Episode 44: Jennifer Freed, Owner/President Trevanna Post

Jennifer is the Owner and President of Trevanna Post.  Trevanna is a post production accounting firm focusing on film and television, with offices in New York and Los Angeles.  She tells us her story from being the young blonde out of Stanford who “would never make it in Hollywood” to having a successful and thriving business for more than 20 years. Take that, naysayers. 

She talks about the importance of her mentor, working hard and learning as much as you can, and balancing a thriving family life – for herself and for her employees. And for the artists out there, we can’t emphasize enough how important the business and accounting side of this business is. It helps to make better creative decisions.

Episode 43: Taj Paxton, Filmmaker, Executive

Taj is the VP of Documentary Films at Logo. She is an award-winning producer, writer and filmmaker. As one of few Black and openly LGBT film executives, Taj proudly stands on the front lines of diversity and representation.

She started on Wall Street and became a filmmaker and executive.  Along the way she produced films, ran Forrest Whittaker’s company, wrote and sold a pilot, traveled, worked as a production executive, served on the Board for Outfest, and became a yoga teacher. As you do.

And from her bio, which I cannot state better: Taj interests lie at the intersections of art and social change. Her journey is filled with life lessons that cannot be confined to the boxes of gender, race and sexual orientation. She hopes her work will continue to shape the conversation around the kinds of stories we tell and that those stories become a tool for greater cultural understanding and cohesion.

We talked about loaves and fishes, redefining masculinity, and your gut perception of a woman as competent. And can we replace "minority" with "underrepresented?"

Episode 42: Baked Goodes

Five women, Erin Dooley, MacKenzie Horras, Molly Reynolds, Anna Mehle and Caryn Ruby got together to put on a show, and it became the webseries called Baked Goodes, which debuted on 4/20. Caryn was unable to join us this day, as she was out of town, but I had the rest “in studio.”

These women are go-getters.  They wanted to work, so they created it.  What struck me as so unusual about this bunch is that they worked by consensus. They really made the effort to reach consensus every step of the way.  Their process sounds unusually pleasant, collaborative, and efficient. They did a lot of work very quickly with very little budget.  It can be done.  They are badass.

Watch Baked Goodes here and tell all your friends.

Episode 41: Cady McClain, Director/Producer/Artist

Cady is an actor/producer/director/writer/musician….maybe it’s just easiest to call her an artist.  I know her best from playing Dixie Martin on All My Children.  If I couldn’t marry Tad, I’m glad it was she.

More recently, she directed Seeing is Believing: Women Direct – a documentary series that profiles female directors.  It premiers a week from today at the Newport Beach Film Festival.  You can get tickets here.  She is also directing and acting in Venice: The Series.

We talked about her journey as an artist, the heroine’s journey in life, and how women can uplift and support each other.  It was the very juicy talk of an artist.

You shouldn’t have to go deep into the woods, wearing a floral maxi skirt and smelling of patchouli in order to see and celebrate women’s contribution in storytelling. Although that's fun too.

Episode 40: Carole Angelo, Digital Creative and Producer

Carole is a Digital Creative and Producer at TBS/TNT.  She came up through the digital world at NBC when digital was barely a thing, and she helped create it.  Along the way, she launched some obscure series you’ve never heard of, like “Friends” and “Seinfeld.” And her digital work with “The Office” launched the writer’s strike.  Yup.  She is patient zero.  But, it all got worked out in the end.

We talked about growing up at a studio, negotiating (or not), and would I please stop bringing that up?!  This was a really fun interview, even though I’m pretty sure she drove off with my parking pass.

Episode 39: Beatriz Mascaro, Co-Executive Producer

Beatriz is a Co-Executive Producer on Teen Mom OG.  What’s OG?  She’ll tell us.  Her other credits include Say Yes to the Dress, Teen Mom, What Not to Wear, and A Wedding Story. She is producing Teen Mom while being knee deep in raising two tiny humans – one of them is less than a year old. She is a big team player, both at work and at home. 

We talked about raising the next generation of workers – and seriously, why is there so much parenting required at work? Here is the advice:  work hard every time.

I will warn you, the audio on this episode is not awesome.  I think her interview is worth it though, so try to stick with it.

Episode 38: Olivia Baptista, Multi-hyphenate

Olivia is the co-creator, writer, co-star and producer of Here We Wait, a new Indie web series drama available on YouTube and already getting a lot of attention, and a co-founder of the aptly named Multihyphenate Productions.  She already has several films under her belt, all of which seem to find homes at festivals and distribution.  She’s not messing around.

We talked about creating diverse projects, how sick Americans in Bosnia lose their appendixes, and how important it is to say YES! when the agent calls from LA and you’re sitting in New Jersey eating and bemoaning your fate.

