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Episode 215: Kim Gruenenfelder, Author

November 17, 2020 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, business, activism, Comedy, human rights, Politics

For this episode I got to catch up with my friend Kim Gruenenfelder. You may remember her from the podcast when her book, Hangovers and Hotflashes came out. Well she has a brand-new book that I have bought and will be reading over Thanksgiving called, My Ex’s Wedding. I was a fan of Kim’s long before I ever met her, so this is a real treat for me. And also, she’s hilarious. Some of her other titles include A Total Waste of Makeup, Misery Loves Cabernet, There’s Cake in My Future, Keep Calm and Carry a Big Drink, and Love the Wine You’re With. I mean, come on. Give yourself a treat. Heads up, our kids went to high school together so we may refer to them a bit as they are both navigating college online.

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November 17, 2020 /Julie Harris Oliver
writer, WGA, women writers
Diversity, entertainment, Film & TV, hollywood, WGA, women, Writers, business, activism, Comedy, human rights, Politics
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Episode 185: Kate Chamuris, Filmmaker

November 20, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film

This episode is brought to you by:

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Kate Chamuris. Kate is a producer & director who recently won a Gold, Student Academy Award and a BAFTA student award for producing the American Film Institute short film MILLER & SON. She also produced the AFI thesis films, BALLOON and IF THIS IS WRONG. For the AFI Directing Workshop for Women, Kate produced UNSPEAKABLE and BLOCKS.  

Her directing work includes the comedic short A SARI FOR PALLAVI (winner, Best Comedy Short at Rhode Island International Film Festival).  

Prior to narrative filmmaking, Kate worked as an advertising account manager for ROLEX Global at J. Walter Thompson. While there she produced the branded feature documentary “Deepest Dive: The Story of the Trieste,” directed by Fisher Stevens that aired on National Geographic and BBC Worldwide. Kate resides in Los Angeles, CA and produces feature films for dir/writer Jeremy Merrifield and his production company, Dream Three Films.

You can watch her two Oscar Qualified Live Action Shorts at the links below:

BALLOON - http://bit.ly/Balloon_SOTW

MILLER & SON - http://bit.ly/MillerSon_SOTW

Social handle on Instagram & Twitter - @katechamuris 

November 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, indie film, short film
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, theatre, AFI, Commercials, Digital content, Directors, Diversity, documentary, entrepreneur, Film & TV, film festivals, Independent Film
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Episode 184: Thérèse Plummer, Actor and Audiobook Narrator

November 12, 2019 by Julie Harris Oliver in entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks

This episode is brought to you by:

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Today I spoke over the internet with Thérèse Plummer. Therese is an actor and award-winning audiobook narrator working in New York City. She has recorded over 400 audio books for various publishers. She won the 2019 Audie Award for her work on the multicast, Sadie by Courtney Summers for Macmillan Audio,  and was nominated for the Multicast, Any Man, by Amber Tamblyn for Harper Audio and her solo narration for The Rogue: Planets Shaken by Lee W. Brainard for Podium Publishing. 

The American Library Association (ALA) awarded her work on Sourdough by Robin Sloan as part of the 2018 Listen List: Outstanding Audiobook Narration for Adult Listeners. Thérèse has been nominated for 5 Audie Awards in 2018. She was named AudioFile’s Best Voices of the Year in 2015 for her work on Robyn Carr’s A New Hope.

Thérèse is the voice of Maya Hansen in the Marvel Graphic Motion Comic Ironman Extremis, Dr. Fennel in Pokemon and for various Yu-Gi-Oh characters. Television Guest Star Roles on The Good Wife, Law and Order SVU and Virgin River for Netflix.   

You can imagine how intimidating this was. She told me how she broke in – it was a series of preparation meeting miracles, and she spoke about what everyone wants to know – how do you voice those sex scenes?

