The Other 50%

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Episode 211: Austin School of Film, Faiza Kracheni and Carrie Cates

October 20, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

For this episode, I got to meet Faiza Kracheni and Carrie Cates of Austin School of Film, which for nearly two decades has provided alternative education programs and workshops for all ages interested in the arts & film. Faiza Kracheni is the Programs & Education Director, and Carrie Cates is the Artist & Community Director. These women have taken their passion for filmmaking and created a completely accessible space for a growing community of creators, breaking down barriers inherent in our society.  

They launched their newest program Play At Home as a direct response to the ongoing pandemic. Play At Home is an online/offline interactive experience featuring live workshops, events, screenings, and talks by artists and filmmakers from around the globe. Since the launch of Play At Home in April 2020, it has hosted 40 workshops and events with over 900 participants in 14+ countries. 

October 20, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 210: Kelli Miller, Co-Founder And/Or Studio

October 13, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios

Kelli is the co-founder of creative studio And/Or, and has worked in motion design and branding for 15 years with brands like MTV, Netflix, and Amazon. She is a graduate of Cranbrook Academy of Art and has taught and lectured at the College for Creative Studies, Pratt, NYU, SVA, Yale, and RISD.

Kelli has directed show titles for FX, HBO and Paramount’s Lip Sync Battle, as well as designing title sequences for a number of films and documentaries including The Assistant, Certain Women and critically acclaimed drama Never Rarely Sometimes Always.

https://and-or.co/

October 13, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX, LGBT, Studios
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Episode 209: The Wolf of Snow Hollow: Riki Lindhome, Chloe East and Natalie Metzger

October 08, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

For this episode, I spoke with a producer and two stars of Jim Cummings’ much anticipated new film The Wolf of Snow Hollow, which opens October 9th in theatres around the country and streaming in the comfort of your living room.

Natalie Metzger, whom you will remember from an earlier episode of this podcast, Produced this movie under her shingle Vanishing Angle where she also produced Jim Cummings’ Thunder Road that won the SXSW Grand Jury Award along with about a million other awards. Riki Lindhome plays Officer Julia Robson in the film. You may also know her from Duncanville, Knives Out, Crazy Ex-Girlfriend and the comedy musical duo Garfunkel and Oates, just to name a few. And finally, we also have Chloe East who played the role of Jenna Marshall in the film. Chloe made her TV debut in True Blood, playing Sheriff Andy’s daughter. Lately, she has been shooting Generation for HBO, Next Level, and Kevin (Probably) Saves the World.

Natalie, Riki and Chloe joined me from three different locations in this time of covid, so the audio is what it is, but have a listen to what it takes to actually make a film in tricky conditions, and how it is to work with Jim Cummings, then go out or order in and see this film tomorrow.

October 08, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 208: Stephanie Sanditz, Actor, Writer, Director

October 06, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

Stephanie Sanditz is a writer, director, actress and producer from BROKEN HEART, MO - the name of her feature screenplay that won a Tribeca Film Festival All Access Award for New Voices in Screenwriting. She recently optioned feature film DANCE PARTY, a body-positive dance comedy she co-wrote, with Queen Latifah set to star.

Recently, Stephanie wrote, starred and produced her pilot, THE HIGH LIFE pilot, starring opposite Amy Landecker, Linda Purl, Ron Perkins and Jesse Garcia then won BEST PILOT and BEST ACTRESS in the IMDB Independent Shorts festival, and the We Make Movies International and Hollywood Reel Independent Film Festivals and Dances With Films. She has just been hired to adapt an edgy female boxing feature, the PERFECT ADDICTION, with Constantin Films.

As an actress she is currently co-starring in 37 PROBLEMS, which you may remember from when I interviewed the writer Lisa Ebersole. It was just bought by Amazon Prime, Xfiniti, and Elizabeth Banks, Whohaha, and was accepted in the 2017 Tribeca Film Festival New Media category.

She has her hands in too many things to even list here, but a quick google search will lead you to many articles about her work.

Stephanie is prolific and busy, adapting to quarantine, and made some time to talk to me.

October 06, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 207: Deborah Sullivan, Executive Producer, Managing Director

September 29, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX

As The-Artery’s Managing Director and Executive Producer, Deborah Sullivan channels her extensive background in advertising, production, design, and visual effects into each and every project that she brings to life. Formerly at DDB New York, FCB New York, Berlin Cameron & Partners, RadicalMedia, as well as PeepShow Post Productions (to name a few), her global body of work spans throughout feature films, television programs, commercials/branded content, and music videos.

