Episode 77: Women in Entertainment Summit 2017

Patty Jenkins talks with WIE Co-Founder Gretchen McCourt  

On November 2nd, I went to the third annual Women In Entertainment Summit.  I love this event.

The day started out with Geena Davis. The Geena Davis Institute for Gender in Media Studies has provided a heap of data surrounding women and girls in media. She presented some data on the day, and as usual, representation of women on screen and behind the scenes are still dismally small.  There are some very easy fixes however, and this is a point that really resonated with a lot of people.

She told us that Media can actually fix the problem is has created.

There was a also a lot of talk at the conference about the parts that we own - namely, confidence and advocacy. 

On the side, we talked about #metoo.

During the lunch break I caught up with McKenna Koon and Dana Kelly who both work at FullScreen, and I talked with Shirley Davis, EVP of Production at Alcon Entertainment.

On this episode I share a lot of the high points and inspiration from the day – from women such as Geena Davis, Victoria Mahoney, Dee Rees, Jordyn Wieber, Christine Simmons, Gabrielle Carteris and Greta Gerwig.

It was a great day, and this is but a tip of the iceberg.

And my must see films list from the summit: LadyBird, Mudbound, Fear Us Women

Episode 67: Ramaa Mosley, Director, Activist, Entrepreneur

Ramaa is an accomplished Commercial, Music Video and Film Director, an Activist and an Entrepreneur. Her career as a Director started around age 16, and she now has a company she founded called Adolescent Content which represents young content creators and Directors to national brands and distributes professional content by very young creators.

She wrote and directed the film The Brass Teapot and also worked on a beautiful film called Girl Rising that speaks to the vital importance of educating girls around the word.

As an activist, she was vital in creating worldwide awareness with the #BringBackOurGirls campaign about the Chibok schoolgirl kidnapping in Nigeria. She learned many things with that campaign, not the least of which was about unintended consequences even with the purest of intentions.

Find out more about Ramaa Mosley and Adolescent Content here:

www.adolescentcontent.com
www.splendidandco.com
www.ramaamosley.com

Episode 55: Heather Cappiello, Director

Heather is a Director. Her TV directing credits include Freakish, Madam Secretary, Criminal Minds, Blue Bloods, and Saving Grace with Holly Hunter. Before transitioning to Director, she was a sought-after Script Supervisor for many years.  Think Six Feet Under, Carnivále, Huff, Monk, Being Mary Jane, etc., etc. Her initial training was in theatre. She is the real deal.

She says that script supervising is the best day job that leads to directing.  And how could it not be?  You’re sitting next to all the directors for the best master class you can have.

We talked about steeling your courage to throw your hat in the ring, balancing your life and family, and how TV directing is a G*dd*&$n spiritual practice.

Episode 48: Kate Hearst, Film Historian, Professor, Writer

Kate is a filmmaker, historian, writer and professor.  After earning her Ph.D. in History and M.F.A. in film, both at Columbia University, she has been teaching film history at Sarah Lawrence College, the Fierstein Graduate School of Cinema, and at Brooklyn College.  Currently, she is working on several projects about women: a book on the cinema of Barbara Kopple, and a history of Phoebe Hearst and the Coming of Age of San Francisco, 1860-1919. She also writes reviews for Film International, and serves as a juror and moderator at the Middlebury Film Festival.

We talked a lot about how women are left out of the canon in film schools.  And for young people in school, they need to start questioning why there aren’t any women on the syllabus.  It’s probably not conscious exclusion, it’s just the way it’s always been.  Let’s change that.

You can find out more about Kate on her website here: www.khearst.com.

Episode 45: Kat Coiro, Director

Kat is a Film, TV and Commercial Director.  For this, I call her a unicorn. She started as an actor but started to realize she wanted to have more influence on the final product. Kat went on to make a short with Funny or Die, where Janeane Garofalo told her to "stop f**&^%ing apologizing!" Oh, to have Janeane Garofalo yell at you!