November 12, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, voiceover, audiobooks
entertainment, women, gender equity, advancing women, hollywood, Producer, business, Studios, webseries, acting, Writers, Comedy, Coaching, theatre, audiobooks
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Episode 183: Mary Rachel Gardner, Filmmaker, Heartist

November 05, 2019 by Julie Harris Oliver in Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy

This episode is brought to you by:

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Today I sat down with Mary Rachel Gardner. She graduated from USC in 2013 with major studies in Acting, Business and Film Production; she also spent a semester abroad studying at a theatre conservatory in London.

Mary Rachel gained hands on experience and knowledge working at production companies, such as Steve Carell’s Carousel Productions and agencies such as William Morris Endeavor. She also worked as a PA on The Ellen DeGeneres Show, where she learned about the production and operation elements of running a live television show.

Since graduating from USC, Mary Rachel founded her own film company Kalliste Zoe Productions to explore, create and share original content through visual art and storytelling. Kalliste Zoe "Όμορφη Ζωή" means "A Beautiful Life" in Greek. She has developed many of her own independent projects including music videos, parodies, comedic sketches and short films. Mary Rachel has received honorary awards at film festivals, such as Audience Favorite and Best Screenplay, and successfully licensed some of her films overseas.

Under the Kalliste Zoe umbrella, she founded the Independent Cinema Showcase (ICS): to discover and share independent filmmakers’ visions from around the world as well as provide an opportunity for them to join a cinema family that connects and supports talented creators.

November 05, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, social impact, racial equity, racial justice
Diversity, entertainment, women, activism, gender equity, advancing women, Directors, Film & TV, film festivals, hollywood, Independent Film, Producer, business, Studios, horror film, Digital content, Immigration, human rights, webseries, acting, entrepreneur, family films, Writers, Comedy
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Episode 179: Jessie Levandov and Nina Reyes, Co Founders & Directors of Mala Forever

September 24, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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Jessie Levandov and Nina Reyes are the Co-Founders & Directors of Mala Forever. Mala Forever is an award-winning, women-run film and digital studio based in LA and NYC.

They develop and produce films, new media, and commissioned work that centers unheard voices. They are redefining the future of filmmaking through equitable production practices, and their growing community-based platform is a cultural hub for the radical femme revolution. 

Jessie is an award-winning community-based filmmaker, creative director, and educator. Her queer documentary series Signified was presented by the Guggenheim Lab, and her short film The Greggs won the Spirit Award at Slamdance. Her work has been featured in publications such as Teen Vogue, Huffington Post and Them. Jessie is committed to storytelling as a tool for social justice, and served as the longtime program director of Youth Documentary Workshop at New York’s Educational Video Center.

Nina is a countercultural filmmaker and creative director whose work is grounded in her point of view as a mixed-race first-generation Mexican-American and Jewish woman. Her feature-length screenplay La Paz was a finalist for the 2017 Latino Screenwriting Project; her short films, Organism and Invisible Men, have won press and played at festivals around the world including Outfest, Frameline, and HBO: New York Latino Film Festival. They both are fellow NYU alums with BFA’s from NYU’s Tisch School of the Arts – go violets.

You can follow them on the social media @_MalaForever_

September 24, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 178: Natalie Metzger, Writer, Director, Producer

September 17, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA

This episode is brought to you by:

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For this episode, I spoke with Natalie Metzger, who is the VP of Development and Production for Vanishing Angle. Natalie is a Spirit Award nominated producer whose credits include Jim Cummings’ newest film THE WEREWOLF, GREENER GRASS (Sundance, SXSW), THUNDER ROAD (Grand Jury Award - SXSW), THE ROBBERY (Sundance), MATPAT’S GAME LAB (Streamy Award), Lil Dicky’s FREAKY FRIDAY (over 506 million views), HYDRANGEA (Vimeo Staff Pick), THE ARRIVAL (Jury Award - Napa Valley Film Festival), THE STOP (Vimeo Staff Pick), virtual reality miniseries GLOBAL GAMER, among numerous others. 