Since joining The-Artery and helping to lead their team of artists, Deborah has partnered with some of the world’s leading brands including Pepsi, Under Armour, Verizon, Skyworth,  AppGallery, Johnnie Walker, Mercedes-Benz, Stella Artois, and more. She has also garnered an impressive roster of accolades across the Cannes Lions, Effie, Clio, AICE, AICP, D&AD, and The London International Awards.

https://www.the-artery.com/

September 29, 2020 /Julie Harris Oliver
women in film, theatre, writers, acting, actor, film & TV, feminism, gender equality, hollywood, independent film, diversity, producer, SAG, gender equity, pipeline, organizational equity, organizational leadership, animation, women in animation, writer, WGA, AICP, commercials, branded entertainment, VFX
Diversity, entertainment, Film & TV, hollywood, webseries, women, Independent Film, animation, Writers, WGA, advancing women, business, Commercials, Digital content, Directors, entrepreneur, gender equity, Music Videos, Post Production, Producer, VFX
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Episode 187: Becky Morrison, Founder

January 14, 2020 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD

The production process when it comes to film, television, and advertising has lately been seen as outdated and needs to be simplified to be able to adhere to society’s needs for more diverse creators and stories. When Becky Morrison founded The Light, a production studio in Brooklyn, NY, she did it with a simple mission: change the culture of production, overhauling an outdated model in favor of one founded on values of equality, transparency and inclusion. She aims to create a system that prioritizes people, profit and the environment, responding to the ever-evolving economic landscape of the advertising industry. With that set model, Becky and The Light team have been able to secure work for brands like Lexus, JCPenney, and A&E. We spoke in her Brooklyn studio on a snowy day in NY.

January 14, 2020 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, indie film, short film, music, composer, commercials, branded entertainment, film production
entertainment, women, gender equity, advancing women, hollywood, business, Studios, Commercials, Digital content, Diversity, documentary, entrepreneur, Film & TV, Independent Film, composers, Producer, Unscripted, acting, activism, Directors, Editorial, human rights, investment, Music Videos, NYU, Politics, PTSD
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Episode 179: Jessie Levandov and Nina Reyes, Co Founders & Directors of Mala Forever

September 24, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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Jessie Levandov and Nina Reyes are the Co-Founders & Directors of Mala Forever. Mala Forever is an award-winning, women-run film and digital studio based in LA and NYC.

They develop and produce films, new media, and commissioned work that centers unheard voices. They are redefining the future of filmmaking through equitable production practices, and their growing community-based platform is a cultural hub for the radical femme revolution. 

Jessie is an award-winning community-based filmmaker, creative director, and educator. Her queer documentary series Signified was presented by the Guggenheim Lab, and her short film The Greggs won the Spirit Award at Slamdance. Her work has been featured in publications such as Teen Vogue, Huffington Post and Them. Jessie is committed to storytelling as a tool for social justice, and served as the longtime program director of Youth Documentary Workshop at New York’s Educational Video Center.

Nina is a countercultural filmmaker and creative director whose work is grounded in her point of view as a mixed-race first-generation Mexican-American and Jewish woman. Her feature-length screenplay La Paz was a finalist for the 2017 Latino Screenwriting Project; her short films, Organism and Invisible Men, have won press and played at festivals around the world including Outfest, Frameline, and HBO: New York Latino Film Festival. They both are fellow NYU alums with BFA’s from NYU’s Tisch School of the Arts – go violets.

You can follow them on the social media @_MalaForever_

September 24, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 178: Natalie Metzger, Writer, Director, Producer

September 17, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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For this episode, I spoke with Natalie Metzger, who is the VP of Development and Production for Vanishing Angle. Natalie is a Spirit Award nominated producer whose credits include Jim Cummings’ newest film THE WEREWOLF, GREENER GRASS (Sundance, SXSW), THUNDER ROAD (Grand Jury Award - SXSW), THE ROBBERY (Sundance), MATPAT’S GAME LAB (Streamy Award), Lil Dicky’s FREAKY FRIDAY (over 506 million views), HYDRANGEA (Vimeo Staff Pick), THE ARRIVAL (Jury Award - Napa Valley Film Festival), THE STOP (Vimeo Staff Pick), virtual reality miniseries GLOBAL GAMER, among numerous others. 