Episode 37: Erin Dooley, Writer/Producer "A Way to Forgiveness"

Erin is a screenwriter and producer. Originally from the suburbs of Chicago, she is now living and working in Los Angeles. She has written, directed, and produced two feature films, a number of shorts, and two web series as well as a feature documentary called "A Way to Forgiveness". 

We talked about her journey walking across Spain on the Camino de Santiago as a way to heal and find forgiveness as she dealt with the end of her 12-year marriage. She discusses forgiveness, the impact the film is having on people, and being an indie producer.

And as it turns out, forgiveness is not a one-time thing.  It’s a daily practice.

After listening to this, you will want to know more about Erin, buy her film and/or introduce her to Roma Downey.  You can reach her here:

"A Way to Forgiveness" website: http://awaytoforgiveness.weebly.com/

D.A.S.H. Entertainment website: www.dashentertainmentllc.com

Episode 36: Diana Chang, Producer

Diana is a Producer in the world of short form and social media. She currently works at the Food Network as a video producer for their Snapchat Discover channel.  At the time of this interview, she was at Mashable, creating Snapchat and social media content every single day.  As she said, the internet lived in her office. The pace is fast and furious and creativity is constant.  So fast, there doesn’t seem to be much time to discriminate.  That’s the good news.

This is a quick episode, but mostly because we talked really fast.

Episode 35: Jennie Lew Tugend, Producer

Jennie is a Producer. She has produced and co-produced some of the industry’s most memorable franchises:  Free Willy, Lethal Weapon and HBO’s Tales from the Crypt.  As she continues to develop and produce today, she is also sharing her experience by teaching film production at UCLA Extension and Columbia College Hollywood, and in 2016, she joined the faculty of AFI as a producing mentor. 

This episode jumps right into class and she talks about what makes a creative producer and what is the process of developing a film - it takes longer than you think, and sometimes the actor with a script in his back pocket turns out to be an amazing gift.

We eventually circled back to her history and how she came up through the ranks, all the way to a studio deal. Spoiler, she took a detour through a saloon.

And this: it’s not just who you know, it’s who you know and what they think of you.

Episode 34: Kirsten Schaffer, Executive Director WIF

Kirsten is the Executive Director of Women in Film, Los Angeles. Prior to WIF, she was the Executive Director of Outfest, the LGBT film festival and media arts organization. She tells us about her history as a student at Evergreen, working at film festivals in Seattle and Olympia, and juggling her life as a mother and wife in this busy city and this business.

Kirsten walks us through the work of Women in Film, as well as the initiative called Reframe - in conjunction with the Sundance Institute, aimed at improving gender parity in entertainment.  If you have been curious as to where all the gender chatter is culminating in action – this is it.

Episodes 31 &33: The Women of Brothers and Sisters

This was my first panel, and I loved it.  I sat down with the following women who ran the show Brothers and Sisters which aired on ABC for 5 years:

Sarah Caplan – Executive Producer

Suzanne Geiger – Unit Production Manager/Co-Producer

Cynthia Pusheck – Cinematographer/Director of Photography

Sally Sue Beisel-Lander – 1st Assistant Director/Co-Producer

Denny Dugally – Production Designer

Ida Lee Henderson-Williams – Production Accountant

Melina Root – Costume Designer

We talked about everything from what it was like to work on a female team, the changing landscape of the business, sexual harassment, salary negotiation, and getting the band back together.  They were very forthcoming and I really felt like they let me in on something special.

And Sarah baked us a cake.  As you do.

It will be presented in two episodes. 

Episode 30: Kelli Konop, Production Executive

Kelli Konop is the EVP of Physical Production at Good Universe.  Kelli jumped into this industry as a producer.  Mostly because she read a book and knew she could.  And she did. (Lean in, sisters!)  Her credits include: Juno, Seeking a Friend for the End of the World, the Harold and Kumar series, Whip It, The Switch...just to scrape the surface.  She has produced all over the world and learned it all on the job - with the help of Lisa.  Everyone needs a Lisa.

She also has a great story about becoming a mother.

Speaking of stories, she has some great Tales from the Trenches.  Coming soon...

Kelli also has some great Tales from the Trenches.  It pays to know Frankie. Have a listen....

Episode 29: Kathryn Leigh Scott, Actor / Writer

Kathryn is an actor and writer. She started her career in Dark Shadows and went on to act on television, in film and in theatre.  Some of her many credits include The Great Gatsby, The Turn of the Screw, Hawaii Five-O (the first one), Baretta, Cagney & Lacey, Knots Landing, Dallas, Matlock, Broadcasting Christmas…..I think you get the idea.  Here is a link to her IMDB if you want to see the whole list.