Her directing credits include AT&T original documentary ALONE IN THE GAME (AFI Docs, Frameline, Outfest); healthcare documentary SPECIAL BLOOD (Best Feature Documentary - CWFF); PSA “Topless Women Talk NFL” (featured in Washington Post, Huffington Post, Vice); and numerous award-winning commercials and short films. 

Also an accomplished writer, Metzger won the Gold Prize at the Page International Screenwriting Awards for her sci-fi script IMMORTAL.

Metzger holds a Master of Fine Arts from California Institute of the Arts and a Bachelor of Arts from Emory University

September 17, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, family films, indie film
Diversity, entertainment, entrepreneur, women, activism, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, documentary, Comedy, composers, music, Music Videos, Commercials, DGA, family films, horror film, PGA, WGA
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Episode 177: Susie Singer Carter, Writer, Director, Producer, Actor

September 10, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting

This episode is brought to you by:

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Susie’s website bio says this: “If you asked five-year-old Susie what she wanted to be when she grew up, she’d have placed her hands defiantly on either side of her pink tutu and said, “Everything. Duh!” And that is what she has done. She’s a writer, producer, actor, musician. She sat down, we became immediate friends, and talked about everything – marriage, divorce, parenting, daughtering. She recently made an autobiographical short film about alzheimer’s called My Mom and the Girl, starring the great Valerie Harper, which she’ll tell us all about, and you can see her dancing hip hop on facebook all the time. She has the media company called Go Girl Media.

And here are all the links:

MY MOM AND THE GIRL

TRAILER - https://vimeo.com/183072790

AMAZON VIDEO - https://www.amazon.com/dp/B07NDQPGXL

ITUNES - https://itunes.apple.com/us/movie/my-mom-and-the-girl/id137275414

GOOGLE PLAY - https://play.google.com/store/movies/details/My_Mom_and_the_Girl?id=P6LORPD00no

Women writer documentaries

Women Who Wrote The Way - https://vimeo.com/207360299/bbbf9385e6

Breaking Good - https://vimeo.com/266981218

Music Video

Bad Dreams in Hollywood https://www.youtube.com/watch?v=sF00Et4vHxE

September 10, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, Alzheimers, family films
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, Studios, Coaching, documentary, Comedy, composers, healthcare, music, Music Videos, songwriting
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Episode 176: Eline Mets, Writer, Producer, Motocross Racer

September 03, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries

This episode is brought to you by:

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Eline Mets is creating a series about women in motocross. She got tired of waiting for someone else to do it, so like a real badass woman, she’s doing it herself. Originally from Estonia, Eline is a motocross champion and the first woman in Canada to jump her dirt bike onto an airbag. Passionate about motorcycles and filmmaking, Eline is dedicated to telling stories of badass women. With a background in creating non-fiction content for years, Diaries of Badass Chicks is her directorial scripted series debut. She started a crowd funding for a webseries, and then realized it’s much bigger than that when she received videos and encouragement from women all over the world.
www.badasschicks.tv

September 03, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, female director, women in motocross
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Producer, Writers, business, DGA, PGA, Studios, theatre, Coaching, documentary, WGA, Action films, Comedy, Immigration, Stunts, webseries
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Episode 175: Marquette Jones, Filmmaker, Professor, Podcaster

August 27, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA

This episode is brought to you by:

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Marquette Jones began her filmmaking journey in her hometown, Youngstown, Ohio. Marquette is an alumna of New York University’s Film and Television Production graduate program. Before becoming a filmmaker, Marquette was a public interest attorney and social entrepreneur in Oakland, California.  

Her feature film screenplay, AFTER THE JUMP, http://www.afterthejumpmovie.com/, which is currently in development, was recently selected for the Athena Screenwriting Lab in Los Angeles and was a finalist in the Vancouver International Women in Film Festival, Broad Humor Film Festival as well as a semi-finalist in the Atlanta Film Festival Screenplay Competition. It was also selected to participate in the Women in Film/ Sundance Institute’s Film Financing and Strategy Intensive.