Her directing credits include AT&T original documentary ALONE IN THE GAME (AFI Docs, Frameline, Outfest); healthcare documentary SPECIAL BLOOD (Best Feature Documentary - CWFF); PSA “Topless Women Talk NFL” (featured in Washington Post, Huffington Post, Vice); and numerous award-winning commercials and short films. 

Also an accomplished writer, Metzger won the Gold Prize at the Page International Screenwriting Awards for her sci-fi script IMMORTAL.

Metzger holds a Master of Fine Arts from California Institute of the Arts and a Bachelor of Arts from Emory University

September 17, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, family films, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 177: Susie Singer Carter, Writer, Director, Producer, Actor

September 10, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting

This episode is brought to you by:

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Susie’s website bio says this: “If you asked five-year-old Susie what she wanted to be when she grew up, she’d have placed her hands defiantly on either side of her pink tutu and said, “Everything. Duh!” And that is what she has done. She’s a writer, producer, actor, musician. She sat down, we became immediate friends, and talked about everything – marriage, divorce, parenting, daughtering. She recently made an autobiographical short film about alzheimer’s called My Mom and the Girl, starring the great Valerie Harper, which she’ll tell us all about, and you can see her dancing hip hop on facebook all the time. She has the media company called Go Girl Media.

And here are all the links:

MY MOM AND THE GIRL

TRAILER - https://vimeo.com/183072790

AMAZON VIDEO - https://www.amazon.com/dp/B07NDQPGXL

ITUNES - https://itunes.apple.com/us/movie/my-mom-and-the-girl/id137275414

GOOGLE PLAY - https://play.google.com/store/movies/details/My_Mom_and_the_Girl?id=P6LORPD00no

Women writer documentaries

Women Who Wrote The Way - https://vimeo.com/207360299/bbbf9385e6

Breaking Good - https://vimeo.com/266981218

Music Video

Bad Dreams in Hollywood https://www.youtube.com/watch?v=sF00Et4vHxE

September 10, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, Alzheimers, family films
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting
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Episode 174: Leslie Belzberg, Producer

August 20, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre

This episode is brought to you by:

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Leslie is a producer, most notably working with John Landis, on all of your favorite things, such as Three Amigos, Beverly Hills Cop III, Coming to America, Trading Places, Thriller, Sliders, Dream On, Blues Brothers 2000, Honey I Shrunk the Kids series, Crazy Heart and the list goes on and on and on, before she transitioned to being a production executive in house.

At the time of this recording, she was at Gaumont, but has since transitioned to the Head of Production for Imagine Entertainment.

Leslie has always worked toward diversity, even and especially when she was the only woman in the room. She has incredible perspective and experience and it was such an honor to get to have this conversation.

August 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, charles manson, John Landis, Studios
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre
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Episode 155: Kaili Hollister, Actor

April 09, 2019 by Julie Harris Oliver in activism, Commercials, Diversity, entertainment, Film & TV, hollywood, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, women, human rights

This episode is sponsored by:

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Kaili is an actor with The Actors’ Gang in Los Angeles. Her film debut was in October Sky, and she has been acting on stage and in film ever since. We talked about her reluctant yet guided journey into acting, meeting Tim Robbins and joining The Actors’ Gang, and living every day with the responsibility of an artist. And this - it can be a long journey in your body to joy.

And, she has a beautiful love story.

This is episode is little long. But, trust me, as long as I am moved to tears, I’m not cutting it. And that happened to me a lot while editing. You are warned.

April 09, 2019 /Julie Harris Oliver
women in entertainment, actor, artivist, flip the script
activism, Commercials, Diversity, entertainment, Film & TV, hollywood, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, women, human rights
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Episode 144: Susanne Preissler, Executive Producer

February 05, 2019 by Julie Harris Oliver in activism, business, Commercials, DGA, Digital content, Directors, Diversity, entertainment, entrepreneur, Film & TV, human rights, Music Videos, PGA, Politics, Post Production, Producer, women
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Susanne is the Owner and Executive Producer at renowned production company Independent Media. She has been in the entertainment and advertising industries for over 15 years and worked with some of the feature filmmaking world’s biggest names. This success has also built a knowledge and awareness around the massive gender biases and struggles intertwined within the female entrepreneurial world.

We talk about her journey, the world of commercials, and the ongoing struggle for gender equality in the business.

