Episode 185: Kate Chamuris, Filmmaker

This episode is brought to you by:

Kate Chamuris. Kate is a producer & director who recently won a Gold, Student Academy Award and a BAFTA student award for producing the American Film Institute short film MILLER & SON. She also produced the AFI thesis films, BALLOON and IF THIS IS WRONG. For the AFI Directing Workshop for Women, Kate produced UNSPEAKABLE and BLOCKS.  

Her directing work includes the comedic short A SARI FOR PALLAVI (winner, Best Comedy Short at Rhode Island International Film Festival).  

Prior to narrative filmmaking, Kate worked as an advertising account manager for ROLEX Global at J. Walter Thompson. While there she produced the branded feature documentary “Deepest Dive: The Story of the Trieste,” directed by Fisher Stevens that aired on National Geographic and BBC Worldwide. Kate resides in Los Angeles, CA and produces feature films for dir/writer Jeremy Merrifield and his production company, Dream Three Films.

You can watch her two Oscar Qualified Live Action Shorts at the links below:

BALLOON - http://bit.ly/Balloon_SOTW

MILLER & SON - http://bit.ly/MillerSon_SOTW

Social handle on Instagram & Twitter - @katechamuris 

Episode 174: Leslie Belzberg, Producer

This episode is brought to you by:

Leslie is a producer, most notably working with John Landis, on all of your favorite things, such as Three Amigos, Beverly Hills Cop III, Coming to America, Trading Places, Thriller, Sliders, Dream On, Blues Brothers 2000, Honey I Shrunk the Kids series, Crazy Heart and the list goes on and on and on, before she transitioned to being a production executive in house.

At the time of this recording, she was at Gaumont, but has since transitioned to the Head of Production for Imagine Entertainment.

Leslie has always worked toward diversity, even and especially when she was the only woman in the room. She has incredible perspective and experience and it was such an honor to get to have this conversation.

Episode 157: T.L. Quach, Filmmaker

This episode generously sponsored by:

T. L. is an independent filmmaker based in Los Angeles after studying Film Studies at UC Berkeley and working in production on major TV and Films in New York City.

Her short films have been all over the festival circuit and her short film, Rule of Threes, won an Award of Merit for Women Filmmakers at the Accolade Global Film Competition and an Award of Merit at One-Reeler Film competition.

She is currently developing a new screenplay and also producing her first screenplay, Crave, into a feature film. Which she will tell us all about. You can find more about TL here: http://www.tlquachfilms.com/

Episode 153: Mari Meyer, Writer, Journalist, Filmmaker and Actor

This episode generously sponsored by:

Mari is a writer, journalist, filmmaker and actor. She holds a BA in Journalism and completed the 3 Year Conservatory program at the Stella Adler Studio of Acting in New York.

As a journalist, she has over ten years of experience in news, art and entertainment journalism, both in the Netherlands and in the U.S. She is producer and director of VAGILANT, a short documentary film about the Women's March on Washington and was the lead producer on music video project A Whole New World. She co-wrote, produced and starred in The Soothing System, an award winning narrative short film. In 2018, Female Filmmakers Fuse Film Festival in Los Angeles named her Filmmaker of the Year.

We talked about her new projects in development, her work within the prison system in New York and how finding your voice and telling your story, as cliché as that is starting to sound, is still imperative.

You can find more about Mari here.

Episode 152: Michelle Salcedo, Director/Writer

This episode generously sponsored by:

Michelle directed a gorgeous short film called Piel Canela, that she shot in Cuba and which is screening at several film festivals this week. It will be premiering at the San Diego Latino Film festival March 23, as well as the Chicago Latino Film Festival March 29, and 31st, with a Miami screening happening first weekend in April at the Indie Pasión Film festival! So, if you are anywhere near any of those places, make a point of going to see it. I have seen the trailer and it is gorgeous. You can see the trailer here.

Michelle came up through marketing and editing at Miramax during the heyday, editing with Bunim Murray, and is now writing and directing full time. She tells us the whole story of scouting and then shooting in Cuba, counting all her cash in a bathroom stall at LAX to make sure TSA hadn’t taken any, and her Grandmother’s spirit yelling at her about all of it.

You can find more about Michelle and Piel Canela here.

Episode 117: Marie Cantin, Producer and Educator

This episode is brought to you by:

Marie Cantin is a Producer and Educator, having worked in independent and studio film and television productions. She was an Associate Dean at the AFI Conservatory, and in 2017 was the recipient of the Frank Capra Achievement Award from the DGA – a very big deal.  Some of her many credits include, Torch Song Trilogy, Save the Last Dance, Dante’s Peak, and Things to do in Denver When You’re Dead.