Her directing work includes FORGIVING CHRIS BROWN, ROUND ON BOTH SIDES, TUNK, HEROES WANTED and STREETS 2 SUITES (lensed by Bradford Young).  Her films have been featured on Amazon Video, PBS, Showtime, KweliTV, Aspire TV, BET, IFC, StreamPlix and other broadcast & digital outlets. She has also directed several commercial spots, which led to both a Telly Award and Aurora Award for excellence in storytelling.

As a producer, Marquette’s credits include Andrea Williams’ SPOONFUL OF SUGAR, Alrick Brown’s ADVENTURES OF SUPERN*GGER, and Tamika Guishard’s JACKIE. Her past filmmaking-related awards include: New York University’s Warner Bros. Production Award, Panasonic‘s “P2 for a Cause” Grand Prize Winner, Fotokem Film Processing Grant, Woods Hole Film Festival, Best Short Screenplay Winner for “Free’s Rain”, ProMotion Pictures / Heineken Branded Entertainment Shorts Competition Winner, Reel Sisters of the Diaspora Film Festival Best Short Narrative, and First Run Festival’s Producing Award.

When she is not busy writing, producing or directing, Marquette hosts the Directing Magic podcast,http://www.directingmagic.com/, and teaches creative media at The University of Alabama.

August 27, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, Studios, female filmmaker, podcasting, female director
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, business, DGA, NYU, PGA, Politics, Studios, theatre, Coaching, Comedy, cooking, documentary, WGA
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Episode 174: Leslie Belzberg, Producer

August 20, 2019 by Julie Harris Oliver in Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre

This episode is brought to you by:

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Leslie is a producer, most notably working with John Landis, on all of your favorite things, such as Three Amigos, Beverly Hills Cop III, Coming to America, Trading Places, Thriller, Sliders, Dream On, Blues Brothers 2000, Honey I Shrunk the Kids series, Crazy Heart and the list goes on and on and on, before she transitioned to being a production executive in house.

At the time of this recording, she was at Gaumont, but has since transitioned to the Head of Production for Imagine Entertainment.

Leslie has always worked toward diversity, even and especially when she was the only woman in the room. She has incredible perspective and experience and it was such an honor to get to have this conversation.

August 20, 2019 /Julie Harris Oliver
culture, gender equality, gender advocacy, women in film, charles manson, John Landis, Studios
Diversity, entertainment, entrepreneur, women, activism, human rights, gender equity, advancing women, acting, Directors, Editorial, Film & TV, film festivals, hollywood, Independent Film, Post Production, Producer, Writers, Action films, AFI, business, Comedy, DGA, Immigration, LGBT, Music Videos, NYU, PGA, Politics, Studios, theatre
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Episode 171: Ana Lake and Jennie Nystrom from the webseries "Tracy Buckles"

July 30, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer

This episode is brought to you by:

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I spoke with Ana Lake and Jennie Nystrom about their webseries Tracy Buckles. 

A Los Angeles-based actress originally from the Central Coast, Ana Lake has been immersed in a love of film since childhood. She made her public debut in the short film Finding Home, For Now that she wrote and starred in. The film had its world premiere at the San Luis Obispo International Film Festival in 2017. She plays the title role in Tracy Buckles. 

A graduate student of Clinical Psychology at Antioch University, Jennie Nystrom is an accomplished producer who enjoys collaborating with her husband on all aspects of film production. Her artistic capabilities are eclectic, and she has a deep passion for story supervision, set design, hair, make-up and costume. She is a producer, among many other jobs, on Tracy Buckles.

I spoke with both of them and we basically solved the problems of the world.