February 05, 2019 /Julie Harris Oliver
women in entertainment, commercials, free the bid, women in commercials, producers, AICP
activism, business, Commercials, DGA, Digital content, Directors, Diversity, entertainment, entrepreneur, Film & TV, human rights, Music Videos, PGA, Politics, Post Production, Producer, women
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Episode 135: apparentlyjack, Jacqueline Legan and Katie Koeblitz

December 11, 2018 by Julie Harris Oliver in activism, business, Coaching, Comedy, Commercials, Consulting, Digital content, Diversity, Directors, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, Politics, Producer, webseries, women, Writers

This episode brought to you by:

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Jacqueline is a veteran Director of Video Production, and currently the Founder and Executive Producer at apparentlyjack. Jacqueline’s background spans almost every aspect of the filmmaking process from development to delivery, in both the branded and Independent film spaces with films and commercials starring well known Directors and Talent.    

With over ten years producing Independent Film, Katie is currently the Head of Independent Content at apparentlyjack. Katie’s production background includes work on both narrative and documentary feature films. Most recently, Katie produced documentaries G-Funk, A More Civil War, and The Untitled MMW Documentary. On the narrative side, Katie co-produced The Land, Galveston, and also had a hand in the coming-of-age film The Kings of Summer, which premiered at Sundance.                      

After many years in the advertising and film  industries, Jacqueline decided to go out on her own to form the content studio, apparentlyjack. apparentlyjack’s mission is to bring cinematic storytelling and storyline driven content to brands and independent film in a variety of formats.               

apparentlyjack champions equality, diversity, and inclusivity both behind and in front of the     camera. They have dedicated a portion of the company to empowering and mentoring other   women in entertainment and are working with various organizations to reach gender parity   by 2020.  For more information about apparentlyjack, visit www.apparentlyjack.com.     

December 11, 2018 /Julie Harris Oliver
women in entertainment, women in film, digital marketing, digital content, independent film, branded entertainment, diversity, inclusion, 5050 by 2020
activism, business, Coaching, Comedy, Commercials, Consulting, Digital content, Diversity, Directors, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, Politics, Producer, webseries, women, Writers
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Episode 133: Ally Iseman, Actor, Writer, Producer

November 27, 2018 by Julie Harris Oliver in activism, animation, business, Comedy, Commercials, daytime drama, Digital content, Diversity, entertainment, entrepreneur, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, Unscripted, webseries, WGA, women, Writers, youtube influencer

This episode is sponsored by:

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Ally is an actor, writer, and producer. She has worked on stage in productions like Jekyll & Hyde, as well as on screens big and small including shows like American Housewife, Criminal Minds, and Days of Our Lives. Ally makes an appearance in Nicole Conn's newest feature film Nesting Doll, in Jorge Xolalpa Jr.'s latest feature A Giant Without A Head, and as a lead opposite Ray Wise and Bonnie Bedelia in the feature film Life On The Rocks.

Ally has spoken on numerous panels about gender parity and intersectional, inclusive feminism and does her best to align herself with work that has an eye on advocacy. Her internationally award-winning film Wedlocked, an LGBTQ comedy about gay divorce toured at over 45 film festivals worldwide securing digital, broadcast and theatrical distribution.

Most recently she can be seen in the feature film Solver, hosting the new plant-based food travel show The Road Less Eaten, and in her gender parity comedy series Flip the Script, which is being produced in partnership with Women In Film. 

Ally is driven, fearless, and hilarious. Grab your tea and enjoy some time with us.

You can find out more about Ally here: www.allyiseman.com.

November 27, 2018 /Julie Harris Oliver
women writers, women in entertainment, women in comedy, actor, comedy, artivist, flip the script
activism, animation, business, Comedy, Commercials, daytime drama, Digital content, Diversity, entertainment, entrepreneur, Film & TV, film festivals, hollywood, human rights, Independent Film, LGBT, Music Videos, PGA, Politics, Producer, Reality, soap opera, Studios, theatre, Unscripted, webseries, WGA, women, Writers, youtube influencer
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Episode 131: Monique Sorgen, Writer, Director

November 13, 2018 by Julie Harris Oliver in Comedy, DGA, Directors, Diversity, Film & TV, film festivals, hollywood, Independent Film, Music Videos, Producer, Reality, Studios, theatre, Unscripted, webseries, WGA, women, Writers

This episode is brought to you by:

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Monique is a writer and director of TV and film. After graduating from UCLA, Monique worked as a director’s assistant in television dramas and comedies. She then made a short film, Pants on Fire, which garnered international distribution and led to writing jobs such as “Blind Date,” and for variety and alternative shows on Comedy Central, and VH1; after which she landed a staff position at ABC in a development think tank.