Later she wrote and directed a beautiful film called And While We Were Here.  You can find it on Hulu.  It really is gorgeous. And she did it with no money. In Italy. While pregnant.  That is badass.

Currently, she is directing television - all your favorite shows, The Mick, Girlfriend's Guide to Divorce, and Alone Together.

She tells us her journey in directing, the state of women in the business, and what inspires her.

And, it turns out you can get big female stars to show up for your tiny shoot if you just ask them to act in a scene with another woman. With dialogue. This is the revolution.

And of course...preparation, preparation, preparation.

Episode 41: Cady McClain, Director/Producer/Artist

Cady is an actor/producer/director/writer/musician….maybe it’s just easiest to call her an artist.  I know her best from playing Dixie Martin on All My Children.  If I couldn’t marry Tad, I’m glad it was she.

More recently, she directed Seeing is Believing: Women Direct – a documentary series that profiles female directors.  It premiers a week from today at the Newport Beach Film Festival.  You can get tickets here.  She is also directing and acting in Venice: The Series.

We talked about her journey as an artist, the heroine’s journey in life, and how women can uplift and support each other.  It was the very juicy talk of an artist.

You shouldn’t have to go deep into the woods, wearing a floral maxi skirt and smelling of patchouli in order to see and celebrate women’s contribution in storytelling. Although that's fun too.

Episode 38: Olivia Baptista, Multi-hyphenate

Olivia is the co-creator, writer, co-star and producer of Here We Wait, a new Indie web series drama available on YouTube and already getting a lot of attention, and a co-founder of the aptly named Multihyphenate Productions.  She already has several films under her belt, all of which seem to find homes at festivals and distribution.  She’s not messing around.

We talked about creating diverse projects, how sick Americans in Bosnia lose their appendixes, and how important it is to say YES! when the agent calls from LA and you’re sitting in New Jersey eating and bemoaning your fate.

Episodes 31 &33: The Women of Brothers and Sisters

This was my first panel, and I loved it.  I sat down with the following women who ran the show Brothers and Sisters which aired on ABC for 5 years:

Sarah Caplan – Executive Producer

Suzanne Geiger – Unit Production Manager/Co-Producer

Cynthia Pusheck – Cinematographer/Director of Photography

Sally Sue Beisel-Lander – 1st Assistant Director/Co-Producer

Denny Dugally – Production Designer

Ida Lee Henderson-Williams – Production Accountant

Melina Root – Costume Designer

We talked about everything from what it was like to work on a female team, the changing landscape of the business, sexual harassment, salary negotiation, and getting the band back together.  They were very forthcoming and I really felt like they let me in on something special.

And Sarah baked us a cake.  As you do.

It will be presented in two episodes. 

Episode 27: Penelope Spheeris, Director

Penelope Spheeris is a film Director. She is known for two parallel careers - one is of the Wayne’s World and studio picture variety, and the other is of The Decline of Western Civilization series about the Los Angeles Punk Rock scene. Basically, she is rock and roll. You can read up on her here.

We talked about her making omelets for Lorne Michaels as he told her about this live comedy show thing in New York he was thinking about doing. How she taught this kid Albert Brooks about filmmaking while he taught her something about funny.  How Richard Prior told her she was pregnant. You know, the usghe.

And, you can’t help who you fall in love with.

Episode 26: Lydia Dean Pilcher, Producer

Lydia is an Executive Producer and is the Founder and President of the production company Cine Mosaic. Her many credits include Queen of Katwe, Here One Minute, The Sisterhood of Night, You Don’t Know Jack, Amelia, The Darjeeling Limited, Iron Jawed Angels, Hysterical Blindness, just to scratch the surface.

Lydia is also a member of the Producers Guild of America and started their Women’s Impact Network.  She was key in producing the Ms. Factor Tool Kit which serves to debunk the many myths around the notion that female-driven content is not commercially viable. She also teaches a class at NYU that sounds so juicy, I may re-enroll.

She defines “badass” as this: not being afraid to be effectively subversive.  May we all be badasses.