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July 30, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, dance
Diversity, entertainment, hollywood, Writers, acting, entrepreneur, women, Comedy, business, capital, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production, Digital content, theatre, webseries, youtube influencer
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Episode 170: Emily Aguilar, Filmmaker

July 23, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Comedy, business, capital, Competition Show, family films, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production

This episode is brought to you by:

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Emily Aguilar has been out of college for about five minutes and has already made and sold three feature films. She is an award-winning film director in Los Angeles known for creating emotional impact for her audience in narrative films. She is the director and producer for The MomentEM Productions and has films distributed by Bridgestone, Pure Flix, The Dove Foundation and Amazon Prime. 

She is the founder of the 5th annual Global Impact Film Festival held in Washington, DC every August. A Washington DC native of Latino heritage, she has a competitive edge who aims to provoke, educate and inspire her audience in both her creative and commercial productions. Emily is currently in post production on her third feature film, "Brie's Bake Off Challenge." 

You can find more about Emily and follow her here:

Social Media Handles: @themomentem
FB: www.facebook.com/themomentem
IG: www.instagram.com/themomentem

Website Links:
Global Impact Film Festival: www.globalimpactdc.org
The MomentEM Productions: www.themomentem.com

Fundraiser Link: https://www.gofundme.com/briesbakeoffmovie


July 23, 2019 /Julie Harris Oliver
writer, culture, gender equality, indie film, horror, family, dance
Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Comedy, business, capital, Competition Show, family films, Film & TV, film festivals, horror film, Independent Film, Producer, Post Production
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Episode 169: Lorna Landvik, Author

July 16, 2019 by Julie Harris Oliver in Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Politics, Comedy, theatre

This episode is brought to you by:

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Lorna is the author of twelve novels, including the best-selling Patty Jane’s House of Curl, Oh My Stars, Best to Laugh, Once in a Blue Moon Lodge, and my very favorite, Angry Housewives Eating Bon Bons.

She has also performed as a stand-up comedian and actor, and annually does her one woman show, Party in the Rec Room in Minneapolis. She serves margaritas to the audience while doing improv for the whole show. She’s a riot and this was fun.

Her brand new novel: Chronicles of a Radical Hag (with Recipes): A Novel, is available now at booksellers everywhere, and here.

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July 16, 2019 /Julie Harris Oliver
writer, culture, politics, gender equality, novel, book club, literature
Diversity, entertainment, hollywood, Writers, activism, acting, entrepreneur, women, Politics, Comedy, theatre
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Episode 166: Maria Mealla, Filmmaker

June 25, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors

This episode is brought to you by:

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Maria was born in Bolivia and raised by storytellers that encouraged her to pursue filmmaking, a path which eventually led her San Francisco. She ventured into movie-making in 2010 and learned the craft through work trade by collaborating with other talented filmmakers on their projects. She has since written, produced and directed the feature film Women and Cigarettes, a collection of romantic short films titled Business Affairs, and a handful of shorts on lower-middle class millennials. She is the chapter leader of the SF Cinefemme Director’s Collective as well as an active member of Film Fatales. Her most recent film Bring me an Avocado, premiered in March and took home the audience award at Cinequest. When she’s not working on narrative films, she freelances as a video producer throughout the Bay Area.

We talked about her path to filmmaking, the state of inclusion within commercial advertising, and her film Bring me an Avocado.

June 25, 2019 /Julie Harris Oliver
writer, women writers, culture, politics, acting, indie film, commercials, female filmmaker
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, theatre, WGA, Editorial, film festivals, Independent Film, Producer, webseries, business, Commercials, immigration, Directors
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Episode 165: Lisa Hammer, Filmmaker, Writer, Musician

June 18, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries

This episode is brought to you by:

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Lisa Hammer is a film director, writer and musician. She is best recognized as the voice of Triana Orpheus on the Adult Swim cartoon The Venture Bros. She has written/directed independent dark comedy feature and short films such as Pox and Pus$bucket, and the CMJ Film Festival winner The Invisible Life of Thomas Lynch which she co-wrote and co-directed with James Merendino (SLC Punk). Lisa's films have won awards from dozens of festivals including: the CMJ Film Festival, Telly Awards, Hugo Awards, It Came From Kuchar Film Festival, the Chicago Underground Film Festival, Canada International Screenplay Festival, Ontario Film Festival, Antimatter, Indieworks and two from New York Press. She has had one-woman shows at the Olympia Film Festival, Perth International Film Festival, and the Duolun Art Museum in Shanghai, China. Her surrealist silent film Empire of Ache was recently acquired by The Getty Museum’s feminist film collection, curated by Miranda July. Her storytelling abilities support not only writing, but her editing, gaining her the reputation for saving shelved films as “The Edit Doctor”.

Hammer’s most recent film The Sisters Plotz, starring Eve Plumb (The Brady Bunch) was recently acquired by Amazon Prime, the Roku Channel and FandangoNow. Hammer co-created and co-writes the original series Maybe Sunshine now on the Seeka TV channel on Roku. Her new "Environmental-Comedy-Sci Fi- Horror" screenplay Ghostapus is winning and placing in dozens of festivals and screenplay contests and is in development. 

We talked about her career and the gritty days in New York where you could have rent control and live as an artist.

June 18, 2019 /Julie Harris Oliver
writer, women writers, culture, politics, acting, Ann Dowd, indie film, punk
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA, animation, Digital content, Editorial, film festivals, Independent Film, Producer, webseries
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Episode 164: Sigrid Gilmer, Writer

June 11, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA

This episode is brought to you by:

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Today I talked with Sigrid Gilmer. Sigrid makes black comedies that are historically bent, totally perverse, joyfully irreverent and concerned with issues of identity, pop culture and contemporary American society. Sigrid burst onto the national theater scene with her play Harry and the Thief, an action film/historical/time travel play about a thief who is blackmailed into traveling back in time to deliver a cache of arms to Harriet Tubman. It has since been produced across the country, including runs at the Pavement Group (Chicago), the Know Theatre (Cincinnati), and the Skylight Theatre (LA).

Additional select works include Slavey (Clubbed Thumb), Seed: A Weird Act of Faith, It’s All Bueno (Cornerstone Theater Company), Frilly, and White 3: Manifestdestinyland. Her television work includes: A Series of Unfortunate Events (Netflix) and Claws (TNT).

Sigrid’s play Mama Metal is playing right now at IAMA Theatre Company at the Atwater Village Theatre through June 23rd. You can get tickets here iamatheatre.com.

June 11, 2019 /Julie Harris Oliver
writer, WGA, women writers, culture, politics, acting, Ann Dowd
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, Comedy, acting, Politics, theatre, WGA
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Episode 163: Angela Cohen, Actress, Writer, Filmmaker

June 04, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, Producer, webseries, business, Coaching, Comedy, Commercials, entrepreneur, family films, healthcare, investment, theatre, VFX, acting

This episode is brought to you by:

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I spoke with Angela Cohen for episode 163. Angela is a writer and an actress with a degree from Emory University in Neuroscience and Behavioral Biology. In 2012, Angela founded Charley Bear Productions Inc, with a vision to affect change through art, showcasing the female perspective in front of and behind the camera. Charley Bear produced the dramatic short film, Without Grace, starring Angela alongside award winning actress Ann Dowd. It is wonderful and you should watch it.

In fact, you should watch it today, as it is in the All Voices Film Festival on Amazon through June 17th. Finalists are based upon the numbers of views in the time period. Angela would love to recoup her angel investor’s generous contribution in making this film and stir your heart with emotion in the process. It's 18 minutes- you have 18 minutes!  

Here's the link to watch Without Grace. Tell your friends! 

Angela is fascinated with the brain and the overlap of art and science. The synergy of this will be actualized in her work in Virtual Reality, which she will tell us all about.