We talked about her long and circuitous journey into the business.  At one point she was rumored to be a nun. There’s a story.

She says it is important to figure out who you are and how you want to be in the world. This will inform your path. I think she’s right.

Episode 112: Allegra Clegg, Production Executive, Producer

This episode is generously sponsored by:

Allegra is the Senior Vice President of Physical Production at Paramount Pictures. Before becoming an executive, Allegra was a Producer and Production Manager on no less than four Transformer movies, along with Paranormal Activity 4 and a favorite of mine, The American President. If you need to see even more credits, here is the link to her IMDB page. She is a serious badass. One might even call her the Michael Bey whisperer.

We talked about what it took to rise to the top of the production world and how she made the shift to a studio job. What is important? What matters? What factors into your important career decisions?

Episode 78: Jen McGowan, Director

Jen McGowan is a film Director who directed the shorts Confessions of a Late Bloomer and Touch, and the feature film Kelly and Cal, which is a delicious movie that you can see on the streaming platforms. This film won the Gamechanger award at SXSW. She is currently finishing her next film called Rust Creek.

Jen is also the founder of the amazing group for women in this business called Film Powered – which she tells us all about.

If you are in LA in the film community, you have seen Jen everywhere lately. She has a big online platform, she is speaking on panels, she is doing the work. A somewhat reluctant activist, she is paving the way forward for the women behind her.

And this: As long as women don’t get to tell the stories, we will have no control over our destiny.

You can find Jen here.

Episode 77: Women in Entertainment Summit 2017

Patty Jenkins talks with WIE Co-Founder Gretchen McCourt  

On November 2nd, I went to the third annual Women In Entertainment Summit.  I love this event.

The day started out with Geena Davis. The Geena Davis Institute for Gender in Media Studies has provided a heap of data surrounding women and girls in media. She presented some data on the day, and as usual, representation of women on screen and behind the scenes are still dismally small.  There are some very easy fixes however, and this is a point that really resonated with a lot of people.

She told us that Media can actually fix the problem is has created.

There was a also a lot of talk at the conference about the parts that we own - namely, confidence and advocacy. 

On the side, we talked about #metoo.

During the lunch break I caught up with McKenna Koon and Dana Kelly who both work at FullScreen, and I talked with Shirley Davis, EVP of Production at Alcon Entertainment.

On this episode I share a lot of the high points and inspiration from the day – from women such as Geena Davis, Victoria Mahoney, Dee Rees, Jordyn Wieber, Christine Simmons, Gabrielle Carteris and Greta Gerwig.

It was a great day, and this is but a tip of the iceberg.

And my must see films list from the summit: LadyBird, Mudbound, Fear Us Women

Episode 45: Kat Coiro, Director

Kat is a Film, TV and Commercial Director.  For this, I call her a unicorn. She started as an actor but started to realize she wanted to have more influence on the final product. Kat went on to make a short with Funny or Die, where Janeane Garofalo told her to "stop f**&^%ing apologizing!" Oh, to have Janeane Garofalo yell at you!

Later she wrote and directed a beautiful film called And While We Were Here.  You can find it on Hulu.  It really is gorgeous. And she did it with no money. In Italy. While pregnant.  That is badass.

Currently, she is directing television - all your favorite shows, The Mick, Girlfriend's Guide to Divorce, and Alone Together.

She tells us her journey in directing, the state of women in the business, and what inspires her.

And, it turns out you can get big female stars to show up for your tiny shoot if you just ask them to act in a scene with another woman. With dialogue. This is the revolution.

And of course...preparation, preparation, preparation.

Episode 38: Olivia Baptista, Multi-hyphenate

Olivia is the co-creator, writer, co-star and producer of Here We Wait, a new Indie web series drama available on YouTube and already getting a lot of attention, and a co-founder of the aptly named Multihyphenate Productions.  She already has several films under her belt, all of which seem to find homes at festivals and distribution.  She’s not messing around.

We talked about creating diverse projects, how sick Americans in Bosnia lose their appendixes, and how important it is to say YES! when the agent calls from LA and you’re sitting in New Jersey eating and bemoaning your fate.

Episode 35: Jennie Lew Tugend, Producer

Jennie is a Producer. She has produced and co-produced some of the industry’s most memorable franchises:  Free Willy, Lethal Weapon and HBO’s Tales from the Crypt.  As she continues to develop and produce today, she is also sharing her experience by teaching film production at UCLA Extension and Columbia College Hollywood, and in 2016, she joined the faculty of AFI as a producing mentor. 

This episode jumps right into class and she talks about what makes a creative producer and what is the process of developing a film - it takes longer than you think, and sometimes the actor with a script in his back pocket turns out to be an amazing gift.