She is also a writer and started a publishing company.  Her books include Jinxed, Down and Out in Beverly Heels, The Bunny Years, Last Dance at the Savoy and the upcoming If Not Now, When?  You can read more about Kathryn on her website here.

We talked about the genesis of If Not Now, When? (my new mantra), how women must take control of their finances, and how close we all are to the edge. She discusses that period of life when women become invisible and have to come to terms with all the ticking clocks – not just the baby one.

And that time she took Gloria Steinem to task in the New York Times for giving up on romance after 50. I’m on Kathryn’s side on this one.  We must keep hope alive.

Episode 28: Nadja Rutkowski, Distribution Executive

Nadja is Senior VP, Sales, Marketing & Operations at Terry Steiner International. As such, she places films on airplanes and with the military. A worthy endeavor indeed, and yet perhaps the least interesting thing about her. She grew up in a divided Berlin and is still dealing with her immigration issues after being in the US for more than 20 years. She has a valuable perspective on immigration and on our current political climate.

This was recorded a couple of weeks after the election, but I don’t think much has happened since to assuage her concerns. Let me know what you think.

Episode 27: Penelope Spheeris, Director

Penelope Spheeris is a film Director. She is known for two parallel careers - one is of the Wayne’s World and studio picture variety, and the other is of The Decline of Western Civilization series about the Los Angeles Punk Rock scene. Basically, she is rock and roll. You can read up on her here.

We talked about her making omelets for Lorne Michaels as he told her about this live comedy show thing in New York he was thinking about doing. How she taught this kid Albert Brooks about filmmaking while he taught her something about funny.  How Richard Prior told her she was pregnant. You know, the usghe.

And, you can’t help who you fall in love with.

Episode 26: Lydia Dean Pilcher, Producer

Lydia is an Executive Producer and is the Founder and President of the production company Cine Mosaic. Her many credits include Queen of Katwe, Here One Minute, The Sisterhood of Night, You Don’t Know Jack, Amelia, The Darjeeling Limited, Iron Jawed Angels, Hysterical Blindness, just to scratch the surface.

Lydia is also a member of the Producers Guild of America and started their Women’s Impact Network.  She was key in producing the Ms. Factor Tool Kit which serves to debunk the many myths around the notion that female-driven content is not commercially viable. She also teaches a class at NYU that sounds so juicy, I may re-enroll.

She defines “badass” as this: not being afraid to be effectively subversive.  May we all be badasses.

Episode 25: Lia Dosik Carney, COO

Lia is the COO of the newly formed company, Topspin Content. She is also the former SVP of Production at Discovery Studios. She steadily worked her way up in the business, learned how to negotiate on her own behalf, and recently took a giant leap of faith. And she did it while raising twins.  No easy task. 

We talked about her journey, the benefits of coming from a long line of badass women, and how most things circle back to the need to be liked. And this: She who is brave is free.  That one got me.  Tattoo worthy, don’t you think?  

Episode 24: Karen Evans, Talent Manager

Karen is a Talent Manager. She manages mostly comedy writers, which makes sense, because she is very funny herself. Not to overplay it, but I think this episode is hilarious.  It’s like a little holiday treat, full of merriment and good laughs, more than it is a serious exposé of sexist Canadian radio hosts. 

Although it is that, too.  Karen started in radio, in Canada, with pink hair. She made it all the way to the morning show, where she laughed indulgently at whatever the male co-host said, and cheerfully took home 1/3 of the pay.

The way she tells it is much funnier.

She talks about her path to Los Angeles, to motherhood, and to a much more satisfying career, where she is the boss lady and works in her garoffice.  And did you know….whereas America is a melting pot, Canada is a mosaic?

Episode 23: Jill D'Agnenica, Director/Editor/Artist

Jill is a Director, Editor and an Artist.  She worked her way up in the editing department, until she became an Editor. Her credits include Undercovers, The Division, Switched at Birth, and Pretty Little Liars, among others. She then went on to direct the independent feature film, Life Inside Out, and then the penultimate episode of Switched at Birth.

She walked us through the last two minutes of working with film, transitioning to digital editing, and having a couple of very important conversations that got her to the next levels.  She talks about editing and directing through the eyes of an artist. Her enthusiasm is contagious, her conversation juicy. This is a master class.

And she has documented her bad mothering as an art exhibition. You can find her website here:

http://www.jilldagnenica.com/Jill_Art/Welcome.html .

BONUS! In this short episode, Jill talks about her philosophy as an Editor, and also describes a very cool art project she did in every square mile of Los Angeles at the time of the civil unrest after the Rodney King verdicts.  As it turns out, some things in life ​are free.