinical Psychology at Antioch University, Jennie Nystrom is an accomplished producer who enjoys collaborating with her husband on all aspects of film production. Her artistic capabilities are eclectic, and she has a deep passion for story supervision, set design, hair, make-up and costume. She is a producer, among many other jobs, on Tracy Buckles.

I spoke with both of them and we basically solved the problems of the world.

Tracy Buckles Poster - 1.jpg
July 30, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, dance
Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer
Comment
Emily Aguilar Headshot 2018.jpg

Episode 170: Emily Aguilar, Filmmaker

July 23, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Comedy, business, capital, Competition Show, family films, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

Emily Aguilar has been out of college for about five minutes and has already made and sold three feature films. She is an award-winning film director in Los Angeles known for creating emotional impact for her audience in narrative films. She is the director and producer for The MomentEM Productions and has films distributed by Bridgestone, Pure Flix, The Dove Foundation and Amazon Prime. 

She is the founder of the 5th annual Global Impact Film Festival held in Washington, DC every August. A Washington DC native of Latino heritage, she has a competitive edge who aims to provoke, educate and inspire her audience in both her creative and commercial productions. Emily is currently in post production on her third feature film, "Brie's Bake Off Challenge." 

You can find more about Emily and follow her here:

Social Media Handles: @themomentem
FB: www.facebook.com/themomentem
IG: www.instagram.com/themomentem

Website Links:
Global Impact Film Festival: www.globalimpactdc.org
The MomentEM Productions: www.themomentem.com

Fundraiser Link: https://www.gofundme.com/briesbakeoffmovie


July 23, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, family, dance
Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Comedy, business, capital, Competition Show, family films, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production
Comment
Farhoud.jpg

Episode 167: Farhoud Meybodi, Wayfarer Entertainment

July 02, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, Writers, activism, human rights, Studios, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors, capital, DGA, Digital content, documentary, entrepreneur, Post Production, PTSD, Reality, superhero, Unscripted, women, youtube influencer

This episode is brought to you by:

GS_Landscape_Ad_FInal_2 (1).gif

As EVP of Creative at Wayfarer Entertainment, Farhoud Meybodi sets and executes Wayfarer’s overall creative vision across feature film, documentary, series, and commercial content, further strengthening the company’s mission to create entertainment that compels social change.

At his core, Farhoud is passionate about storytelling that entertains, educates, and inspires. He also believes in the transformational power of empathy and shared human experience to heal the political-social divide of the present day.

Mostly recently, Farhoud directed and executive produced several episodes of Wayfarer’s flagship series, My Last Days. He received a Television Academy Honors Award, Muse and Clio for his work on the series. Farhoud also executive produced and wrote Man Enough, for which he received a Telly and Adweek Arc award, and created Project Upgrade, an unscripted series featuring YouTube stars, The Merrell Twins, as they set out to design and build a new consumer product with the help of successful female mentors.

Farhoud serves as a board member of the Wayfarer Foundation, The Muslim Public Affairs Council, as well as Loyola Marymount University’s Business School A-LIST Marketing Pathway, where he teaches a course on Branded Content for Social Impact.

We talked about many things, but one of them was how to invite men into the conversation about equality that promotes healing and forward movement.

See more of Farhoud’s work here:

My Last Days: Meet Anthony: https://www.facebook.com/mylastdayssoulpancake/videos/391034138419712/

Man Enough: #metoo: https://www.facebook.com/WeAreManEnough/videos/2129001024007697/


July 02, 2019 /Julie Harris Oliver
writer, culture, politics, indie film, commercials, healing masculinity, gender equality, social change
Diversity, entertainment, Film & TV, hollywood, Writers, activism, human rights, Studios, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors, capital, DGA, Digital content, documentary, entrepreneur, Post Production, PTSD, Reality, superhero, Unscripted, women, youtube influencer
Comment
Headshot - cropped.JPG

Episode 157: T.L. Quach, Filmmaker

April 23, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, Comedy, documentary, entrepreneur, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, WGA

This episode generously sponsored by:

crew-theother50percent-02.png

T. L. is an independent filmmaker based in Los Angeles after studying Film Studies at UC Berkeley and working in production on major TV and Films in New York City.

Her short films have been all over the festival circuit and her short film, Rule of Threes, won an Award of Merit for Women Filmmakers at the Accolade Global Film Competition and an Award of Merit at One-Reeler Film competition.

She is currently developing a new screenplay and also producing her first screenplay, Crave, into a feature film. Which she will tell us all about. You can find more about TL here: http://www.tlquachfilms.com/

April 23, 2019 /Julie Harris Oliver
women in film, short film, immigration, indie film, editing, journalism, writing, acting, film festival
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, Comedy, documentary, entrepreneur, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, WGA
Comment
liz 2.jpg

Episode 156: Liz Jenkins, CFO, Hello Sunshine

April 16, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment, capital, DGA, Directors, documentary, human rights, LGBT, Unscripted, WGA

This episode generously sponsored by:

crew-theother50percent.png

Liz is the Chief Financial Officer of Hello Sunshine, the media brand founded by Reese Witherspoon. She tells us all about the company, their mission, and their culture. It’s as good as you imagined. Liz was formerly the Senior Vice President of Corporate Development and Strategy at Media Rights Capital. While there, she worked on the deal to bring House of Cards to Netflix, which was then written up as a Harvard Business Review business case, and she talks it about it here as well. Liz is very much one of the best and brightest, and I’m so happy to have her on the show.

April 16, 2019 /Julie Harris Oliver
digital content, digital marketing, women in leadership, women in business, Hello Sunshine, women in tv, women in entertainment, women focused story, book club, female CFO
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment, capital, DGA, Directors, documentary, human rights, LGBT, Unscripted, WGA
Comment
Head Shot 1.png

Episode 154: Melinda McLaughlin, Chief Marketing Officer

April 02, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment

This episode generously sponsored by:

crew-theother50percent-02.png

Melinda is the Chief Marketing Officer at Extreme Reach. You may notice that Extreme Reach is the sponsor of this podcast, so that’s how I met her, but I would have interviewed her regardless. She tells us a bit more about the company, and we talked a lot about her journey in her work life. How important it is to be authentic, how self-awareness is key to leadership, and how knitting might be the key to everything.

And how highly paid executives will still tackle each other when something is being given away for free.  Humans are funny.

April 02, 2019 /Julie Harris Oliver
digital content, digital marketing, women in leadership, ad distribution, commercial content, asset distribution, women in business
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Editorial, Producer, Studios, Writers, entrepreneur, business, Coaching, Commercials, Consulting, Digital content, investment
Comment
  • Newer
  • Older

Subscribe here!

Sign up with your email address to receive news and updates.  We will let you know when new episodes are published.

We respect your privacy and will not bombard you.  We may gently keep in touch so you don't miss any episodes.

Thank you!

Powered by Squarespace