We eventually circled back to her history and how she came up through the ranks, all the way to a studio deal. Spoiler, she took a detour through a saloon.

And this: it’s not just who you know, it’s who you know and what they think of you.

Episodes 31 &33: The Women of Brothers and Sisters

This was my first panel, and I loved it.  I sat down with the following women who ran the show Brothers and Sisters which aired on ABC for 5 years:

Sarah Caplan – Executive Producer

Suzanne Geiger – Unit Production Manager/Co-Producer

Cynthia Pusheck – Cinematographer/Director of Photography

Sally Sue Beisel-Lander – 1st Assistant Director/Co-Producer

Denny Dugally – Production Designer

Ida Lee Henderson-Williams – Production Accountant

Melina Root – Costume Designer

We talked about everything from what it was like to work on a female team, the changing landscape of the business, sexual harassment, salary negotiation, and getting the band back together.  They were very forthcoming and I really felt like they let me in on something special.

And Sarah baked us a cake.  As you do.

It will be presented in two episodes. 

Episode 29: Kathryn Leigh Scott, Actor / Writer

Kathryn is an actor and writer. She started her career in Dark Shadows and went on to act on television, in film and in theatre.  Some of her many credits include The Great Gatsby, The Turn of the Screw, Hawaii Five-O (the first one), Baretta, Cagney & Lacey, Knots Landing, Dallas, Matlock, Broadcasting Christmas…..I think you get the idea.  Here is a link to her IMDB if you want to see the whole list.

She is also a writer and started a publishing company.  Her books include Jinxed, Down and Out in Beverly Heels, The Bunny Years, Last Dance at the Savoy and the upcoming If Not Now, When?  You can read more about Kathryn on her website here.

We talked about the genesis of If Not Now, When? (my new mantra), how women must take control of their finances, and how close we all are to the edge. She discusses that period of life when women become invisible and have to come to terms with all the ticking clocks – not just the baby one.

And that time she took Gloria Steinem to task in the New York Times for giving up on romance after 50. I’m on Kathryn’s side on this one.  We must keep hope alive.

Episode 28: Nadja Rutkowski, Distribution Executive

Nadja is Senior VP, Sales, Marketing & Operations at Terry Steiner International. As such, she places films on airplanes and with the military. A worthy endeavor indeed, and yet perhaps the least interesting thing about her. She grew up in a divided Berlin and is still dealing with her immigration issues after being in the US for more than 20 years. She has a valuable perspective on immigration and on our current political climate.

This was recorded a couple of weeks after the election, but I don’t think much has happened since to assuage her concerns. Let me know what you think.

Episode 27: Penelope Spheeris, Director

Penelope Spheeris is a film Director. She is known for two parallel careers - one is of the Wayne’s World and studio picture variety, and the other is of The Decline of Western Civilization series about the Los Angeles Punk Rock scene. Basically, she is rock and roll. You can read up on her here.

We talked about her making omelets for Lorne Michaels as he told her about this live comedy show thing in New York he was thinking about doing. How she taught this kid Albert Brooks about filmmaking while he taught her something about funny.  How Richard Prior told her she was pregnant. You know, the usghe.

And, you can’t help who you fall in love with.

Episode 26: Lydia Dean Pilcher, Producer

Lydia is an Executive Producer and is the Founder and President of the production company Cine Mosaic. Her many credits include Queen of Katwe, Here One Minute, The Sisterhood of Night, You Don’t Know Jack, Amelia, The Darjeeling Limited, Iron Jawed Angels, Hysterical Blindness, just to scratch the surface.

Lydia is also a member of the Producers Guild of America and started their Women’s Impact Network.  She was key in producing the Ms. Factor Tool Kit which serves to debunk the many myths around the notion that female-driven content is not commercially viable. She also teaches a class at NYU that sounds so juicy, I may re-enroll.

She defines “badass” as this: not being afraid to be effectively subversive.  May we all be badasses.

Episode 17: Kool Marder, AFI Mentor/Production Executive

Kool is currently a Faculty Mentor at the American Film Institute. Prior to that, she was a Production Executive, Producer, DGA UPM, Location Manager, Production Coordinator – name the production job, she has done it. Kool has overseen and/or made about 100 films.  How many people can say that, let alone how many women?

Some credits include, Blue Valentine, Halloween, Nightmare on Elm Street 5, Casual Sex, Fried Green Tomatoes, American Pie, Erin Brokovich, The Fast and the Furious, and Bourne Identity.

We talked about the early days, when cell phones were in briefcases and coordinators prepared call sheets on typewriters. You think it’s hard to make movies now….

And now for Kool's Tales from the Trenches.  Is it a federal crime to receive cocaine via fedex? From UPM to Expert Witness in the Big Easy.