Monique has also written the feature films The Babymaker, a Chinese remake of the film Love Stinks, Rock n’ Roll Princess, and All the Way Down. In 2014, she was selected as a finalist for the ABC TV writing program. During this time, Monique also completed her first novel, How Long You Should Wait to Have Sex.

Her most recent directing work includes several music videos, a web series pilot, and 3 unscripted series for the international network Fashion One, which she produced in the Philippines.  

There is more, but I will let her tell it in the interview. Also, she has many stories about being the only woman in a writer’s room. Let’s just say it wasn’t awesome, but it does seem to be getting better.

Now, a brief disclaimer. We conducted this interview outside in a park. So, there is plenty of ambient noise of children, traffic, and an ill-times roofer across the street. Pretend you are on a nature walk and having this conversation with Monique. It will be worth it, I promise.

You can reach Monique here:

Twitter: http://twitter.com/#!/moniquesorgen 

Vimeo: http://vimeo.com/moniquesorgen

Facebook:  https://www.facebook.com/moniquesorgenlove/

Website: https://sorgenm.wixsite.com/moniquesorgen

New Short Film website: https://sorgenm.wixsite.com/sorrynotsorry

Short film twitter: https://twitter.com/NotSorryFilm 

Book: "HOW LONG YOU SHOULD WAIT TO HAVE SEX" on Amazon:

http://www.amazon.com/How-Long-Should-Wait-Have-ebook/dp/B00CCH4VIQ



November 13, 2018 /Julie Harris Oliver
women writers, women in tv, women in entertainment, women podcasters, writers room, writer's room, female writer, filmmaker, director, Alliance of Women Directors
Comedy, DGA, Directors, Diversity, Film & TV, film festivals, hollywood, Independent Film, Music Videos, Producer, Reality, Studios, theatre, Unscripted, webseries, WGA, women, Writers
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Episode 121: Liz Gutierrez, Physical Production Executive

September 11, 2018 by Julie Harris Oliver in business, Consulting, entertainment, Film & TV, hollywood, Immigration, Independent Film, Music Videos, PGA, Post Production, Producer, Studios, VFX, women

This episode is brought to you by:

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Liz is a Physical Production Executive. She started out in makeup, then moved over to the camera department, until she started producing and working as an executive. Formerly the VP of Physical Production at Alcon Entertainment, she is now working with Sidney Kimmel Entertainment. Her credits include Point Break, Blade Runner, Dear Dumb Diary, Journey to the Center of the Earth and many many more.

We talked about how it is to grow up as the child of immigrants, and be the embodiment of the American dream. And this: we should all be much more transparent about money.

September 11, 2018 /Julie Harris Oliver
women in entertainment, female executive, post production, production executive, film production
business, Consulting, entertainment, Film & TV, hollywood, Immigration, Independent Film, Music Videos, PGA, Post Production, Producer, Studios, VFX, women
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Photo by Howard Wise

Photo by Howard Wise

Episode 117: Marie Cantin, Producer and Educator

August 14, 2018 by Julie Harris Oliver in AFI, DGA, Directors, Diversity, documentary, entertainment, Film & TV, film festivals, hollywood, human rights, Independent Film, Music Videos, PGA, Post Production, Studios, VFX, WGA, women, Writers

This episode is brought to you by:

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Marie Cantin is a Producer and Educator, having worked in independent and studio film and television productions. She was an Associate Dean at the AFI Conservatory, and in 2017 was the recipient of the Frank Capra Achievement Award from the DGA – a very big deal.  Some of her many credits include, Torch Song Trilogy, Save the Last Dance, Dante’s Peak, and Things to do in Denver When You’re Dead.

We talked about her long and circuitous journey into the business.  At one point she was rumored to be a nun. There’s a story.

She says it is important to figure out who you are and how you want to be in the world. This will inform your path. I think she’s right.