Episode 23: Jill D'Agnenica, Director/Editor/Artist

Jill is a Director, Editor and an Artist.  She worked her way up in the editing department, until she became an Editor. Her credits include Undercovers, The Division, Switched at Birth, and Pretty Little Liars, among others. She then went on to direct the independent feature film, Life Inside Out, and then the penultimate episode of Switched at Birth.

She walked us through the last two minutes of working with film, transitioning to digital editing, and having a couple of very important conversations that got her to the next levels.  She talks about editing and directing through the eyes of an artist. Her enthusiasm is contagious, her conversation juicy. This is a master class.

And she has documented her bad mothering as an art exhibition. You can find her website here:

http://www.jilldagnenica.com/Jill_Art/Welcome.html .

BONUS! In this short episode, Jill talks about her philosophy as an Editor, and also describes a very cool art project she did in every square mile of Los Angeles at the time of the civil unrest after the Rodney King verdicts.  As it turns out, some things in life ​are free.

Episode 22: Liz Sayre, Production Executive

Liz Sayre is the Executive Vice President of Physical Production at Fox Searchlight Pictures. Catch that?  EVP. She cracked the code. She worked her way up the production ladder fairly quickly, working with Paul Mazursky, where she learned every aspect of producing a film, from development through distribution.  From there, she served as a Production Executive at Walt Disney Studios and currently at Fox Searchlight.

We talked about distribution of labor at home, the essential morning walking meeting, and what partnership really looks like. Also, she wonders why young women would distance themselves from Feminism. What do they think it means?

And, she worked with J.J. Abrams before he was J.J. Abrams.

If you would like to hear more from Liz, you are in luck.  Here is her BONUS episode - Tales from the Trenches.

She has stories from 9/11, the unfortunate Black Swan, and an alarming number of moviemakers smoking marijuana in all the wrong places.  SMH, Hollywood.

Episode 21: Sara Fischer, Production Executive, Shondaland

Sara is the Head of Production at Shondaland. Wowza. She worked her way up in the business as an Assistant Director, UPM, Producer and Production Executive.  Here is her jam-packed IMDB page. She has a St. Elsewhere baby, a Chicago Hope baby, and a Thirtysomething baby. Who among us can say that?

She recently joined Shondaland, as Shonda Rhimes is building an empire of badass women, of which Sara is one. Her biggest piece of advice - people are in this business a long time, and your paths are going to cross again. Be nice.

Here’s the other secret, no matter how successful you become, you still feel like that kid who was getting everyone coffee.

And remember that awesome video that introduced Hillary during the Democratic convention this summer?  Sara produced it.

Episode 20: Mary O'Leary, Producer

Mary is an award-winning Producer of General Hospital and The Young & The Restless. She was also nominated several times for Guiding Light, Another World and One Life to Live. Seven Emmy’s, people, seven. This woman knows how to run a Soap.

Interestingly, while nonchalantly rising in the ranks of daytime dramas, she also developed and produced a series of one-man shows with Jonathan Frid, of Dark Shadows fame.

As it turns out, asking for what you want and sharing your intentions can actually open doors, good mothering goes a long way, and having the arts in high school really can make all the difference. And the world of daytime drama moves very fast…

Episode 17: Kool Marder, AFI Mentor/Production Executive

Kool is currently a Faculty Mentor at the American Film Institute. Prior to that, she was a Production Executive, Producer, DGA UPM, Location Manager, Production Coordinator – name the production job, she has done it. Kool has overseen and/or made about 100 films.  How many people can say that, let alone how many women?

Some credits include, Blue Valentine, Halloween, Nightmare on Elm Street 5, Casual Sex, Fried Green Tomatoes, American Pie, Erin Brokovich, The Fast and the Furious, and Bourne Identity.

We talked about the early days, when cell phones were in briefcases and coordinators prepared call sheets on typewriters. You think it’s hard to make movies now….

And now for Kool's Tales from the Trenches.  Is it a federal crime to receive cocaine via fedex? From UPM to Expert Witness in the Big Easy.