June 04, 2019 /Julie Harris Oliver
writer, WGA, women writers, culture, politics, producing, filmmaker, independent film, acting, acting technique, Ann Dowd
Diversity, entertainment, Film & TV, hollywood, women, Writers, activism, human rights, Studios, music, Digital content, Directors, documentary, film festivals, Independent Film, Producer, webseries, business, Coaching, Comedy, Commercials, entrepreneur, family films, healthcare, investment, theatre, VFX, acting
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Episode 157: T.L. Quach, Filmmaker

April 23, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, Comedy, documentary, entrepreneur, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, WGA

This episode generously sponsored by:

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T. L. is an independent filmmaker based in Los Angeles after studying Film Studies at UC Berkeley and working in production on major TV and Films in New York City.

Her short films have been all over the festival circuit and her short film, Rule of Threes, won an Award of Merit for Women Filmmakers at the Accolade Global Film Competition and an Award of Merit at One-Reeler Film competition.

She is currently developing a new screenplay and also producing her first screenplay, Crave, into a feature film. Which she will tell us all about. You can find more about TL here: http://www.tlquachfilms.com/

April 23, 2019 /Julie Harris Oliver
women in film, short film, immigration, indie film, editing, journalism, writing, acting, film festival
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, Comedy, documentary, entrepreneur, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, WGA
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Episode 153: Mari Meyer, Writer, Journalist, Filmmaker and Actor

March 26, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, Unscripted, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, Reality, WGA, LGBT, theatre

This episode generously sponsored by:

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Mari is a writer, journalist, filmmaker and actor. She holds a BA in Journalism and completed the 3 Year Conservatory program at the Stella Adler Studio of Acting in New York.

As a journalist, she has over ten years of experience in news, art and entertainment journalism, both in the Netherlands and in the U.S. She is producer and director of VAGILANT, a short documentary film about the Women's March on Washington and was the lead producer on music video project A Whole New World. She co-wrote, produced and starred in The Soothing System, an award winning narrative short film. In 2018, Female Filmmakers Fuse Film Festival in Los Angeles named her Filmmaker of the Year.

We talked about her new projects in development, her work within the prison system in New York and how finding your voice and telling your story, as cliché as that is starting to sound, is still imperative.

You can find more about Mari here.

March 26, 2019 /Julie Harris Oliver
women in film, short film, immigration, indie film, editing, journalism, writing, acting
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, Unscripted, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, Reality, WGA, LGBT, theatre
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Episode 152: Michelle Salcedo, Director/Writer

March 21, 2019 by Julie Harris Oliver in Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, Unscripted, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, Reality, WGA

This episode generously sponsored by:

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Michelle directed a gorgeous short film called Piel Canela, that she shot in Cuba and which is screening at several film festivals this week. It will be premiering at the San Diego Latino Film festival March 23, as well as the Chicago Latino Film Festival March 29, and 31st, with a Miami screening happening first weekend in April at the Indie Pasión Film festival! So, if you are anywhere near any of those places, make a point of going to see it. I have seen the trailer and it is gorgeous. You can see the trailer here.

Michelle came up through marketing and editing at Miramax during the heyday, editing with Bunim Murray, and is now writing and directing full time. She tells us the whole story of scouting and then shooting in Cuba, counting all her cash in a bathroom stall at LAX to make sure TSA hadn’t taken any, and her Grandmother’s spirit yelling at her about all of it.

You can find more about Michelle and Piel Canela here.

March 21, 2019 /Julie Harris Oliver
women in film, short film, cuba, immigration, adoption, indie film, editing
Diversity, entertainment, Film & TV, Post Production, women, hollywood, Directors, Editorial, Politics, Producer, Studios, Writers, activism, Comedy, documentary, entrepreneur, Unscripted, human rights, AFI, DGA, family films, film festivals, Immigration, Independent Film, Reality, WGA
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