August 14, 2018 /Julie Harris Oliver
women in entertainment, women in film, AFI, DGA, PGA, producer, production manager, robocop, torch song trilogy
AFI, DGA, Directors, Diversity, documentary, entertainment, Film & TV, film festivals, hollywood, human rights, Independent Film, Music Videos, PGA, Post Production, Studios, VFX, WGA, women, Writers
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Episode 103: Stevie Wynne Levine - Executive Producer

May 15, 2018 by Julie Harris Oliver in business, Comedy, Digital content, Diversity, entertainment, entrepreneur, Film & TV, hollywood, LGBT, Music Videos, webseries, women, youtube influencer

Stevie Wynne Levine, acts as the SVP of Production & Development for Mythical Entertainment and spearheads all creative initiatives for Rhett & Link. A Webby, Streamy, and Shorty Award-Winning Executive Producer, Stevie was named one of Variety’s “Hollywood’s New Leaders.” The only bummer was that particular issue of Variety had the giant portrait of Harvey Weinstein on it. Because he ruins everything.

She was an integral part of building the Internet's most-watched daily show, "Good Mythical Morning," serving as Executive Producer for the past five years, along with overseeing the duo's scripted show, "Rhett & Link's Buddy System," their podcast, "Ear Biscuits," and various other pieces of content racking up billions of views.

Previously Stevie was fortunate enough to produce for some of YouTube’s top talent and leading new media companies including Mondo Media, Studio71, and Red Hour Digital.

She is a force to be reckoned with and a talent to watch.

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May 15, 2018 /Julie Harris Oliver
Rhett and Link, digital content, digital marketing, youtube, good mythical morning, women in comedy, women in entertainment
business, Comedy, Digital content, Diversity, entertainment, entrepreneur, Film & TV, hollywood, LGBT, Music Videos, webseries, women, youtube influencer
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Episode 89: Molly-Ann Leikin, Songwriter, Consultant

February 13, 2018 by Julie Harris Oliver in business, Coaching, Consulting, entertainment, Film & TV, hollywood, Music Videos, women, Writers, music, songwriting

This episode is brought to you by...

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Molly is a Songwriter, a Songwriting Consultant, and an Author. She was a staff writer at A&M Records, and has won numerous awards and been nominated for an Emmy for her work on Happy Endings. She also helps songwriters shape their songs and get them to market, and has written books to that end. You can find Molly and her services at songmd.com.

She has a method, and after talking to her I feel like I could write a hit song! I’ll keep you posted…

And this, when your family considers songwriting to be a few steps below being a drug dealer or a prostitute, it is very motivating to be successful.

February 13, 2018 /Julie Harris Oliver
women in tv, women in music, songwriting, music, AFM, ASCAP, BMI
business, Coaching, Consulting, entertainment, Film & TV, hollywood, Music Videos, women, Writers, music, songwriting
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Episode 77: Women in Entertainment Summit 2017

November 21, 2017 by Julie Harris Oliver in AFI, Comedy, animation, Commercials, DGA, Digital content, Diversity, documentary, Editorial, entertainment, entrepreneur, Film & TV, film festivals, hollywood, Independent Film, investment, LGBT, Music Videos, PGA, Politics, PTSD, theatre, webseries, WGA, women, Writers

Patty Jenkins talks with WIE Co-Founder Gretchen McCourt  

On November 2nd, I went to the third annual Women In Entertainment Summit.  I love this event.

The day started out with Geena Davis. The Geena Davis Institute for Gender in Media Studies has provided a heap of data surrounding women and girls in media. She presented some data on the day, and as usual, representation of women on screen and behind the scenes are still dismally small.  There are some very easy fixes however, and this is a point that really resonated with a lot of people.

She told us that Media can actually fix the problem is has created.

There was a also a lot of talk at the conference about the parts that we own - namely, confidence and advocacy. 

On the side, we talked about #metoo.

During the lunch break I caught up with McKenna Koon and Dana Kelly who both work at FullScreen, and I talked with Shirley Davis, EVP of Production at Alcon Entertainment.

On this episode I share a lot of the high points and inspiration from the day – from women such as Geena Davis, Victoria Mahoney, Dee Rees, Jordyn Wieber, Christine Simmons, Gabrielle Carteris and Greta Gerwig.

It was a great day, and this is but a tip of the iceberg.

And my must see films list from the summit: LadyBird, Mudbound, Fear Us Women

November 21, 2017 /Julie Harris Oliver
women in tv, women in film, directing, diversity, digital content, DGA, film & TV, documentaries, filmmakers, women's conference, women's summit
AFI, Comedy, animation, Commercials, DGA, Digital content, Diversity, documentary, Editorial, entertainment, entrepreneur, Film & TV, film festivals, hollywood, Independent Film, investment, LGBT, Music Videos, PGA, Politics, PTSD, theatre, webseries, WGA, women, Writers
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